查询词典 in black and white

Karsh was praised as a master portraitist,often working in black and white,influenced by great painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白影像。

Karsh was praised as a master portraitist, often working in black and white, influencedby great painters of the past.

Karsh是一位受人称赞的画家大师，经常在白人与黑人间工作，受到过去的伟大画家的影响。。

Karsh was praised as a master portraitist, often working in black and white, influenced by great painters of past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影。

Kart was praised as a master portraitist, often working in black and white, influenced by great painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影。

Karsh was prased as a master portraitist,often working in black and white,influenced by great painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影。

Karsh was praised as a master portraitist, often working in black and white, influenced by great patient painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影。

Karsh was praised as a master portraitist, often working in black and white,influenced by great painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中

Karsh was praised as a master portraitist, often working in black and white ,influenced by great painters of the past .

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白拍摄。

D 51、 Karsh was praised as a master portraitist, often working in black and white, influenced by great patient painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影。

I9 p Karsh was praised as a master portraitist, often working in black and white, influenced by great patient painters of the past.

卡什被人们誉为人像大师，由于受到历史上一些著名画家的影响，他在拍摄中经常运用黑白摄影

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。