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Part I :the definition of officialdom novels ,the insightful discussion of the development of them ,and the primary analysis of the reasons of their flourishing ;Part II :the construction of subject matters of officialdom novels by probing analysis into official corruption ,official and social psychologies ;Part III: the of artistic features of characters and narrative (i.e. narrative perspective constructions ,discourse and ironical narration ),which are illustrated by the positive characters with personalities ,negative ones with complex characteristics ,more importantly ,the vulgar existence ofgray characters ,the discovery of features of narrative methods with the contract of two types of novels ; Part IV: the positive comment on the realistic rules of officialdom novels and the surpassing of the previous ones ,the shortcomings from the artistic perspective : the adoption to the reality seriously fetters artistic imagination of literature works ,it also reads to the lacking of insightful thinking ,the simple characters fail to reveal artistic glamour ,the routinized narrative methods also degrades the artistic savor of works .

第一部分，界定官场小说的内涵，并对它的历史发展，对其在当下繁荣的原因做初步的探析；第二部分，从官场小说对官场腐败、官员内心世界和社会文化心理等方面的揭示考察其主题构成；第三部分，从人物形象、叙事方式(叙事视角、叙事结构、反讽叙事、叙事话语)等分析官场小说的艺术表现特征，指出官场小说不仅塑造了性格鲜明的正面人物，也真实刻画了具有复杂人性的反面角色，更重要的是展现了官场灰色人物的庸俗生存，并通过两类不同类型小说的对比，揭示其各自不同的叙事特征；第四部分，充分肯定官场小说的现实主义价值，及其对前期官场小说的超越，并从小说艺术角度指出其存在的严重不足：小说对现实的屈从束缚了作品的艺术想象力，使小说缺乏深厚的思想内蕴；人物形象也显得单薄，无法产生感人的艺术魅力；叙事的模式化也大大降低了作品的艺术品位。

P: I'e lost weight despite my good appetite, and I feel weak all the time.

尽管我的食欲很好，我的体重还是减轻了。我整天觉得很疲劳。

T* \9 P' G I: E I'm awfully sorry.

这是我的疏忽。

I have calculated the species diversity for 3 layers (i.e. tree layer, shrub layer and herb layer) by means of various biodiversity index formulas and analyzed the relative species abundance using 9 models of the probability density distribution functions, such as, 3 Distribution (or Beta Distribution, Weibull Distribution, Lognormal Distribution, Poisson Distribution, Binomial Distribution, Negative Binomial Distribution ,Geometric Distribution, etc.. chi-square analyses were conducted on species distribution by using the chi-square test formulated by Pearson to test which distribution function is better, the result of chi square test made it possible to reject the other 8 distribution functions, theβdistribution function performs better than other probability density functions, it has a very close approximation, which can be used for the description of relative abundances of species in forest communities in this data set.

在相对多度研究上选用了九种概率分布模型，这九种概率密度分布函数依次为：贝塔分布、Weibull分布、对数正态分布、泊松分布、二项分布、负二项分布、几何分布、对数分布和奈曼A型分布，并进行了严格的卡方检验，结果表明：其它八种分布均被遭到拒绝，只有贝塔分布获得了通过，且拟合的结果非常理想。

While the demand from Western countries will mainly be focused on the new generation of intelligent, servo-driven machines – like the Xpannd, the sleeve gearless mid-web Athena and the I-Combat – the emerging markets will concentrate on our mechanical or light servo models, such as E- and S-Combat or Quadra.

虽然需求来自西方国家将主要集中在新一代的智能，伺服驱动机-像X pannd，套筒齿轮中旬网上雅典娜和I -战斗-的新兴市场将集中于我们的机械或轻伺服模式，如电子商务和S -战斗或Quadra 。

Although it is sometimes claimed to be a successor of the famous Zeiss Jena Notarem, the similarities are few and I suspect that these binoculars were actually designed from scratch. The 42mm objective is a quadruplet, i.e. made of no less than four lens elements.

虽然有时声称是著名的Zeiss Jena Notarem的继承者，但相似点很少，我猜测这些镜子实际上是从零做起的。42mm的物镜是4组的，就是说，由不少于4片镜片构成。

At first I showed you how the new Raptor reacts to random requests the size of a sector, i.e.

起初我发现你新的猛禽reacts随机请求大小的部门，即512字节。

I don't agree that Schelling abandonedfreedom,however,but just think that Schelling only"ontologized"the freedom in hislater period,i.e.

本文认为，谢林的自由概念在前后期确实发生了很大的变化，但那并不是对自由的背叛。

My only hope comes from a first principle of worry that I have learned in a lifetime of anxiety; i.e., some of the biggest problems are half of a self-cancelling pair.

我的惟一的希望来自烦恼的第一个规则，这是我用烦恼的一生学会的。例如，最大的问题中的一些是自我删除的一对中的一半。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。