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The etiological factor leading to ARDS after renal transplantation is frequently mixed infection, the pathogen include oppartunitly bacteria ,Fungus, cytomegalovirus ,mycoplasm- chlamydia and so on, the diagnosis should be clear- out, meanwhile the colligated therapy should be taken as soon as possible, and the dosage of immunosuppressive agents should be adjust in order to avoid laging therapy, therapy should be taken as soon as possible , and the dosage of immunosuppressive agents should be adjust in order to avoid laging terapy, therapy should be taken as soon as possible,and the dosage of immunsuppressive agents should be adjust in order to avoid laging terapy.

引起肾移植术后AP，DS的病因常为混合感染，病原体可能有细菌、真菌、巨细胞病毒及支原体衣原体等，明确病原的同时应尽早采用综合治疗，同时调整免疫抑制剂药剂量，以免延误治疗。

Result: Comparison between EG and CG shows a significant difference in level of blood kidney function EG＇ s nephridial tissue appears nomal in structure and shows a clear struchural core without change in its nature.

结果EG与CG相比，血中肾功能水平均有显著性差异；EG肾组织结构正常，结构核清晰、无变性；CG组大鼠运动力竭24h后则出现肾组织损害、肾组织结构紊乱、肾区小管有脱落管型生成等。

Male and female use mouth and tail to clear away dense vegetation to make donut-shaped floating nest about 11.8 in (30 cm) in diameter, into which the translucent yellow nonadhesive eggs (about 0.06 in/0.15 cm in diameter) are placed.

男、 女使用口和尾清除要同心圆形状浮嵌套约 11.8 中（30 厘米）的密集植被直径，透明黄色 nonadhesive 蛋（约直径的 0.06 0.15 ／厘米）放到其中。

Moreover, in comparison of birth lengths in eight subgroups defin ed by organic solvent status (nonexposure/exposure) and maternal genotype for MS P1 and GSTM1, in the presence of organic solvents ' exposure , the birt h length was a clear gradient of adverse effects .

3我们将芳香烃溶剂，母亲基因MSP1（野生型、杂合子/突变型）与基因GSTM1分为8组，在芳香烃溶剂暴露组，可见母亲基因型致出生身长呈斜线降低，然而在芳香烃溶剂非暴露组，其母亲基因型对出生身长的影响无明显改变。

A goby fish with brilliant orange streaks stands out on a bit of gray bubble coral in Maumere Bay off Indonesias Flores Island. In most of the ocean, turbid or murky waters force creatures to use nonvisual means of communication—smell, taste, touch, and sound. But in the clear, sunlit waters of coral reefs, light abounds, vision predominates, and animals drape themselves in blazing color.

goby鱼艳橙条纹脱颖而出就有点灰色泡沫珊瑚maumere湾小康印度尼西亚的 S弗洛雷斯岛，在大部分的海洋，混浊或浑水武力的动物，使用nonvisual的通信手段-嗅觉，味觉，触觉以及良好的，但在明确的，受阳光照射水域的珊瑚礁，轻比比皆是，视觉占主导地位，与动物的悬垂性，在自己的创新色彩。

For TRO there are a little surfacatants whose effect are not good.In this paper,content of sulfonates and composition of alkyl are decided through right design ;under control reaction conditions different alkylbenzene sulfonates are synthesized;Polyreaction catalyst is developed .non-straight high carbon olefine are made through C9-C12 Polyreaction technolgy;clear composition alkylkenzene is sulfanated in falling-film reactor by SO,product can be adjusted,recipe of the surfacate can be used for super-low interfacialtension with Daqing oil -10-3-10-4mN/m,and stablity is good too.According to method issued by Daqing Develop and Explore Research institute,EOR is over 20% in natural core .

