查询词典 in a sense

Frank outside the family is probably the most sober person, as a once well-known scholars, although as a result of homosexual sexual orientation, as a result of unsatisfactory career led him to become a personal failure, but in reality, Frank does not have this kind of production rank-order the family a sense of crisis, he is more in their own minds, it is for this reason that he is actually directed into the family set up a bystander.

弗兰克这个家庭的外来者恐怕是最为清醒的人，作为一个曾经的知名学者，虽然由于同性恋的性取向，由于事业上的不如意致使他个人成为一个失败者，但实际上，弗兰克并没有这种中产阶阶家庭的危机感，他更多的是处于自己的思想里，也正因为如此，他实际是导演设置进家庭中的一个旁观者。

We are mature enough now to stand the shock of learning that much of what we were taught in our youth was wrong, or improperly understood by those who were teaching it, or perhaps shaded a bit, the shading resulting from the personal needs of the teachers, who as human beings had a tendency to introduce some of their heart's blood into their work, and sometimes this may not have been of the first water, this heart's blood, and even if they thought they were moving the "knowledge" out, as the Board of Education had mandated, they could have noticed that their sentences weren't having the knockdown power of the new weapons whose bullets tumble end-over-end (but it is true that we didn't have these weapons at that time) and they might have taken into account the fundamental dubiousness of their project (but all the intelligently conceived projects have been eaten up already, like the moon and the stars) leaving us, in our best clothes, with only things to do like conducting vigorous wars of attrition against our wives, who have now thoroughly come awake, and slipped into their striped bells, and pulled sweaters over their torsi, and adamantly refused to wear any bras under the sweaters, carefully explaining the political significance of this refusal to anyone who will listen, or look, but not touch, because that has nothing to do with it, so they say; leaving us, as it were, with only things to do like floating sheets of Reynolds Wrap around the room, trying to find out how many we can keep in the air at the same time, which at least gives us a sense of participation, as though we were Buddha, looking down at the mystery of your smile, which needs to be investigated, and I think I'll do that right now, while there's still enough light, if you'll sit down over there, in the best chair, and take off all your clothes, and put your feet in that electric toe caddy and slip into this permanent press hospital gown, to cover your nakedness-why, if you do all that, we'll be ready to begin!

现在我们已经足够成熟来承受学习的震撼，以此我们来嘲笑我们年轻时候的错误，或者错误地理解教我们的人，或者也许掩饰掉它，掩饰将使得我们更需要老师，他们就像人类的趋向来将他们的一些心血用在工作上，有些时候这些已经不是第一点水了，这是心血，甚至他们是在想他们把"知识"搬了出去，广泛教育形成，他们也许已经认识到他们的句子已经没有新武器的那样的震撼力了，新武器的子弹击倒了一个又一个（但是的确哪个时候我们没有那样的武器），他们也许会被考虑进基础性不确定的留给我们的项目（但是所有构思高明的项目早就被吃光了，就像星星之于月亮），在我们最好的衣服中，只有一件事情可以做，就像操纵有力的战争摩擦来反对我们的妻子一样，她正在完全醒来，滑进有斑纹的闹钟中，扯下羊毛衫，放在为完成的作品上，坚决拒绝在羊毛衫里穿任何凶罩，小心翼翼地想任何听众解释这个拒绝政治上的重大意义，或者观众，但不包括触抹者，因为这没有任何意义，所以他们说，不要管我，只有一件事情要做，就像雷诺茨？

