查询词典 in all ages

Diamantmuseum Brugge displays a number of unique objects: The interior of the imaginary workshop of Lodewijk van Berquem; a rare replica of the crown of Margaret of York, handmade in Bruges; samples of Bruges' all important imports and exports during its early Middle Ages; original mining equipment and a mine shaft; an exclusive 1:1 scale model of the total quantity of world diamond production; hundreds of genuine manufacturing tools, for sawing, bruting and polishing, used within the diamond industry in Belgium, and, of course, thousands of real diamonds.

布鲁日钻石博物馆展示了若干独特的主题，路德维希·凡·伯克姆的作坊内景；布鲁日手工制作的约克玛格丽特珍贵的王冠复制品；布鲁日在中世纪进出口的所有样品；原始的采矿设备和矿井，一个独一无二的用立方锆制成的表示全世界钻石产量的1比1模型；数百件在布鲁日的钻石业中曾使用过的加工工具，包括用来切割、研磨、抛光的真实的工具，当然，还有几千颗真正的钻石。

The Drama again—as, for instance, the finest of Shakespeare's plays in England, and all leading Athenian plays in the noontide of the Attic stage—operated as a literature on the public mind, and were (according to the strictest letter of that term) published through the audiences that witnessed their representation some time before they were published as things to be read; and they were published in this scenical mode of publication with much more effect than they could have had as books during ages of costly copying or of costly printing.

另如剧作品，最好的英国莎士比亚剧作，所有主要的在雅舞台上上演过的雅典剧作，在大众看来，都是一种文学，并且，它们都在大众面前公演过，有时，人们在这些作品出版前就目睹了基于这些作品的演出。在当时那个复印、印刷费昂贵的年代里，以舞台形式呈现的作品往往能比它们以书的形式出版取得更大效应。

Aside from the two-faced landscape, aside from the virtuoso acting, aside from the stunning and subtle make-up job of ageing these two young men 20 years, an accumulation of very small details gives the film authenticity and authority: Ennis' dirty fingernails in a love scene; the old highway sign "entering Wyoming" not seen here for decades; the slight paunch Jack develops as he ages; the splotch of nail polish on Lureen's finger in the painful telephone scene; her mother's perfect Texas hair, Ennis and Jack sharing a joint instead of a cigarette in the 1970s; the switched-around shirts; the speckled enamel coffee pot; all accumulate and convince us of the truth of the story.

离开两面的景色，离开虚拟的场景，远离表现两个人20年以来老龄的化妆过程，从非常小的细节开始转变，做爱中ennis的脏手指甲，旧的高速公路上"进入怀俄明州"的路牌（如今已经销声匿迹好几十年了！）jack的肚皮日渐肥厚，lureen的指甲打扮得花侨，她妈妈的完美的的克萨斯州发型，ennis和jack共享一支1970年的烟，互相缠绕的衬衫，锈迹斑斑的咖啡锅，所有一切积累起来，让我们信以为真。

But it was the Will of the Eastern Empire only and the researches of Savigny have shown that in Western Europe the old Mancipatory Testament, with all its apparatus of conveyance, copper, and scales, continued to be the form in use far down in the Middle Ages.

但这只是东罗马帝国的&遗嘱&；根据萨维尼的研究，显示出在西罗马帝国，直到中世纪，旧的&曼企帕地荷遗命&连同让与、铜和天平等工具，仍旧被继续使用着。

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成&戏剧之光&、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

Jerome styles them, from which many a Christian artist has drawn his inspiration (see, for instance, Raphael's "Espousals of the Virgin"), are void of authority; they nevertheless acquired in the course of ages some popularity; in them some ecclesiastical writers sought the answer to the well-known difficulty arising from the mention in the Gospel of "the Lord's brothers"; from them also popular credulity has, contrary to all probability, as well as to the tradition witnessed by old works of art, retained the belief that St.

这些梦想，因为圣杰罗姆风格他们，许多基督教艺术家引起他的灵感（见，例如，拉斐尔的& Espousals维尔京&），是无效的权力；但它们在收购过程中一些年龄受欢迎；在教会他们一些作家寻求答案众所周知的困难引起提到福音的&上帝的兄弟&；他们也很受欢迎轻信了，违反了所有的可能性，以及传统的见证岁艺术作品，保留相信，圣约瑟夫是一名男子在结婚时与天主之母。

It is present not only in the three"golden ages",but also in almost all the formations of societies,and it formes important bases for these formations of societies;but the small\|scale farming has never become a leading mode of production in any society because of its decentralization and weakness.

其原文是：&大体说来，亚细亚的、古代的、封建的和现代资产阶级的生产方式可以看做是社会经济形态演进的几个时代。&1在研究中，我注意到，此论断中的关键词&看做&，原文&bezeichnet&的主要意思是&标志&、&标明&，&看做&乃是它的基本含义的引伸。

I said to the Lord Wow, look at that! Then I realized the rock was the Rock of ages, is a shelter to all that seek refuge and abide in him. And no evil could enter in and harm those who sought shelter in the Rock.

看那个！然后我知道那是一块法定之石，是一个庇护所，收留任何寻求避难的人，没有任何的邪恶可以进入伤害在岩石内逃难的人。

The author, who is believed to be a black monk, whose dark color of their frock synbolized his deadly offensive sin in the Middle Ages, inspired by the desire to bring tresmendous immortal glory to his monastery, locked himself in one isolate room,choosing to shut up the world and becoming a real "inclusus".to finish his great work which contains all the humans' knowledges in that age.

他僧袍灰暗的颜色象征了他们所犯下的深重的罪恶。他因为渴望带给自己的修道院永垂不朽的荣耀，于是将自己关进隔离室，与世隔绝，成为了一名真正的&隐者&（inclusus是拉丁语），以此来激励自己完成这部包含了当时所有人类所知的知识的大书。

When enjoying the works at the painter's home, I found a batch of the earlier pastel drawings of him. Their luminous dreaming colors remind me of the vision paintings made by nuns in convents in the Middle Ages and Odilon Redon, a symbolistic painter who was skilled in pastel drawings. All of these paintings have strange images in common.

於画者家中看画时，见到一批最早先的粉彩画作，光亮般梦质色彩，使我想到一些中古时期修院中修女的灵视画作和同样擅长以粉彩作画的象徵主义画家鲁东，有著同样的奇诡画面，我问画者，这些景象从何而来？

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。