本文研究通过烷基苯磺酸盐组成的正确设计，确定了磺酸盐的当量范围和烷基碳数组成和分布；通过对烷基化条件控制，设计合成了不同碳数的直链和支链烷基苯及烷基二甲苯，并用于制备了相应的烷基苯磺酸盐；研制出了新型的烯烃叠合络合催化剂，采用C_9、C_(12)支链烯烃叠合工艺合成了更高碳数的支链烯烃，并进一步合成出相应的烷基苯和烷基二甲苯；以SO_3为磺化剂，通过对磺化条件的选择和控制，采用已知组成的烷基苯混合物进行膜式磺化反应，使合成工艺得以简化；所得磺酸盐组成确定并且可控，最终配方可与大庆原油形成超低界面张力，达10~3～10~(-4)mN/m数量级，且稳定性良好；以合成的烷基苯磺酸盐为主体形成了三元复合驱配方，室内驱油模拟实验表明，按照大庆研究院对复合驱体系活性剂的评价方法，在天然岩芯上的驱油效率在20％以上。

When Griffis eagerly anticipates the narrative montage after Hollywood the mainstream, the Chaplin accident in is also emphasizing the single lens' expressive force, although he has also utilized some similar "Modern Time" begins the sheep and worker's two lens such performance montage technique, but more time he in faithful with panoram lens performance movement experience time,"Modern Time" mid summer Luo river the scene which sings in the dining room, the fixed positive panoram angle of view, the similar play's onlooking way, the audience can only see Xia the Luo one-man show, can obtain in merely the dining room from lens' laughter people's response,This is certainly for the more comprehensive clear performance its comedy movement and the scene, but actually unavoidably has "adheres to traitors" suspicion of the stage show.

当格里菲斯在好莱坞引领起叙事蒙太奇的主流之后，卓别林意外的还在强调著单个镜头的表现力，虽然他也运用了一些类似《摩登时代》开头绵羊和工人的两个镜头那样的表现蒙太奇手法，但更多的时候他还是在忠实的用全景镜头表现动作的经验时间，《摩登时代》中夏洛尔在餐厅中唱歌的场面，固定的正面全景视角，类似戏剧的观看方式，观众只能看到夏尔洛的独角戏，仅仅能从镜头之外的笑声中得到餐厅里人们的反应，这当然是为了更全面清楚的表现其喜剧动作和场景，但却难免有&附逆&舞台表演之嫌。

The plait distance method of the programmable preface controller is a course whose fulfillment is very strong with engineering application, exsits to prelect through the years difficult, practice the difficult problem in eldest brother in difficult etc., on the classroom of explain in detail and cant leave the student the fresh and clear but deep impression, the teaching result ignores to think very much, so must look for the new teaching path, increasing teaching result.

可编程序控制器的编程方法与工程应用是一门实践性很强的学科，历年来存在着讲课难、实践难等老大难问题，课堂上的讲解并不能给学生留下鲜明而深刻的印象，教学效果很不理想，所以必须寻找新的教学途径，提高教学效果。

In the case of clear acrylic polyamic innovativeink, innovativeink, nitrosalicylic innovativeink and pyroligneous resin inks almost all of them can be used as polyurethane adhesive dry compound table printing ink business card printing and membership card and white ink is used in printing ink, as well as all table printing ink ' or color screen printing inks in the inks, while white ink table printing ink business card printing and membership card.

如聚酰胺油不朱、丙烯酸油不朱、硝基油不朱、氯醋树脂油不朱等实在都可以息为聚氨酯胶潮式不简单的外印油不朱制卡和会员卡制息，而白不朱则拔取边印油不朱，也有全部拔取外印油不朱'或者不黑白油不朱用边印油不朱，而白不朱拔取外印油不朱制卡和会员卡制息的。

A very clear memorie as a small girl, seeing on a walk troughthe park in my head some 3D picture of twisted wires, hair or woolgetting thin and getting thik again, getting big and getting small.this picture was accompagnied with feeling sick in a strange way inever would forget, it took just a few seconds technical abilitieswere i suppose not enough refind for 3D, this problem ten yearsafter did not anymore exist and 3d pictures apear in colourrealistic live experiences, dreams even while awake.

作为一个小女孩的非常清楚的记忆，我看到在我的脑海里，有些扭曲的像电线、羊毛或头发的三维图像变的越来越细，又变的愈来愈粗，变的越来越大，又变的越来越小。这幅画卷伴随着恶心的感觉，以一种我无法忘记的奇怪的方式。短短几秒钟的技术，我猜测还不足以让我细加区分三维，这个问题10年后不再存在，并且3D画面出现在彩色的现实生活的经历中，甚至在你醒来时依然在做梦。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。