查询词典 illusion

Selection, as a fictionalizing act, is related to the position and motive of author, revealing the intentionality of the text. The fictionalizing act of combination brings about a copresence of the realized and the absent, linking them together. And the Self-Disclosure creates illusion, helping readers to see the reality.

选择是指作家创作的倾向性，与其社会地位、立场和创作动机有关；融合是把选择出来的东西用特定的方式结构成一个整体；自我揭示创造了&仿像&，把自身的虚构性暴露出来，让读者透过虚构的东西看到现实。

Pascal Cotte said da Vinci built the painting up in layers,the last being a special glaze whose optical properties in creased the illusion of a three-dimensional face.

帕斯卡尔？柯特称，达芬奇在绘制这张画时使用了多层颜料，最表面的一层使用了一种特殊釉料，这种颜料的光学性能可增加人物面部的三维效果。

Pascal Cotte said da Vinci built the painting up in layers,the last being a special glaze whose optical properties in creased the illusion of a three-dimensional face.

柯特称，达芬奇在绘制这张画时使用了多层颜料，最表面的一层使用了一种特殊釉料，这种颜料的光学性能可增加人物面部的三维效果。

Pascal Cotte said da Vinci built the painting up in layers, the last being a special glaze whose optical properties increased the illusion of a three-dimensional face.

帕斯卡尔-柯特称，达芬奇在绘制这张画时使用了多层颜料，最表面的一层使用了一种特殊釉料，这种颜料的光学性能可增加人物面部的三维效果。

Pascal Cotte said da Vinci built the painting up in layers,the last being a special glaze whose optical properties increased the illusion of a three-dimensional face Above the glaze Da Vinci painted details such as the eyebrows.

他称达芬奇作画时一层层涂抹颜料，最外一层涂的是一种特殊的釉料，其光学效果能增加脸部的三维立体感。在这层釉料上，达芬奇描绘了眉毛等画作细节。

For instance, Bakhtin's religious life reflects his prominent religious consciousness; Influences from the Christian culture and Russia's"Silver Times"serve as its religious background for his theory; Discourse Theory and Dionysiac Theory are taken as one of the theoretic resources which can be further delved into. Carnival elements in content forges a close relationship with the religious theme: carnival laughs and religious taboos, carnival body and religious aesthetics, carnival images and saints of the religion, carnival parodies and religious texts; In doing so, religious and spiritual appeals pervade, constructing a in the intimacy between the literature and the culture, and having an influence on contemporary literature and foreign literature studies in China. This dissertation, though criticizing Bahktin's illusion, i.e.

诸如：巴赫金的宗教人生，反映了鲜明的宗教意识；西方基督教文化和俄罗斯&白银时代&的影响，成为其理论得以产生的宗教背景；对话理论和酒神理论成为其可供挖掘的理论资源之一；狂欢的笑和宗教禁忌、狂欢的身体和宗教美学、狂欢的形象和宗教圣贤、狂欢的戏仿和宗教文本等，都通过狂欢理论的内容要素同宗教主题取得了紧密的联系，张扬着宗教精神诉求，构建了文学与宗教文化亲和中的乌托邦理想，从而对中国当代文学研究、中国的外国文学研究和宗教史研究产生了一定的影响。

And now let us imagine how the ecstatic sounds of the Dionysiac rites penetrated ever more enticingly into that artificially restrained and discrete world of illusion, how this clamor expressed the whole outrageous gamut of nature—delight, grief, knowledge—even to the most piercing cry; and then let us imagine how the Apollonian artist with his thin, monotonous harp music have sounded beside the demoniac chant of the multitude!

现在，试想这个以假象和适度为基础，以艺术为堤防的境界，酒神祭佳节的销魂荡魄的狂欢之声侵入这境界了，在这些歌声中，我们听到一切率性而行的大喜、大悲、大智、大慧、甚至镂心刻骨的呼啸；那么，让我们想象一下：同这着了魔似的民歌相比，拨响着幽灵似的竖琴、唱着赞美诗的日神艺术家能有什么意义！

Bat the fish is aboveall composition of beautiful painting because we can discovert the rare balance between drawig and colour,shape and space ,static balance and dy-namism in the sudden dart that is depicted in the changing water of "a slow passing of time" offering the viewer an illusion of moviment.

当然鱼在画面所有构成中是最重要的，因为我们可以发现，在绘图与色彩、形状和距离、静态平衡和带给观看者一种移动错觉的&时光的慢慢流淌&的变化以及水里突然出现的飞速移动中，存在着一种少有的平衡。

The puerperal period depression is refers to in the post-natal 6 weeks first time to arise(formerly does not have dysphrenia history)take despondently,sad,depressed,the sob,is easy to be excited,to be agitated and so on a series of symptoms as the characteristic mental disorder,heavy appears the illusion,the suicide or kills the baby.

产褥期抑郁症是指产后6周内第一次发病以抑郁、悲伤、沮丧、哭泣、易激动、烦躁等一系列症状为特征的精神疾患，重者出现幻觉、自杀或杀害婴儿。

Therefore, we shall not count on Marx to orient the analyse of divided class rule social condition's illusion conscioueness and its fuction as epistemologically, though there has been a lot of hard work to support the opposite idea.

既如此，就不能指望马克思将基于分裂的阶级统治的社会状况之意识形态虚幻及其辩护作用作认识论的定位，尽管常常有人大费周章地认为他确实这样做了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。