查询词典 in a rage

Moreover, there was in all these words of Thenardier, in his accent, in his gesture, in his glance which darted flames at every word, there was, in this explosion of an evil nature disclosing everything, in that mixture of braggadocio and abjectness, of pride and pettiness,of rage and folly, in that chaos of real griefs and false sentiments, in that immodesty of a malicious man tasting the voluptuous delights of violence, in that shameless nudity of a repulsive soul, in that conflagration of all sufferings combined with all hatreds, something which was as hideous as evil, and as heart-rending as the truth. The picture of the master, the painting by David which he had proposed that M.

并且，在德纳第所说的那一切话里，在那种语调、那种姿势、那种使每一个字都发出火焰的眼神里，在一个性情恶劣的人的这种和盘托出的爆发里，在这种夸耀和猥琐、傲慢和卑贱、狂怒和傻乐的混合表现里，在这种真悲愤和假感情的搀杂现象里，在一个陶醉于逞凶泄愤的欢畅滋味中的这种狂妄行为里，在一个丑恶心灵的这种无耻的暴露里，在一切痛苦和一切仇恨的这种汇合里，也确有一种象罪恶一样不堪注目，象真情一样令人心酸的东西。

Ardis weighs vice-president of ValueClick company strategy, our advertiser is rolling out biscuit of a low carbohydrate, and right now Atkins is mixed South Beach the product reducing weight of two companies be the rage, their target suffers numerous it is a female, but its are the much that should buy as a result it is male of 40 years old, because they hope no longer potbellied., his complement says, then this advertiser begins to put in more advertisement, suffer in order to cover the man of new discovery numerous.

ValueClick企业战略副总裁阿迪斯称，我们的一位广告客户正在推出一款低碳水化合物面包，而此时Atkins和South Beach两家公司的减肥产品正风靡一时，它们的目标受众是女性，但其结果是要购买的大部分都是40岁的男性，因为他们希望不再大腹便便。，他补充说，于是这家广告客户开始投放更多的广告，以覆盖新发现的男性受众。

But what with the murky light, the botchy print, the tattered cover, the jigjagged page, the fumbling fingers, the fox trotting fleas, the lie a bed lice, the scum on his tongue, the drop in his eye, the lump in his throat, the drink in his pottle, the itch in his palm, the wail of his wind, the grief from his breath, the fog of his brainfag, the tic of his con science , the height of his rage, the gush of his fundament, the fire in his gorge, the tickle of his tail, the rats in his garret, the hullabaloo and the dust in his ears, since it took him a month to steal a march, he was hard set to memorize more than a word a week.

然而，花了一个月纳南塔蒂才偷偷赶到了前头，他每星期要记住比一个词更多的东西还是有困难的—光线不好、书的印刷很拙劣、封面破烂不堪、书页撕破了、笨拙的翻书手指、跳狐步舞的跳蚤、埋伏在床上的虱于、他舌头上的泡沫、时常带的几分醉意、嗓子眼哽住了、酒壶里的酒、发痒的手掌、呼味呼味呼吸时的痛苦、疲惫得坠入雾中的脑瓜、良心的抽搐，盛怒，肛门里喷出的气体、胃中的火、发痒的屁股、顶楼上的老鼠以及耳朵里的喧嚣声和尘土。

But what with the murky light, the botchy print, the tattered cover, the jigjagged page, the fumbling fingers, the fox trotting fleas, the lie a bed lice, the scum on his tongue, the drop in his eye, the lump in his throat, the drink in his pottle, the itch in his palm, the wail of his wind, the grief from his breath, the fog of his brainfag, the tic of his conscience, the height of his rage, the gush of his fundament, the fire in his gorge, the tickle of his tail, the rats in his garret, the hullabaloo and the dust in his ears, since it took him a month to steal a march, he was hard set to memorize more than a word a week.