We are mature enough now to stand the shock of learning that much of what we were taught in our youth was wrong, or improperly understood by those who were teaching it, or perhaps shaded a bit, the shading resulting from the personal needs of the teachers, who as human beings had a tendency to introduce some of their heart's blood into their work, and sometimes this may not h39e been of the first water, this heart's blood, and even if they thought they were moving the "knowledge" out, as the Board of Education had mandated, they could h39e noticed that their sentences weren't h39ing the knockdown power of the new weapons whose bullets tumble end-over-end (but it is true that we didn't h39e these weapons at that time) and they might h39e taken into account the fundamental dubiousness of their project (but all the intelligently conceived projects h39e been eaten up already, like the moon and the stars) le39ing us, in our best clothes, with only things to do like conducting vigorous wars of attrition against our wives, who h39e now thoroughly come awake, and slipped into their striped bells, and pulled sweaters over their torsi, and adamantly refused to wear any bras under the sweaters, carefully explaining the political significance of this refusal to anyone who will listen, or look, but not touch, because that has nothing to do with it, so they say; le39ing us, as it were, with only things to do like floating sheets of Reynolds Wrap around the room, trying to find out how many we can keep in the air at the same time, which at least gives us a sense of participation, as though we were Buddha, looking down at the mystery of your 56ile, which needs to be investigated, and I think I'll do that right now, while there's still enough light, if you'll sit down over there, in the best chair, and take off all your clothes, and put your feet in that electric toe caddy and slip into this permanent press hospital gown, to cover your nakedness-why, if you do all that, we'll be ready to begin!

现在我们已经足够成熟来承受学习的震撼，以此我们来嘲笑我们年轻时候的错误，或者错误地理解教我们的人，或者也许掩饰掉它，掩饰将使得我们更需要老师，他们就像人类的趋向来将他们的一些心血用在工作上，有些时候这些已经不是第一点水了，这是心血，甚至他们是在想他们把"知识"搬了出去，广泛教育形成，他们也许已经认识到他们的句子已经没有新武器的那样的震撼力了，新武器的子弹击倒了一个又一个（但是的确哪个时候我们没有那样的武器），他们也许会被考虑进基础性不确定的留给我们的项目（但是所有构思高明的项目早就被吃光了，就像星星之于月亮），在我们最好的衣服中，只有一件事情可以做，就像操纵有力的战争摩擦来反对我们的妻子一样，她正在完全醒来，滑进有斑纹的闹钟中，扯下羊毛衫，放在为完成的作品上，坚决拒绝在羊毛衫里穿任何凶罩，小心翼翼地想任何听众解释这个拒绝政治上的重大意义，或者观众，但不包括触抹者，因为这没有任何意义，所以他们说，不要管我，只有一件事情要做，就像雷诺茨？

In the Theaetetus Plato tried to show the danger of conceiving the world as but a Heraclitean flux; for discourse to be possible, we need something like general terms. Or in other words, there must be something more than the mere perception of each individual in each moment. This "must" is not the Kantian "must"--in the sense of a transcendental precondition for cognition--but a "must" that is thoroughly practical: without general terms, we cannot even talk to each other.

这套想法的内容本身，我是同意的；但我不大认同这种笛卡儿式的method of doubt(即为了捉紧一些颠扑不破的真理而在方法上质疑一切有理由被质疑的见解)，尤其是在灵性而非物性的探索上，因为这种怀疑方法所带来的结论，往往不会令人高呼Heureka，而只会使人吐出一句so what--你考虑的可能是某种观念的实际意义，而我重视的则是某种方法的实用价值。

Mr. Gong Yi, a famous Guqin master of unique personal playing style, has taken advantages of the strong points of different schools to show the unique lingering charm vividly and incisively in this collection through his exquisite playing technique and superlative craftsmanship, in combination of the audio treatment technology of Pauler Acoustics, Germany for the master tape, to allow you be intoxicated with the broadness of motion, the deepness and richness of low frequency and the smoothness of space sense, as if staying in a deep and secluded valley in remote mountains, surrounded by ancient woods and cool spring, reaching a selfless state with an integration of person and the Guqin.

素以博取众家之长，形成极具个人风格的著名古琴演奏家--龚一先生，在本专辑中更以其鬼斧神工的精湛演奏技巧，结合母带后期采用德国老虎鱼音频处理技术，将琴乐特有的空间韵味表现得淋漓尽致，使你沉醉于其宽广的动态，浑厚丰满的低频和流畅的空气感中，犹如置身于深山幽谷、古木寒泉中，臻至琴意相通，人琴合一的无我境界。

In my paper I shall argue in favor of this approach, while at the same time emphasizing the need for improvements - briefly stated: less emphasis on their notion of "idealization" and more of an emphasis on a "gradualist" and "meliorist" approach, operating more analytically, by cautious analysis of a variety of situated thought-experiments, preferably in terms of "arguments from absurdity" in a pragmatic sense.

