查询词典 in a fashion

When they're "open," they're considered operative in a normal fashion.

当他们"打开"，他们认为，在正常方式执行。

The flow of lines begins in a straight, disciplined fashion at the front end, lowering the optical centre of gravity of the BMW M1 Homage and highlighting its low-slung stance.

流动的线条开始在一条直线，有纪律的时尚的前端，降低了货币供应量M1的宝马重心致意光学中心，突出其低矮的立场。

A fashion in favour this year may be out of favour next year.

今年受欢迎的式样明年可能就不受欢迎了。

I have seen a gipsy vagabond; she has practised in hackneyed fashion the science of palmistry and told me what such people usually tell.

我见过一个吉卜赛流浪者，她用陈腐的方法操弄着手相术，告诉我她们那些人往往会怎样给人算命。

My view is that I shouldn't be drawing the definition of UK growth in a narrow, parochial fashion, he says.

我的观点是，我不应该以一种狭隘的、地方性的方式来界定英国增长。

This aspect produces much physical energy, but often these energies are spent in a precipitant fashion.

这相位给予很大的肢体能量，但是通常这些能量都是以过剩的方式消耗掉的。

"I said I know nothing about this," Pug reacted in a quick hard fashion.

"我说过我对这种情况一无所知。"帕格做出迅速而强硬的反应。

In the Fashion industry,how to attend to the Fabric re-creation is become a hot topic.

如何做好面料再造成为服装界的热点问题。

But the finite difference methods require that the computational domain is regular, and usually people construct the finite difference scheme for one dimension and then extend it to two or three dimensions in a dimension by dimension fashion.

有限差分方法要求计算区域比较规则，随着工程问题的复杂化，计算区域也变得复杂，这对数值方法提出了新的挑战。

But the finite difference methods require that computational domain is regular, and usually people construct the difference scheme for one dimension and then extend it to two or three dimensions in a dimension by dimension fashion.

有限差分方法要求计算区域比较规则，而且人们往往是对一维方程构造差分格式，再用分裂方法将其推广到多维。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。