查询词典 human human being

Being apposition of human being and the way of human being, history and practice are present in the state of the mutual objective existence of each other and create each other in their interaction.

历史与实践是人类存在和存在方式的同位语，两者互为对象性而存在着并在其相互作用中互相创造。

Just as the to"rnb figure and stone picture of Hah Dynasty realize, the art is vividly realized in human being, animals, architecture, myth and foods.The ancient art of China, particularly Oriental framing of the" sculpture of the Han Dynasty; In other words the human beauty expressed centering oh pursuit of beauty of purity, life and human being will become an important key to the recovery of original beauty in the modern art in the cultural reality where the modern society is materialized Under the domination of the principles of economy and the proper beauty of art has lost direction in terms of touch of identity of the Orient

用经济原理支配的现代社会的机械化、物质化，社会变得整齐划一，在这样的的文化现实中，在丢失了美术本原美的现代美术现实中，在东洋整体性的既得利益下，对于现代美术而言，可以说表露出的人情美和感动是恢复艺术本原美的重要钥匙。

The article employs sublation to resurvey the theory of Chinese traditional humanity and then points out: obscuration, superstition and godship and class" limitation are worth being animadverted on and should be abandoned because of contradicting facts; emotion, experience, sociality and civilization should be succeeded and reserved because of being reasonable components; dharma, abstention, harmony and their wide application in practical society and importance should be carried forward. It"s in human social practice and humanity molding process of constant self-denial, self-sublation and self-realization that the new human self-regulation is enriched and then future perspective shown to human beings after sublation.

文章又以扬弃的方式，对中国传统人性理论进行了全面审视，论证并指出：蒙昧性、迷信性、神性和阶级局限性，因为违背了客观事实，所以是值得批判的，应该抛弃；情感性、经验性、社会性和文化性是人性的合理组成部分，应该继承和保留；德性、节制性、和谐性以其在现实社会的广泛应用与作用，应该发扬光大。

Becoming the guarder of being is to guarantee the living root of human being, so as to realize the poetically living on the earth. It shows that what Heidegger cared for was the interest of human being than that of the essence of substance. In this view, we have no reason to look Heidegger as the forerunner of environmental ethics, and the attempt to seek theoretically sustain in Heidegger's thinking concerning technology is impractical.

同时，我们也应认识到海德格尔并不从是美学的角度去分析艺术作品，他寄希望于艺术作品并不是要求人们都应效仿艺术家而行事，因为在他看来，艺术能够超越在场的东西，把在场与不在场结合起来，使人超越技术所带来的功利性的追求，重新回到"家"中。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

The development of human being is based on human's adapting to natural law during the process of learning from nature, and just on this basis, human being develops from obscuration into civilization.

人类从蒙昧时代到进入文明时代，就是人们在长期向大自然学习的过程中适应自然规律的基础上不断发展起来的。

In essence human society is composed of living persons, and as far as the Temporality concerned, the only thing as a whole with consciousness to face the universe is the lives of human being, then what is the main entity of human being after all?

人类社会本质上是由有生命的人组成的，而目前在此岸能够以最完整的意识来面对宇宙也是人的生命，那么人的生命主体究竟是什么呢？

The "gender" defects of female are the "phylum" defects of human, and the living predicaments female faced are the common living predicaments human being faced, because the conception of "female" concentrates all characters of noble and humble of human being and every female image almost has two-ply characters of "femininity" and "humanity".

因为"女性"这一概念浓缩了人类高贵与卑微的所有品格，每个女性形象几乎都兼具"女性"和"人性"的双重品格，所以女性的"性"缺陷也即人类的"类"缺陷，女性所面临的生存困境也即人类共同面临的生存困境。

I am always trying to find the origin out of conflicts among human being, for it couldn't convince me that selfishness is so unexcelled. It seems to me selfishness is only the byproduct of the individual lives of human being, in addition it came into being only for nursing individual to grow up. Then, what is the origin of the incessant sufferings in the world?

我一直在寻求人类冲突的根本起源，因为我不相信私心有那么大的能量，私心只不过是人类个体生命的副产品，而且它生成的目的也只是维护个体的成长，那么人类屡屡遭受苦难的根源在哪里呢？

The most serious desertification occurred in southeast of MuSu Desert,then appeared inferior degree in midst,north,south and east,anddegression degree in other directions.6.The changes of environment in Mu Su Desert in historical times havebeen controlled by climatic changes in temperature and drought-wetwithin hundreds or thousands years.At present,it came into being suchspatial structure and environmental characteristics fordesertification land because of being relative to other naturalgeographic characters and human activities.In all that,physiognomyand hiemal wind are the driving factors.The sandy matter in stratumis the physical fountain factor.The depravation of surface water inthis region is one of representations of environmental changes, meanwhile,it is also the factor which leads to the degradation ofvegetation and desertification.On the whole,human activity has actedupon these natural elements,becoming a dominant factor in the regionalenvironment changes since Ming and Qing dynasty.7.Influencing of human activities on the environment of Mu Su Deserthad occurred before Qin dynasty,and its intensity of earlier influencewas so slight that it could not cause a large scope and long timeenvironmental changes.

沙漠化的程度是东南部最强，中北部、南部和东部次之，而后向其他方向递减。6、毛乌素沙地历史时期的环境变化是受百年乃至千年尺度的气候冷暖、干湿变化控制的，之所以形成目前这样的沙漠化土地空间分布格局和环境特征，则与其地的自然地理特征和人类活动有密切关系，其中地貌及冬季风是动力因素；地层中的沙物质是物源因素；地表水环境恶化是区域环境变化的表现之一，同时又是植被退化和沙漠化的引致因素；人类活动总体上是叠加在自然因素之上的，只是明清以来在局地环境变化中成为主导因素。7、毛乌素沙地人类活动的环境影响在先秦时期就已出现，早期的影响程度是轻微的，不足以造成大范围、长时段的环境变化。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。