查询词典 imagists

The Imagists rejected the sentiment and discursiveness typical of much Romantic and Victorian poetry.

拒绝的意象的情绪和discursiveness许多典型的浪漫主义和维多利亚诗歌。

As well as the matters covered in Zukofsky's essays, the elements of this approach included: a respect for Imagist achievement in the areas of vers libre and highly concentrated language and imagery; a rejection of the Imagists interest in classicism and mythology; for Reznikoff, Zukofsky, Rakosi and Oppen, a shared Jewish heritage (which, for all but Oppen included an early childhood in which English was not their first language); generally left-wing, and, in the cases of Zukofsky and Oppen at least, Marxist politics.

以及所涉事项Zukofsky的散文，其内容这一做法包括：尊重意象成就领域的自愿自由和高度集中的语言和图像；拒绝的意象兴趣古典与神话；为Reznikoff ， Zukofsky ，拉科西和Oppen ，一个共同的犹太遗产（其中，对所有但Oppen包括幼儿教育，其中英语不是第一语言）；一般的左翼，并在案件Zukofsky和Oppen至少，马克思主义政治。

Based in London, the Imagists were drawn from Great Britain, Ireland and the United States.

总部设在伦敦的意象来自英国，爱尔兰和美国。

Somewhat unusually for the time, the Imagists featured a number of women writers among their major figures.

有些不寻常的时间，意象精选了一些女作家之间的主要数据。

Modernist poetry in English is generally considered to have emerged in the early years of the 20th century with the appearance of the Imagists.

现代派诗歌在英语被普遍认为已出现了早期的20世纪的外观意象。

Greek and Roman classical poetry inspired some of the imagists to strive for a high quality of writing that would endure.

古希腊和古罗马的诗歌鼓舞了这些意象派诗人为写作优秀诗篇而奋斗。

PartⅡ. The influence of Imagists poetry and poetic theory upon Chinese and Korean modernist poetry.

第二，英美意象派诗歌与诗论对中朝两国新诗理论和现代派诗歌的影响。

The ancient form of Japanese haiku poetry influenced the imagists to focus on one simple image.

日本俳句的格式影响了意象派诗人聚焦于于单个意象。

However, these poets essentially remained true to the basic tenets of the Romantic movement and the appearance of the Imagists marked the first emergence of a distinctly modernist poetic in the language.

然而，这些诗人基本上仍然是真正的基本原理和浪漫主义运动的外观意象的第一次出现了明显的现代主义诗歌的语言。

However, these poets essentially remained true to the basic tenets of the Romantic movement and the appearance of the Imagists marked the first emergence of a distinctly modernist poetic in the language.

然而，这些仍然是真正的诗人本质的基本原理和浪漫主义运动的外观意象的第一次出现了明显的现代主义诗歌的语言。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。