查询词典 in a fashion

Alessandra Ambrosio was born in Brazil in 1981. She was just 8 years old when she decided she wanted to be a model after seeing a magazine picture of Dutch supermodel Karen Mulder. She appeared in the Victoria's Secret Fashion Show for the first time in 2000. By 2004, she was selected as the first spokesmodel for the Victoria's Secret "PINK" line and became a contracted "Angel".

亚历山大·安布罗休1981年生于巴西。8岁那年，安布罗休在杂志上看到了荷兰超模凯伦·穆德的照片，便下定决心要当模特。2000年，她第一次出现在"维多利亚的秘密"时装秀上，2004年，她被选为"维多利亚的秘密"PINK系列首个代言模特，并成为"签约天使"。

Third, the product characteristics, since its inception the company has dozens of enterprises and institutions in Beijing produced a style novel variety of work clothes, occupational clothing, uniforms, hotel staff uniforms, nightclub services, advertising, etc. CI wear suits, the company's market-oriented environment of choice of high standard, trendy accessoriesand wool surface all-round will be the "root kit" brand's image, spirit, culture, meaning embodied in the products, collar, cuff, buckle After carefully hand-sewing, forming a classic with the perfect combination of luxury - Tang suit products, these have stand-collar, and even a sleeve or a sleeve, lapelóor partial, direct debit or deduction of the flower disk overflow golden color of clothing, pushing the traditional Chinese designs - colored soil, fortune cat, dragon, phoenix, cranes, butterflies, Dutch , Liuzhou, Shou, Fu ......, integration of ancient, modern clothes in the development of the essence, and combining Chinese and Western clothing culture, pay attention to details of dress sense and quality of treatment, the formation of the East with the characteristics of unique fashion taste Tang suit.

三、产品特色公司自成立以来已为北京市几十家企事业单位生产了款式新颖的各种工作服、职业服、校服、酒店员工服、夜总会服、广告CI等各类职业装服，本公司在以市场为导向的大环境下选用高标准、新潮的织锦缎和毛料面辅料，全方位将"根杰"品牌的形象、精神、文化、内涵体现在产品上，领、袖、扣经过手工精心缝制，形成了典雅与华贵的完美组合--唐装系列产品，这些有着立领，连袖或上袖，对襟或偏襟，直扣或盘花扣的流金溢彩的服装，挟着中国传统的图案--五色土、发财猫、龙、凤、鹤、蝶、荷、龙、寿、福……，融合古、现代服饰发展中的精华，并结合中西方服装文化，注重服饰细节的处理与品质感，形成具有东方特色、品位独到的时尚唐装。

In general, this paper includes several parts, shown as the following: The first part summarizes the background and outline of stock index future and introduce briefly its local status and CSI 300 stock index future contract. The second part has a retrospect of the main academic papers of both local or overseas, and also a discussion of relevant hedge strategies and models, to lay a solid theoretical foundation for the empirical analysis and test for the operation process of hedge in latter parts. The third part outlines the principle, key factors and real operation process of hedge. Moreover, it makes a empirical analysis on popular hedge models with HK Hang Seng index. In the end, it test the hedge effect of trading on IF0706, CSI 300 stock index future contract, with CCB select-growth securities fund as present underlying. The fourth and also the last part, explores how to define hedge ratio in china mainland market. It includes the stability test ofβfor local securities portfolio, adjustment of historicalβand best data length for estimation of historicalβ, etc. Also, the thesis makes some beneficial experiments on the definition of best data length for estimation of historicalβ, survey of fashion forβand variation for industryβs. Fortunately, it's got some meaningful results.

按照以上研究思路，本论文论述由以下几个部分构成：第一部分，简要概述股指期货产生的背景和基本情况，对国内股指期货进程和沪深300股指期货合约进行简单介绍；第二部分，回顾海内外股指期货避险研究的主要文献，讨论相关避险策略及避险模型，为后面套期保值策略如何有效运用的实证分析和检验提供理论基础和依据；第三部分，对套期保值的原理、关键因素及实际流程进行概述，并采用香港恒生指数对常用的几种避险模型进行实证分析，最后一揽子以建信优选成长股票型基金为现货标的，实际检验以沪深300股指期货模拟交易IF0706产品进行对冲时的套期保值效果；第四部分，探讨国内确定避险比率的过程，包括国内股票组合β值的稳定性检验、历史β值的修正及估计历史β值的最佳数据长度等，通过数据分析，本文在寻找估计β值的最佳数据长度和考察风格、行业β值的差异上做了较为有益的尝试，并得到了有助于现实操作的结果。

In the measure amplification circuit, direct-current or low frequency signal come from a common sensor , conveying in only rhyme fashion way after amplification, In typical situation, serviceable signal maximum amplitude probable only have a certain number or amount millivolt, but common mode noise suppression may be up to several volt, as a result it is significant to the factor of the amplification input drift and noise etc for total precision, the amplification in itself common mode restraints features is also equally binding problem.