然而，花了一个月纳南塔蒂才偷偷赶到了前头，他每星期要记住比一个词更多的东西还是有困难的-光线不好、书的印刷很拙劣、封面破烂不堪、书页撕破了、笨拙的翻书手指、跳狐步舞的跳蚤、埋伏在床上的虱于、他舌头上的泡沫、时常带的几分醉意、嗓子眼哽住了、酒壶里的酒、发痒的手掌、呼味呼味呼吸时的痛苦、疲惫得坠入雾中的脑瓜、良心的抽搐，盛怒，肛门里喷出的气体、胃中的火、发痒的屁股、顶楼上的老鼠以及耳朵里的喧嚣声和尘土。

Then suddenly, as before under the eaves of the Emyn Muil, Sam saw these two rivals with other vision. A crouching shape, scarcely more than the shadow of a living thing, a creature now wholly ruined and defeated, yet filled with a hideous lust and rage; and before it stood stern, untouchable now by pity, a figure robed in white, but at its breast it held a wheel of fire. Out of the fire there spoke a commanding voice.

突然间，就如同在爱明莫尔时一样，山姆看见了这两个人与外表不同的形象：一个畏畏缩缩的身影，被彻底打败、可怜兮兮的生物，体内几乎被剥夺了一切生命的迹象，但却满心只是贪婪的欲望和愤怒；而在他眼前的则是严厉、不再心软，披著白袍的身影，它的胸前有著一轮火焰，从那火焰中发出了一个命令的声音

It is neither the separation between the mail and femail, nor the district dividing line between day clothing and the evening wear.his special style,bardian hue and the cultural conflict and communication brought up the dandyism which made him thought the most affective fashion designer in the early 1980s.in 1975,he successfully held his first fashionable issue show,whose revolutionary design opinion made a great contribution to the Milan to become a new fad city.non-liner and stink design of frame and lines,not stickto formal or inforaml fig and the natural colors completely got rid of the popular hippie style in the 1960s.with simple contour and loose lines changed the traditional mail endure and cabined style ,its crape grain coat was the rage.three months later,because of the contract of man fashion ,woman fashion fetched to heel,which adopted traditional man suuff,showing the stongly neutral style.

不是男女性别的截然划分，不是日装和晚装的严密分界，阿玛尼特立的风格、个性的色彩和文化冲突与交流造就的时髦使他自80年代起就一直被认同是最影响力的时装设计师。1975年阿玛尼的第一次时装发布会获得成功，其革命性的设计理念也为米兰成为新的时尚之都做出了巨大贡献。没衬里和张扬结构线条的设计，不拘于正式与非正式的休闲衣着打扮，天然去雕饰的色彩，完全剔除了60年代盛行的嬉皮风格，以简单的轮廓、宽松的线条，改变了传统男性硬挺拘束的风格，绉纹风格的外套风靡一时。三个月后，男装的微缩女装版紧跟着推出，采用传统男装面料，显示出强烈的中性风格。阿玛尼因此成为继保罗·波烈和夏奈尔之后的又一位女性时尚设计的解放者。

I Need You LeAnn Rimes I don't need a lot of things I can get by with nothing Of all the blessings life can bring I've always needed something But I've got all I want When it comes to loving you You're my only reason You're my only truth I need you like water Like breath, like rain I need you like mercy From heaven's gate There's a freedom in your arms That carries me through I need you You're the hope that moves me To courage again You're the love that rescues me When the cold winds, rage And it's so amazing 'Cause that's just how you are And I can't turn back now 'Cause you've brought me too far I need you like water Like breath, like rain I need you like mercy From heaven's gate There's a freedom in your arms That carries me through I need you Oh yes I do I need you like water Like breath, like rain I need you like mercy From heaven's gate There's a freedom in your arms That carries me through I need you Oh yes I do I need you I need you by lune THE END

我需要你我不需要太多东西即使一无所有我也可以过得去在生活带来的所有福祉中，我仍然需要一些东西但是当我爱你之后，我得到了我想要的所有你是我唯一的理由，你是我唯一的真理我需要你，就像水，像呼吸，像雨我需要你就像宽容你臂膀中的自由携我穿越天堂的门口我需要你你是鼓励我重得勇气的希望当寒风怒吼时，你是拯救我的爱情它是那么神奇因为那就是你，我此刻不能回头因为你带我走的太远我需要你，就像水，像呼吸，像雨我需要你就像宽容你臂膀中的自由携我穿越天堂的门口我需要你是的，我需要我需要你，就像水，像呼吸，像雨我需要你就像宽容你臂膀中的自由携我穿越天堂的门口我需要你是的，我需要我需要呵呵，翻译的不好。

