查询词典 huge

Huge viewports are filled with flashing shoals of grouper, wrasse, amberjack, conger eel and, finally, a huge ray cruising the turquoise depths imperiously.

巨大的观景窗外充斥着闪闪发光的鲶鱼群、濑鱼、琥珀鱼、海鳗，最后，一道巨大的光线透过深深的松石绿色的海水。

Over one shoulder Khadgar could see the hilt of a huge sword,the crosspiece huge and jeweled.

从他一边的肩部那卡德加可以看见一把巨剑的剑柄，前端的横挡上镶有宝石。

Over one shoulderKhadgar could see the hilt of a huge sword,the crosspiece huge and jeweled.

从他一边的肩部那卡德加可以看见一把巨剑的剑柄，前端的横挡上镶有宝石。

Hilt of a huge sword, the crosspiece huge and jeweled.

前段的横挡上镶有宝石。

COLOR=redOver [SIZE=2]one shoulder Khadgar could see the hilt of a huge sword,the crosspiece huge and jeweled.

从他一边的肩部那卡德加可以看见一把巨剑的剑柄，前端的横挡上镶有宝石。

Huge demand of China's rapid development of real estate to form a huge market.

巨大的需求，中国的快速发展，房地产，形成一个巨大的市场。

To avoid the reading error of huge STL files and improve the precision, a method to divide a huge STL file into several small STL files which are to be built continuously is put forward.

为了避免巨型 STL格式文件的读入错误和手工粘接带来的误差，研究了沿垂直于Z方向将巨型 STL格式文件分割成多个 STL格式文件，连续依次成形的方法，研究了分割面轮廓的拓朴处理和分割面切割的轮廓环分解为三角形的算

To avoid the reading error of huge STL files and improve the precision, a method to divide a huge STL file into several small STL files which are to be built continuously is put forward. An algorithm for tanslating the loops in the dividing face into the triangles is presented.

为了避免巨型STL格式文件的读入错误和手工粘接带来的误差，研究了沿垂直于Z方向将巨型STL格式文件分割成多个STL格式文件，连续依次成形的方法，研究了分割面轮廓的拓朴处理和分割面切割的轮廓环分解为三角形的算法。

It's a huge exporter but also a huge importer of goods.

这是一个巨大的出口国，但也是一个巨大的进口货物。

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅，巨大的石头几乎占满了整个画面，相比之下，画中的人经过了激烈的挣扎，松弛了下来，形将瘫软一般，渺小，无能，心有不甘而黯然神伤，俨然已经放弃了与石头的搏斗，在这个英雄主义调式的系列里，尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对，这幅画中的人甚至显出了一种酸楚的滑稽感——这里，我们确知反讽已经介入了他的绘画，并且，可以理解为一种自我反讽，它并非是纨绔式的慵懒，然而，确实不再绷紧他全身的肌肉，不再保持激昂而单一的斗姿，好像一切都已经难以为继，在画中的英雄卸下了石头的同时，艺术家自己也仿佛卸下了英雄梦，任凭那巨大的石头像烈火般燃烧和蔓延，包围我们，紧紧地挤压、烤炙我们，并且溢出整个画面，它以全部的沉重、坚硬和尖锐使我们窒息，反衬出我们脆薄如剪纸般的生命。

Although translator has turned from being a crystal ball by which the original culture can unrestrainedly penetrate to another crystal ball by which the target culture can freely traverse, the translator's personal embodiment, in the process of cognitive act, are still absent in translation studies. Translators are still subjects without body or simply disembodied subjects.

译者虽然由原语文化可以自由穿透的玻璃球变成了译语文化可以自由穿越的玻璃球，但译者认知过程中的个体体验在翻译研究中依然缺席，译者依然仅仅是一个没有躯体体验的主体。

Chillingly, he claimed our technology is 'not nearly as sophisticated' as theirs and "had they been hostile", he warned 'we would be been gone by now'.

令人毛骨悚然的，他声称我们的技术是'并不那么复杂，像他们一样，和"如果他们敌意"，他警告说，'我们将现在已经过去了。