查询词典 in a fashion

The secretary of the Province of New Netherland,(22) writing in Dutch, in 1650, for the information of those who wished to take up land there, states more particularly that those in New Netherland, and especially in New England, who have no means to build farmhouses at first according to their wishes, dig a square pit in the ground, cellar fashion, six or seven feet deep, as long and as broad as they think proper, case the earth inside with wood all round the wall, and line the wood with the bark of trees or something else to prevent the caving in of the earth; floor this cellar with plank, and wainscot it overhead for a ceiling, raise a roof of spars clear up, and cover the spars with bark or green sods, so that they can live dry and warm in these houses with their entire families for two, three, and four years, it being understood that partitions are run through those cellars which are adapted to the size of the family.

一六五0年，新尼特兰州州秘书长用荷兰文写过一段话，更加详细地告诉预备往那里移居的人说，在新尼特兰的人，特别在新英格兰的人，起初是无法按他们的愿望建造农舍的，他们在地上挖个方方的地窖似的、六七英尺深的坑，长短随便他们自己，然后在墙壁上装上木板，挡住泥土，用树皮合缝，以免泥土落下来，当然也有用了别种材料的，还用木板铺了地板，做了天花板，架起了一个斜桁的屋顶，铺上树皮或绿草皮，这样他们全家可以很温暖很干燥地在里面住上两年、三年，或者四年，可以想象，这些地窖中，还隔出了一些小房间，这要看家里的人口数目了。

I didn't know what day it was when you walked into the room I said hello unnoticed You said goodbye too soon Breezing through the clientele spinning yarns that were so lyrical I really must confess right here the attraction was purely physical I took all those habits of yours that in the beginning were hard to accept Your fashion sense, Beardsly prints I put down to experience The big bosomed lady with the Dutch accent who tried to change my point of view Her ad lib lines were well rehearsed but my heart cried out for you Chorus: You're in my heart, you're in my soul You'll be my breath should I grow old You are my lover, you're my best friend You're in my soul My love for you is immeasurable My respect for you immense You're ageless, timeless, lace and fineness You're beauty and elegance You're a rhapsody, a comedy You're a symphony and a play You're every love song ever written But honey what do you see in me You're an essay in glamour Please pardon the grammar but you're every schoolboy's dream You're Celtic, United, but baby I've decided You're the best team I've ever seen And there have been many affairs Many times I've thought to leave But I bite my lip and turn around 'cause you're the warmest thing I've ever found the end

我不知道那一天是当您走进房间我说您好忽视你说再见太早 breezing通过对象纺纱是这样的抒情我真的必须承认的权利在这里的吸引力，纯粹是身体采取了所有这些习惯你即在开始时均难以接受您的时尚感， beardsly打印我提出到的经验大bosomed夫人与荷兰口音试图改变我的角度来看她的广告库线，以及排练但是我的心呼喊着为您合唱团：您在我心中，您在我的灵魂您将我的呼吸急速，应我长大岁你是我的情人，您是我最好的朋友您在我的灵魂我的爱为你是无法估量的我尊重你的巨大您ageless ，永恒的，蕾丝和细您美丽和优雅您的Rhapsody ，喜剧你是一个交响乐团和发挥您的每情歌以往任何时候都以书面但是，蜂蜜，你有什么见在我您在一篇文章的魅力请原谅语法但您每一个学生的梦想您凯尔特，美国，但婴儿我已经决定您最好的球队我已经见过并有许多事务很多次，我已经想过离开但我咬我的嘴唇和掉头'事业的您致以最热烈的事，我从未发现最后

I didn't know what day it was when you walked into the room I said hello unnoticed You said goodbye too soon Breezing through the clientele spinning yarns that were so lyrical I really must confess right here the attraction was purely physical I took all those habits of yours that in the beginning were hard to accept Your fashion sense, Beardsly prints I put down to experience The big bosomed lady with the Dutch accent who tried to change my point of view Her ad lib lines were well rehearsed but my heart cried out for you You're in my heart, you're in my soul You'll be my breath should I grow old You are my lover, you're my best friend You're in my soul My love for you is immeasurable My respect for you immense You're ageless, timeless, lace and fineness You're beauty and elegance You're a rhapsody, a comedy You're a symphony and a play You're every love song ever written But honey what do you see in me You're an essay in glamour Please pardon the grammar but you're every schoolboy's dream You're Celtic, United, but baby I've decided You're the best team I've ever seen And there have been many affairs Many times I've thought to leave But I bite my lip and turn around 'cause you're the warmest thing I've ever found

