查询词典 in a word

It was the apparition of youth to youth, the dream of nights become a reality yet remaining a dream, the longed-for phantom realized and made flesh at last, but having as yet, neither name, nor fault, nor spot, nor exigence, nor defect; in a word, the distant lover who lingered in the ideal, a chimaera with a form.

那是青春对青春的启示，已成好事而又止于梦境的梦境，向往已久、终于实现并有了血肉的幽灵，但还没有名称，也没有罪过，没有缺点，没有要求，没有错误，一句话，是一个可望而不可及、停留在理想境界中的情人，一种有了形象的幻想。

Athena's name is possibly of Lydian origin.It may be a compound word derived in part from Tyrrhenian "ati", meaning "mother" and the hame of the Hurrian Goddess "Hannahannah" shortened in various places to "Ana". In Mycenaean Greek, She possibly appears in a single inscription in the Linear B tablets: A-ta-na-po-ti-ni-ja /Athana potniya/ appears on a text from the Late Minoan II-era "Room of the Chariot Tablets" in Knossos, the earliest Linear B archive anywhere.

雅典娜这个名字可能起源于利底亚，它是由第勒尼安语中的"ati"和胡里安人的女神"Hannahannah"名字的简化"Ana"拼合而成，在迈锡尼文明时期，起源于米诺斯王朝后期，位于科诺索斯的"战车铭文之室"的一则铭文中，雅典娜也许是以"A-ta-na-po-ti-ni-ja /Athana potniya"这个名字出现的。

In a word, a man in a crowd behaves as though he had swallowed a large dose of some powerful intoxicant. He is a victim of what I have called ' herd-poisoning'.

总之，一个人身处某个群体里就好像吃了大量的烈性致醉药物，他自己便是这种有毒药物的牺牲品。

The female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.In a word womens destiny in Water Margin is a miserable foregone!

这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

In a Word, I was so prepossess'd against my going by Sea at all, except from Calais to Dover, that I resolv'd to travel all the Way by Land; which as I was not in Haste, and did not value the Charge, was by much the pleasanter Way; and to make it more so, my old Captain brought an English Gentleman, the Son of a Merchant in Lisbon, who was willing to travel with me: After which, we pick'd up two more English Merchants also, and two young Portuguese Gentlemen, the last going to Paris only; so that we were in all six of us, and five Servants; the two Merchants and the two Portuguese, contenting themselves with one Servant, between two, to save the Charge; and as for me, I got an English Sailor to travel with me as a Servant, besides my Man Friday, who was too much a Stranger to be capable of supplying the Place of a Servant on the Road.

总之，我不想走海路已成了一种先入为主的想法，怎么也无法改变了；唯一我愿意坐船的一段路，就是从加来到多佛尔这段海路。现在，我既不想急于赶路，又不在乎花钱，所以就决定全部走陆路，而且陆上旅行实在也是很愉快的。为了使这次旅行更愉快，我的老船长又给我找了一位英国绅士为伴。此人是在里斯本的一位商人的儿子，他表示愿意和我结伴同行。后来我们又找到了两位英国商人和两位葡萄牙绅士，不过两位葡萄牙绅士的目的地是巴黎。这样，我们现在一共有六个旅伴和五个仆人；那两位英国商人和两位葡萄牙绅士为了节省开支，各共用一个听差。而我除了星期五之外，又找了一个英国水手当我路上的听差，因为星期五在这异乡客地，难以担当听差的职务。

It happen'd, being in Company with some Merchants and Planters of my Acquaintance, and talking of those things very earnestly, three of them came to me the next Morning, and told me they had been musing very much urn what I had discoursed with them of, the last Night, and they came to make a secret Proposal to me; and after enjoining me Secrecy, they told me, that they had a mind to fit out a Ship to go to Guinea, that they had all Plantations as well as I, and were straiten'd for nothing so much as Servants; that as it was a Trade that could not be carried on, because they could not publickly sell the Negroes when they came home, so they desired to make but one Voyage, to bring the Negroes on Shoar privately, and divide them among their own Plantations; and in a Word, the Question was, whether I would go their Super-Cargo in the Ship to manage the Trading Part upon the Coast of Guinea?

有一次，我与一些熟悉的种植园主和商人又很起劲地谈论这些事情。第二天上午，有三个人来找我。他们对我说，他们对我昨天晚上的谈话认真思考了一番，特前来向我提出一个建议。但他们说，这建议必须保密。因此他们要求我严守秘密。然后，他们对我说，他们想装备一条船去几内亚。他们说，他们都像我一样有种植园，但最感缺乏的是劳动力。他们不可能专门从事贩运黑奴的买卖，因为他们回巴西后不可能公开出售黑奴，因此，他们打算只去几内亚一次，回巴西后把黑奴偷偷送上岸，然后大家均分到各自的种植园里去。简而言之，现在的问题是，我愿不愿意管理他们船上的货物，并经办几内亚海岸交易的事务。

It happen'd, being in Company with some Merchants and Planters of my Acquaintance, and talking of those things very earnestly, three of them came to me the next Morning, and told me they had been musing very much upon what I had discoursed with them of, the last Night, and they came to make a secret Proposal to me; and after enjoining me Secrecy, they told me, that they had a mind to fit out a Ship to go to Guinea, that they had all Plantations as well as I, and were straiten'd* for nothing so much as Servants; that as it was a Trade that could not be carried on, because they could not publickly sell the Negroes when they came home, so they desired to make but one Voyage, to bring the Negroes on Shoar privately, and divide them among their own Plantations; and in a Word, the Question was, whether I would go their Super-Cargo* in the Ship to manage the Trading Part upon the Coast of Guinea?

有一次，我与一些熟悉的种植园主和商人又很起劲地谈论这些事情。第二天上午，有三个人来找我。他们对我说，他们对我昨天晚上的谈话认真思考了一番，特前来向我提出一个建议。但他们说，这建议必须保密。因此他们要求我严守秘密。然后，他们对我说，他们想装备一条船去几内亚。他们说，他们都像我一样有种植园，但最感缺乏的是劳动力。他们不可能专门从事贩运黑奴的买卖，因为他们回巴西后不可能公开出售黑奴，因此，他们打算只去几内亚一次，回巴西后把黑奴偷偷送上岸，然后大家均分到各自的种植园里去。简而言之，现在的问题是，我愿不愿意管理他们船上的货物，并经办几内亚海岸交易的事务。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Athena's name is possibly of Lydian origin.It may be a compound word derived in part from Tyrrhenian "ati", meaning "mother" and the hame of the Hurrian Goddess "Hannahannah" shortened in various places to "Ana". In Mycenaean Greek, She possibly appears in a single inscription in the Linear B tablets: A-ta-na-po-ti-ni-ja /Athana potniya/ appears on a text from the Late Minoan II-era "Room of the Chariot Tablets" in Knossos, the earliest Linear B archive anywhere.

雅典娜这个名字可能起源于利底亚，它是由第勒尼安语中的&ati&和胡里安人的女神&Hannahannah&名字的简化&Ana&拼合而成，在迈锡尼文明时期，起源于米诺斯王朝后期，位于科诺索斯的&战车铭文之室&的一则铭文中，雅典娜也许是以&A-ta-na-po-ti-ni-ja /Athana potniya&这个名字出现的。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。