在测量用的放大电路中，一般传感器送来的直流或低频信号，经放大后用单端方式传输，在典型情况下，有用信号的最大幅度可能仅有若干毫伏，而共模噪音可能高到几伏，故放大器输入漂移和噪声等因素对于总的精度至关重要，放大器本身的共模抑制特性也是同等重要的问题。

If therefore the executive, who has the power of convoking the legislative, observing rather the true proportion, than fashion of representation, regulates, not by old custom, but true reason, the number of members, in all places that have a right to be distinctly represented, which no part of the people however incorporated can pretend to, but in proportion to the assistance which it affords to the public, it cannot be judged to have set up a new legislative, but to have restored the old and true one, and to have rectified the disorders which succession of time had insensibly, as well as inevitably introduced: For it being the interest as well as intention of the people, to have a fair and equal representative; whoever brings it nearest to that, is an undoubted friend to, and establisher of the government, and cannot miss the consent and approbation of the community; prerogative being nothing but a power, in the hands of the prince, to provide for the public good, in such cases, which depending upon unforeseen and uncertain occurrences, certain and unalterable laws could not safely direct; whatsoever shall be done manifestly for the good of the people, and the establishing the government upon its true foundations, is, and always will be, just prerogative.

所以，如果拥有召集立法权力的执行权力，遵从真正的比例而不是代表制的表面形式，根据真正的理性而不是旧的习俗来管理所有有权利被清楚的代表的地方的代表人数，这种代表人数任何地方都不能自我宣称，而必须与它提供给公众的支持相称，这不能被认为是建立了一种新的立法权力，而是恢复了旧的和真正的立法权力，并矫正了由于时间流逝不知不觉所继承的和不可避免的引入所产生的混乱：因为既然拥有公正和平等的代表机构是人们的利益和意图所在；无论是谁使它更接近这一目标，谁便无可置疑的是这样的政府的朋友和奠基者，并不会得不到共同体的同意和许可；特殊权力也仅仅是一种权力，在取决于无法预见和不确定的事件的情况下，确定的和不可变更的法律不能安全的引导，于是君主行使它来为公众的利益服务；无论做什么，只要明显的是为人们的利益并将政府建于它真正的基础之上，是并且总是正当的特殊权力。

Positive: he included mention of a performance by Mrs Bandmann Palmer of LEAH at the Gaiety Theatre, 46, 47, 48, 49 South King street, an invitation to supper at Wynn's Hotel, 35, 36 and 37 Lower Abbey street, a volume of peccaminous pornographical tendency entituled SWEETS OF SIN, anonymous author a gentleman of fashion, a temporary concussion caused by a falsely calculated movement in the course of a postcenal gymnastic display, the victim being Stephen Dedalus, professor and author, eldest surviving son of Simon Dedalus, of no fixed occupation, an aeronautical feat executed by him in the presence of a witness, the professor and author aforesaid, with promptitude of decision and gymnastic flexibility.

积极方面，他谈到班德曼。帕默夫人在位于南国王街四十六、四十七、四十八、四十九号的欢乐剧场扮演丽亚这一角色事；接到将在下阿贝街三十五、三十六和三十七号的怀恩饭店举行的晚餐会请帖；由一位匿名的时下名流所作的一本题名《偷情的快乐》、具有淫秽色情倾向的书；宴会后表演体操，因某个动作失误而造成暂时的脑震荡，受伤者为教师兼作家斯蒂芬。迪达勒斯，他乃无固定职业的西蒙。迪达勒斯仍健在的长子；当着一位目击者，即该教师兼作家的面，他以机敏果断和体操的弹性表演了空中特技。

Cheng xi.graduated from beijing broabcasting instiute in july 2001 with the degree of bachelor of arts.pro-fessional status:mandairn first class grade a after graduation.she hosted for the"new fashion update"pro-gram in the life channel of tv program-producing department in people'sdailyadvertising ltd,the pro-gram was broadcasted by more than 50tv stations nationally.she also hosted "the fortune builedr"program for the biz shannel and young channel in shanghai tv station.after that.she worked for thd"cn stock informa-tion"live financial and economics program in shanhai slock information service corporation,being a hostess as well as editor and reporter.in this corporation she hosted the live propramme of the "finance and economics morning report and commentary","management report and commentary","top executive interviews","enterprise news update"etc.in which she assessed the financial market.the listed compariy news.the financial and ecconomics hot spots.and the industrial tredn with certified analysts.presently she works with shanghai radio station.reporting sports news and hosting radio progams.