我不知道哪一天它是的是什么时候你进入房间我说哈罗不被注意到的你说再见太快轻易通过纺是非常抒情的纱委托人我确实必须坦白就在这里吸引是体格检查纯正是我发生作用那所有的从一开始是的你的习惯是难以接受你的Beardsly加印的时尚感觉我把记在经验名下有荷兰人口音，其设法改变我的她的任意线是的观点的大bosomed女士被好让排练但是我的心脏迫切需要你你是在我的你是的在我的你将是的精神中心脏中我的呼吸是我应该变得老你我的你是的情人是我的你是的在我的精神中最好友我的对你的爱是无法估量我的尊敬你巨大你是长生不老的，永恒，系带子和纤细你是美和风韵你一狂想曲是一个喜剧你是你是的一交响乐和一玩耍每一个情歌曾经被写作但是加蜜于确实你在中看见我什么使甜你是一在魅力中文章请原谅语法但是你是每一个男生的你是的梦凯尔特人的是联合但是当作婴儿般对待我已经断定你是有史以来最最好的我已经看见的队已经有很多我向有想法的许可但是我咬住嘴唇和把原因往回转的你是有史以来最暖和的我已经找出的东西的多次事件

Since their names were coupled, though, since he was her declared favourite, where was the particular necessity to proclaim it to the rank and file from the housetops, the fact, namely, that he had shared her bedroom which came out in the witnessbox on oath when a thrill went through the packed court literally electrifying everybody in the shape of witnesses swearing to having witnessed him on such and such a particular date in the act of scrambling out of an upstairs apartment with the assistance of a ladder in night apparel, having gained admittance in the same fashion, a fact the weeklies, addicted to the lubric a little, simply coined shoals of money out of.

既然他们二人的名字已经连结在一起，既然她已经公开承认他是她的心上人，还有什么必要从房顶上来向民众宣布呢？这里指的是他和她同床共寝过的事。当这件事在证人席上经过宣誓被公布出来时，座无虚席的法庭上是一片紧张气氛，所有在场的人都为之震动了。证人们宣誓后说，他们曾目睹他在某月某日身穿睡衣靠一把梯子从楼上一间屋子里爬了出来，他是用同一方式爬进去的。此事张扬出去之后，使几家周刊着实发了一笔横财。

Seen now, in broad daylight, she looked tall, fair, and shapely; brown eyes with a benignant light in their iris, and a fine pencilling of long lashes round, relieved the whiteness of her large front; on each of her temples her hair, of a very dark brown, was clustered in round curls, according to the fashion of those times, when neither smooth bands nor long ringlets were in vogue; her dress, also in the mode of the day, was of purple cloth, relieved by a sort of Spanish trimming of black velvet; a gold watch (watches were not so common then as now) shone at her girdle.

这会儿大白天，她看上去高挑个子，皮肤白皙，身材匀称，棕色的眸子透出慈祥的目光、细长似画的睫毛，衬托出了她又白又大的前额，两鬓的头发呈暗棕色，按一流行式洋、束成圆圆的卷发，当时光滑的发辫和长长的卷发，并没有成为时尚。她的服装，也很时髦，紫颜色布料，用一种黑丝绒西班牙饰边加以烘托。一只金表（当时手表不像如今这么普通）在她腰带上闪光。

Seen now , in broad day - light , she looked tall , fair , and shapely ; brown eyes with a benignant light in their irids , and a fine pencilling of long lashes round , relieved the whiteness of her large front ; on each of her temples her hair , of a very dark brown , was clustered in round curls , according to the fashion of those times , when neither smooth bands nor long ringlets were in vogue ; her dress , also in the mode of the day , was of purple cloth , relieved by a sort of spanish trimming of black velvet ; a gold watch watches were not so common then as now shone at her girdle

