查询词典 imagism

In the beginning and middle parts of 1980s, The Chinese dramas circle actively developed the Chinese traditional concept of time and space and the freehanded style, boldly borrowing the western absurdism and imagism, and started a new phase of innovation and muti-development.

八十年代初中期，中国戏剧积极拓展我国传统戏剧的时空观、写意性特征，大胆借鉴西方现代戏剧的荒诞化、意象性技巧，出现了探索创新、多元发展的崭新局面。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

On the way, By giving the example as the names of the thing (such as silk silks etc.) with color and the basic colorific phrase associated with it, this text demonstrated a fact that the basic colorific phrases were evolved from the names of the thing that include the color, under the function of the come from the method that is borrowing the thing assumes the color, and expatiated the condition of the basic colorific phrase in Chinese language. Take the synthesize colorific phrase implied compliment or dispraiser as an example, explained the imagism of Chinese thought method how to influence the synthesize the colorific phrase, and do it by taking the food, metals and nature scenery makes the ratio at other Chinese thought method that is take shape to analogy as too. It expatiated the influence that the Han ethnologic culture result in the acceptation of the colorific phrase, pass on analyze the diverse the diverse metaphor meanings of colorific phrase and the opposite phenomenon of acceptation among them of, and the colorific etyma metaphor of "yellow","vermilion","purple","blue","green" and "white", under the premise that distinct the different between themetaphor meanings of colorific phrase and colorific etyma metaphor.

由此本文通过例举有色彩含义的事物专有名称及相应的基本色彩词，分析了基本色彩词是在"借物呈色"思维方式的影响下，由有色彩含义的事物专有名称演变而来的事实，并阐述了汉语基本色彩词的状况；以含有褒扬、贬抑语义的合成色彩词为例说明了汉民族"意向性"思维方式对合成色彩词的影响，以取食物、金属、自然界景物作比的合成色彩词为例说明了汉民族"取象类比"思维方式对合成色彩词的影响；在区分色彩词隐喻意义与色彩语素隐喻意义的基础上，通过分析色彩词的多元隐喻意义及其中的语义对立现象，并分析"黄"、"朱"、"紫"、"青"、"绿"、"白"等色彩语素的隐喻意义，阐述了汉民族文化对色彩词语义的影响。

In the studying method, this text braid with the viewpoint of cognitive linguistics and culture linguistics (Two all involve the thought method), and follow two clues that were mutually connections, the one is how to construct the basic colorific phrase, the synthesize colorific phrase and the phrase contained colorific word by the colorific etyma, the two is the thought method -borrowing the thing assumes the color, imagism, and take shape to analogy, how to engender function in the process for built phrase, and select correlated exemplum to evolve to analyze.

方法上结合了认知语言学和文化语言学的观点，追循两条相关联的线索：一是色彩语素如何构造基本色彩词、合成色彩词，二是汉民族文化中特有的"借物呈色"、"意向性"、"取象类比"的思维方式在造词过程中如何起作用，选取相关例证展开分析。

This paper discusses the characteristics of imagism and its future trend.

本文着重论述了中国意象油画的特点以及意象油画未来的发展空间和发展方向。

While the imagism in China has been playing an important role in its practice.

中国意象油画在油画本土化的实践中，扮演着重要的角色。

The dissertation can be divided into two parts: PartⅠ. Influence of Chinese classic poetry upon Imagism.

本论文的论题大体分为以下两个方面：第一，中国古典诗歌对英美意象派的影响。

The focus of this dissertation is the two-way influence of Imagism on Eastern and Western literature.

因此，本论文重点考察意象主义在东西方文学中的回返影响问题。

Its expressive technique is imagism, namely the imagism in composition, modeling, form and material.

一方面，它要把萨满教的教义图解给信徒和观众，充当

Jay Parini and Brett C. Miller（New York: Columbia UP, 1993.又如:Daniel Tiffany 在Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound (1995)中写道:"Thus, the influence of Japanese haiku on Imagism, for example, can be understood as an exotic means of formalizing and dignifying a poetic suicide."

由此可见，在英美诗歌从传统到现代的诗律学的变革过程中，以庞德的名诗《在地铁车站》为代表的深受汉诗影响的英诗创作所起的作用和价值是不可低估的。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。