在本文中，我将支持这种进路，同时强调改进的必要性。简要地讲，就是较少强调他们的"理想化"的观念，而更多地强调一种逐级主义的和淑世主义的进路，通过对处于不同境遇下的思想实验的谨慎分析，特别倚重语用学意义上的"归谬论证"，更具分析精神地来进行这种探讨。

"Hazy" Good ambiguous name, yesterday in a rare fog enveloped the entire City, a very silly sense of visibility below 10 meters, just go out would be a kind of very exciting feeling, in that space of the Mist stay for a long time, feeling a boring person can not see anything, can only be seen a few zero-Mist dilute the flashing lights of the cars, you do not know what the status outside the 10 meters, or even the traffic lights, you do not know what you will face is how the situation, everything is unknown, that Mende feeling may just be time for everyone to face the unknown of a mind's instinctive reaction to fear.

"雾蒙蒙"好暧昧的一个名字，昨天一场罕见的大雾笼罩整个岛城，很懵懂的感觉，能见度低于十米，刚刚外出会有种很兴奋的感觉，在那种蒙蒙的空间里呆久了，感觉很闷，看不见任何东西，只能蒙蒙中见到几个零稀的车灯在闪烁，你可以不知道十米以外是怎样的状况，甚至是红绿灯，你也不知道你将面临的是怎样的状况，一切都是未知，那种闷得感觉，可能只是每个人面临未知时的一种内心恐惧的本能反应。

His phantom-like characters appear in public places in front of a huge audience, this connotes a sense of history. Yin rarely depicts sensitive moments in the Chinese history. He likes to use red and employs highly flexible strokes, either using strong, bold strokes, or quick, light ones. He could highlight the feeling of "heaviness" in just a few strokes and paints people with much ease. Why could Yin rise above his peers? All because "your bearing will decide your destiny".

中国古典园林中的假山石有特定的位置和环境，它构成中国特有的园林景观，但是，就象中国其他古代艺术一样，任何一种形式的艺术达到一定的完美高度，就成为固定的样式，这种样式就成为保留剧目而获得不可动摇的位置，假山石就是其中的一种，我们需要到一定的场所去欣赏他的姿态。

For those who were born in the late 1970s, electronic devices were something exciting and inspiring back then. In the integrated installation "Goodbye Semiconductor", there are dozens of semiconductor radiogram, television, electronic organ, and synthesizer. They are all Peng Lei's personal collection. He enjoys the simple carnival feeling and the sense of security embedded in the design style. These products made in a transitional period are displaced on the floor of a separate room. When all these devices were turned on, the noises from the old days mixed up together and integrated into an "individual happiness", while the revolving color light and mirror-like wall created a chaotic visual effect for the noises.

对于出生于70年代末的人而言，电器机械在当时是让人兴奋和充满想象力的物质，在综合装置作品"再见半导体"中，十几件八十年代出产的半导体收音机、电视、电子琴、合成器都是彭磊的收藏，他喜欢它们简朴的狂欢气息和设计形式下的安全感；这些过渡时期的产品摆放在一个独立的小屋地上，当它们同时打开，来自旧时代的混音彼此嘈杂着组合而成了一件"私人乐事"，彩色旋转灯球和镜反射般的墙面增加了声场的视觉混乱效果。

I have seen in the shop a dumpling of the packin and the packin of a seasoner fresh whole picture green, black and yellow pigments and are inextricably linked in a picture, that is, to the trade mark was forced to land and reluctance to name, but also to reflect back pattern, result is complicated because of the large area of design have any meaning dark lining logo, and the main body of the above should have instructions to all edgeoff,泱, which is wrapped in a patients'psychological on a and a sense of fretful, naturally affect sales.

笔者也曾在店铺见功一栽水饺的包装袋和一栽调味料的包装袋分座画背拔取赤色的不白色的和黄色的色素并彼此交错呈现在一个画背上，即想表示字号被动无耐不天又想表示不实称，还想表示衬托图案，甘休由于其洋不小背积的繁纯的安排操纵任何本质事理暗衬图案呈现，而把上述本该表明的宾体全部冲不浓了，淹泱了，变成这栽包装在人的情绪上一栽贬抑和烦燥之感，板滞也感化着采购。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。