这会儿大白天，她看上去高挑个子，皮肤白皙，身材匀称，棕色的眸子透出慈祥的目光细长似画的睫毛，衬托出了她又白又大的前额，两鬓的头发呈暗棕色，按一流行式洋束成圆圆的卷发，当时光滑的发辫和长长的卷发，并没有成为时尚。她的服装，也很时髦，紫颜色布料，用一种黑丝绒西班牙饰边加以烘托。一只金表当时手表不像如今这么普通在她腰带上闪光。

Seen now, in broad day-light, she looked tall, fair, and shapely; brown eyes with a benignant light in their irids, and a fine pencilling of long lashes round, relieved the whiteness of her large front; on each of her temples her hair, of a very dark brown, was clustered in round curls, according to the fashion of those times, when neither smooth bands nor long ringlets were in vogue; her dress, also in the mode of the day, was of purple cloth, relieved by a sort of Spanish trimming of black velvet; a gold watch (watches were not so common then as now) shone at her girdle.

我仍旧打量着她们，间或也仔细审视了一下教师——确切地说没有一个使人赏心悦目。胖胖的一位有些粗俗；黑黑的那个很凶；那位外国人苛刻而怪僻；而米勒小姐呢，真可怜，脸色发紫，一付饱经风霜、劳累过度的样子，我的目光正从一张张脸上飘过时，全校学生仿佛被同一个弹簧带动起来似的，都同时起立了。

Stephen, obviously addressed, looked down on the photo showing a large sized lady with her fleshy charms on evidence in an open fashion as she was in the full bloom of womanhood in evening dress cut ostentatiously low for the occasion to give a liberal display of bosom, with more than vision of breasts, her full lips parted and some perfect teeth, standing near, ostensibly with gravity, a piano on the rest of which was In Old Madrid , a ballad, pretty in its way, which was then all the vogue.

248经对方这么明确地一说，斯蒂芬就低头端详起照片来。那是个高大丰腴的女人，风华正茂，充分散发出肉体的魅力。她身着夜礼服，炫耀般地将脖领儿开得低低的，尽量突出那对轮廓鲜明的乳房。饱满的嘴唇是张着的，露出几颗皎齿，显得蛮庄重地伫立在钢琴旁边。乐谱架上摆着挺好听的民歌《在古老的马德里》的乐谱，当时正流行的。

Therefore,Helene Cixous put up the deconstruction strategy-"Body Writing",with a body language to express the women's all experience of overall resistance to logocenterism.In the 1990s, Chen Ran and Lin Bai,two representative of a group of women writers,and boldly to women has long been accumulated in the body and suppress all taboos in the end of the discourse on the aesthetic.They fully tap the female body revolutionary and let the body writing become an important trend in female literary writing,extended to the beginning of the 21st century now,until it became a kind of fashion writing.Under the consumptive culture erosion,the body writing has exhausted any ideological resistance in female body and eventually became the most tempting symbol of consumption and consumption strategy in consumer society.

埃莱娜·西苏因此提出&身体写作&的解构策略，用一种身体的语言去表达妇女整体的，反抗逻各斯中心主义的全部体验。20世纪90年代，以陈染和林白为代表的一批中国女性作家，大胆地把长久以来积淀在女性躯体上的所有禁忌和压抑终结在了审美的叙事话语上，充分地挖掘了女性躯体的革命性，成为后来者从事女性写作绕不过的经验，同时也让身体写作成为一股女性文学的重要潮流，延续到21世纪初的现在，直至它成为一种写作的时尚，在消费文化的侵蚀下，耗尽了女性躯体所包蕴的任何意识形态反抗性，最终沦为消费社会最具诱惑性的消费符号和消费策略。

Just as that which we designate by the name of "chariot," has no existence apart from axle, wheels, shaft, and so forth: or as the word "house" is merely a convenient designation for various materials put together after a certain fashion so as to enclose a portion of space, and there is no separate house - entity in existence:- in exactly the same way, that which we call a "being," or an "individual," or a "person," or by the name is nothing but a changing combination of physical and psychical phenomena, and has no real existence in itself.

就像是我们指定的名字叫&战车&已不存在除车轴，车轮，轴，等等：或用&家&仅仅是一种方便的指定各种材料整理后，某时装，以便附上的一部分空间，而且没有单独的房子-实体存在：-在完全相同的方式，即我们所谓的&正&或&个人&或&人&，或由名称只不过是一个不断变化的结合，身体和心理现象，并没有真正的存在本身。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。