My thesis focus on Liuyuxi relegated poems, and put them into the special historic development to compare, in order to see his inheritance of the traditional of relegated literature, especially Quyuan's spirit, which persisted in his desire, never regretful with what he had done, simultaneously, to inspect his masterpieces which were beyond the tradition relegated literature when he expressed his worriment ,complaints and rage, according to these details, we can understand a great elite, who was dedicated himself to saving the world and helping the government , was unfortunate to complete his desire, his special living desire, at the same time, we can see a kind of generosity of his, which is proud and independent, despising the trouble and stubbornness, confronting the bitterness, surpassing the difficulties ,in another word to describe it, a kind of charm of human being's courage and lofty.

本论文着重从刘禹锡贬谪诗文的角度把他放在历史发展的长河中来观照，既看到了他对贬谪文学传统的继承，尤其是屈原那种坚持理想、矢志无悔的气节，更看到了他在抒发忧怨、激愤的同时，对贬谪文学传统的超越，从中我们可以洞见一位志在辅时济世、却又命途多舛、历尽坎坷的时代精英的独特的生活理想，可以领悟到一种傲视忧患、独立不移的气概和迎接苦难、超越苦难的情怀，一种坚毅高洁的人格内蕴。

I don't see what anyone can see, in anyone else But you I will find my nitch in your car With my mp3 DVD rumple-packed guitar I don't see what anyone can see, in anyone else But you Du du du du du du dudu Du du du du du du dudu Du du du du du du dudu du Up up down down left right left right B A start Just because we use cheats doesn't mean we're not smart I don't see what anyone can see, in anyone else But you You are always trying to keep it real I'm in love with how you feel I don't see what anyone can see, in anyone else But you We both have shiny happy fits of rage You want more fans, I want more stage I don't see what anyone can see, in anyone else But you Don Quixote was a steel driving man My name is Adam I'm your biggest fan I don't see what anyone can see, in anyone else But you Squinched up your face and did a dance You shook a little turd out of the bottom of your pants I don't see what anyone can see, in anyone else But you Du du du du du du dudu Du du du du du du dudu Du du du du du du dudu du But you

我不搞清任何人所能在其他任何人但是你中注意到的我将发现我的nitch在你的小汽车中我不和我的mp3 DVD皱纹-挤满的吉他有关搞清任何人所能在其他任何人但是你中注意到的 Du dudu dudu dududu Dudu dudu dudu duduDu dudu dudu dududu du 是沿着沿着顺而下顺左边权利而下仅仅因为我们使用骗人的东西，左边正确B一出发不意味着我们是不我不在中搞清任何人所能注意到的刺痛其他任何人但是你你是总是设法使它保持真正我是爱你怎样感到我不搞清任何人所能在其他任何人但是你中注意到的我们在两方面同样地富人暴怒的你更多想要的有光泽愉快合身扇，我想要更多舞台我不搞清任何人所能在其他任何人但是你中注意到的&堂吉诃德&是一钢是驱动男人我的名字是亚当我你的我不看见的最大扇子是在任何人所能看见其他任何人但是你的中沿着你的脸扭歪有一点和跳你摇动的舞粪块从出来你的裤子的底部我不搞清任何人所能在其他任何人但是你中注意到的 Du dudu dudu dududu Dudu dudu dudu duduDu dudu dudu dududu du但是你

However, the prevalence of the European upper classes of society, generally considered to be around in 1620, Louis XIII in order to cover up their bald and wearing a wig, causing frequent follow aristocratic palace, followed by the rage in Europe, that even the women are wearing a variety of wig to attend a social occasion.

然而在欧洲上层社会的流行，一般认为是1620年前后，路易十三为了掩盖自己的秃顶而戴假发，引起经常出入宫廷的贵族效仿，随后风靡欧洲，以至于连妇女都戴着各式的假发出席社交场合。

This paper discusses design and realizable methods of remote test output interface from logical design angle.

本文从逻辑设计的角度讨论遥测输出接口的设计及实现方法。

This also 星体投射plies to buildings, structures and geological features.

这也适用于建筑物和地质特征。