程曦，毕业於北京广播学院，获播音与主持专业文学学士学位。普通话水平一级甲等。她曾在人民日报社上海分社影视广告制作有限公司担任电视节目制作部生活类栏目&新时尚报道&的主持人和记者；后兼职担任上海电视台财经频道&创富家园&栏目和生活时尚报道&绿野仙踪&栏目的外景主持人，后又进入上海证券信息有限公司财经演播中心，担任&中国证券信息&专业财经电视资讯系统的节目主持人，记者和编辑工作；主持&财经早报及点评&、&公司公告&、&权威报告&、&上市公司高管访谈&、&股市三人谈&等直播节目。现於上海人民广播电台主持&空中体坛早间直播&和&体育一点通&等节目。

Cheng xi.graduated from beijing broabcasting instiute in july 2001 with the degree of bachelor of arts.pro-fessional status:mandairn first class grade a after graduation.she hosted for the"new fashion update"pro-gram in the life channel of tv program-producing department in people'sdailyadvertising ltd,the pro-gram was broadcasted by more than 50tv stations nationally.she also hosted "the fortune builedr"program for the biz shannel and young channel in shanghai tv station.after that.she worked for thd"cn stock informa-tion"live financial and economics program in shanhai slock information service corporation,being a hostess as well as editor and reporter.in this corporation she hosted the live propramme of the "finance and economics morning report and commentary","management report and commentary","top executive interviews","enterprise news update"etc.in which she assessed the financial market.the listed compariy news.the financial and ecconomics hot spots.and the industrial tredn with certified analysts.presently she works with shanghai radio station.reporting sports news and hosting radio progams.

程曦，毕业于北京广播学院，获播音与主持专业文学学士学位。普通话水平一级甲等。她曾在人民日报社上海分社影视广告制作有限公司担任电视节目制作部生活类栏目&新时尚报道&的主持人和记者；后兼职担任上海电视台财经频道&创富家园&栏目和生活时尚报道&绿野仙踪&栏目的外景主持人，后又进入上海证券信息有限公司财经演播中心，担任&中国证券信息&专业财经电视资讯系统的节目主持人，记者和编辑工作；主持&财经早报及点评&、&公司公告&、&权威报告&、&上市公司高管访谈&、&股市三人谈&等直播节目。现于上海人民广播电台主持&空中体坛早间直播&和&体育一点通&等节目。

But now, if I be marching on with my utmost vigour in that way which, according to the sacred geography, leads straight to Jerusalem, why am I beaten and ill-used by others because, perhaps, I wear not buskins; because my hair is not of the right cut; because, perhaps, I have not been dipped in the right fashion; because I eat flesh upon the road, or some other food which agrees with my stomach; because I avoid certain by-ways, which seem unto me to lead into briars or precipices; because, amongst the several paths that are in the same road, I choose that to walk in which seems to be the straightest and cleanest; because I avoid to keep company with some travellers that are less grave and others that are more sour than they ought to be; or, in fine, because I follow a guide that either is, or is not, clothed in white, or crowned with a mitre?

但是现在，如果我正依据那个引导人到耶路撒冷的神圣地理学劲头十足的开始我的长途跋涉，为什么要被他人暴力虐待和折磨？可能因为：我没有穿高统靴；或者我的头发未按某种样式修剪；或者我未按某种方式受洗；或者在路上我吃了肉或其它很对我胃口的食物；或者我绕开了一段在我看来要导向荆棘或悬崖的路；或者在几条通向目的地的路中我选了一条在我看来最近最好走的路；或者我避免与不怎么严肃的人以及过于酸腐的人为伴；或者，最后，因为我跟随了一个穿或未穿白衣，戴或未戴主教头冠的人。

Contact found in 80 works will impose upon space and the norm of thinking seems to exist faults and barriers, ahead of fashion conscious consumers continue to derive more imaginative ideas to make their work a kind of weightlessness a sense of unconscious, self-desire expansion and to meet the Gengrang has become such a vague sense of, when hidden, at times, a lot of 80, after describing himself as an artist is not weight of objects, flying freely in the air, floating, this subjective state of consciousness driven by the description of means that the objective mental states, disorders and emptiness, extreme inflation and a good self-concept of a serious departure from the idealism and sense of reality, greatly outstrips reality, a feeling based on fantasy or fantasy thinking.

在我们接触的作品中会无形中发现80后的思维空间与常态似乎存在着断层和隔阂，超前时尚的消费意识不断派生出更有想象力的观念使他们的作品有种无意识的失重感，自我欲望的膨胀和满足更让这样的意识变得虚无飘渺、时隐时现，很多80后艺术家将自己描述成没有重量的物体，在空中自由自在的飞行、飘浮，这种主观意识状态驱使下的描述，意味着客观精神状态的失常和空虚，极度膨胀和自我良好的唯心意识观严重背离了现实，凌驾于现实之上的感觉建立在空想或幻想的思维中。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。