查询词典 horn-mad

Like a baby, stillborn like a beast with his horn I have torn everyone who reached out for me

但我借着这首歌发誓藉我做错的每一件事为了你，我愿意改过自新

He whistled and sounded his horn in vain; the straggler paid no

他徒劳地吹口哨和听羊角的声音。

He whistled and sounded his horn in vain; the straggler paid no attention to the summons.

他徒劳地吹口哨和听羊角的声音，但是山羊完全不理会他。

He whistled sounded his horn in vain; the straggler paid no

有一只山羊不知在吃什么好东西，单独落在后面。

Aside from their knives and guns, they also carry a tobacco pouch, an ox horn and a gourd full of bullets; they wear dark collarless clothes that wrap around from the right and fasten with brass buttons, baggy straight-cut pants, and dark cloth waist-pouches.

除刀和枪外，随身挂在腰间的还有旱烟袋、牛角、枪弹葫芦；穿着无领右开衫铜扣青布衣，直统大筒裤，青布裢。

He wrote it for his father, a professional horn player, but the elder Strauss found the work too difficult.

他说他的父亲，一个专业的喇叭播放器，但发现老施特劳斯的工作太难了。

All reagents can be divided into 3 groups according to this rule: yellow (sulphur, unicorn's horn, a poppy boll…), blue (a piece of a meteor, a fang of a dragon turtle…) and red (dragon's eye, ruby, gog's blood…).

所有试剂可分为3组，根据本规则：黄色（硫磺，独角兽的角，罂粟铃。。。），蓝色（一块流星，一个方的龙龟。。。）和红色（龙的眼睛，红宝石，戈格的血。。。）。

About because the reality of pull with the shackles of dull and distance from the masters of their more famous people started their artistic imagination wings its outstanding artistic horn sway bar.

大约因为拉开了与现实的沉闷和桎梏的距离，名家人师们更能展开其艺术想象的翅膀，挥洒其卓越的艺术才情吧。

My God is my rock, in whom I take refuge,my shield and the horn of my salvation.

他是我的盾牌，是拯救我的角，是我的高台，是我的避难所。

Some animals feet, for example, a zebra, rhinoceros or tapir. The hoof is made of a horn-like tissue like a big toe nail.

奇蹄一些动物的足，例如斑马、犀牛、貘的蹄子为奇蹄，是由一个大指甲般的角质组织构成的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。