查询词典 human nature

This article thought that, Reactivating outstanding satire art manifested not merely in the artist to at that time the Russian corrupt society reality intense satire above, in a higher level, this kind of satire art has manifested the writer in during the profound social history observation, did to the nature divine nature to the realistic common custom human nature criticalness satire, it also included Tolstoi regarding the self- profound satire.

本文以为，《复活》优秀的讽刺艺术不仅仅体现在艺术家对当时俄国腐败社会现实强烈的讽刺上面，在更高层次上，这种讽刺艺术体现了作家在深刻的社会历史的观察之中，对大自然神性所作的对现实世俗人性批判性的讽刺，它其中也包括托尔斯泰对于自我深刻的讽刺。

In the theory of human nature, FengQi overcomed the conflicts between rationalism and experimentalism, and assimilated the reasonable factors of theory recovering nature and theory of chieving nature.

冯契以历史实践唯物主义为基础，克服了"心即性"的理性主义和"生之为性"的经验主义对立，吸取了中国哲学史上的成性说与复性说的合理因素，把人性理解为从天性到德性的自由发展过程。

Inhistory,Vico thought that there be an analogue between the development of human faculty and the structure of the development of human history,and that he common human nature is basis of human history with laws.

维柯还把这种人学观贯彻到他的历史观中，认为人的能力的发展与人类历史的发展有结构上的类似性。维柯以此确认人类的共同本性，并且确认人类的共同本性是人类历史有规律发展的基础。

Inhistory,Vico thought that there be an analogue between the development of human faculty and the structure of the development of human history,and that he common human nature is basis of human h

人怎样做，就生成为什么样的人。维柯还把这种人学观贯彻到他的历史观中，认为人的能力的发展与人类历史的发展有结构上的类似性。维柯以此确认人类的共同本性，并且确认人类的共同本性是人类历史有规律发展的基础。

This writing attempts to explain Ms Su Yu"s work of absurdity genre and how Western existentialism and absurdity literature is employed as a creation theory and a source of writing techniques, combined with Albert Camus"s existentialistic anti-absurdity attitude, in presenting the theme of absurdity on a philosophic level, in revealing the absurdity of human existence and reality, in reflecting the modern human absurdity, in depicting the agonies and meaningless of life as well as the human complex of loneliness and anxiety, and alienation of human nature.

本文试图阐明女作家斯妤的荒诞小说创作，借鉴于西方存在主义哲学与西方荒诞派文学对于人类存在荒诞性的理论与技法，表现的是哲学意义层次的荒诞主题，以书写人的&生存荒诞&、现实的荒诞为主旨，主要反映当代人对于生存的荒诞感，描绘人生的苦痛与无意义，以及孤独、焦虑的情绪，揭示人性异化的丑陋，汲取了加缪存在主义的面对荒诞反抗荒诞的积极人生态度。

Luther nature-sin, person-sin, essential sin, not because the nature, person, or essence of man is, without any distinction, itself original sin, but in order to indicate by such words the distinction between original sin, which inheres in human nature, and other sins, which are called actual sins.

现在，这一原罪就是所谓的博士路德自然单人单仲偕，基本单，而不是因为自然，人，还是人的本质是，没有任何区别，自己的原罪，而是为了表明，这种换句话说区分原罪，其中inheres在人的本性，和其他的罪过，这是所谓的实际罪孽。

Literature, as the reference of human recognition and self-reflection, is not only the means by which human studies probes human nature, but a process that inosculates with the human studies.

而文学既作为了一种人们认识、反思自身的参照物，又成为人学探讨人性的手段，并作为一个过程与人学融合在一起。

Human nature, humanity, human rights, human dignity, human values, all containing the most noble elements, are openly trampled on the contents of it.

人性、人道、人权、人的尊严、人的价值，所有含有人的最高贵的成分，都是它公开践踏的内容。

Meanwhile, the line divides into two cores----"symbol"and"culture", namely human is the living thing employing symbol to create culture; Through the function of symbol to interpret human nature, he gests his original view of humanity---"human is animal of symbol"; Through cultural pattern to interpret human, he gets"culture----cycle of humanity".

而这条主线又围绕着两个核心概念展开：一个是&符号&，另一个是&文化&。即人是运用符号去创造文化的生命物。从符号功能去诠释人的本质，得出了他独特的人性观：&人是符号的动物&。从文化形式去诠释人，他得出了&文化——人性的圆周&。

September, 1570, of Tübingen, maintained that as the Word assumed Christ's human nature, so His human nature not only possessed the Divinity, but also had the power to make use of the Divinity, though it freely abstained from such a use.

约翰北京时间（草1570年九月十日），在蒂宾根大学，坚持认为，作为Word中承担基督的人性，使他的人性，不仅具备了神，而且也有能力利用神，虽然它自由地投了弃权票从这样的使用。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。