查询词典 horn-mad

Rhino horn scrapes the sky alone, the appearance is horrible that rugged rumple on the back, but passion blooms under the rough skin. The rhino is endangered.

独角傲然指向青天，背上一道道如乱石岗上的岩石般起伏不平的皱褶，犀牛的外表实在不忍卒睹，但是那如巨石般厚重粗糙的肌肤下面是灵动热烈的青春。

I have sewed sackcloth upon my skin, and defiled my horn in the dust.

16：15 我缝麻布在我皮肤上，把我的角放在尘土中。

I have sewn sackcloth upon my skin And have cast my horn into the dust.

16：15 我缝麻布在我皮肤上，把我的角插在尘土中。

I have sewed sackcloth over my skin And thrust my horn in the dust.

伯16：15我缝麻布在我皮肤上、我的角放在尘土中。

Never loop the reins around the saddle horn, no matter how placid and docile your horse is.

从来没有闭环缰绳左右，鞍角，不管如何平和驯服你的马是。

English saddles are very small: they have no saddle horn, and the stirrups are smaller than those on Western saddles.

英式马鞍非常小：它没有桩头，马镫也比西式马鞍的要小。

Slim pulled him onto the front of his saddle. Jack held on to the saddle horn.

桑姆说，杰克赶紧照他说的去做，桑姆坐在前面杰克坐在后面。

Dusty cleared the rise in an awkward leap. Jack started to slip out of the saddle. He let go of the reins and tried to hold on to the saddle horn, but his weight pulled him down. He closed his eyes as he fell to the ground.

大灰马在山道上奔跑跳跃，杰克的身体开始从马鞍向下滑，他松了松缰绳，试着不让自己从马鞍上滑下去，但是他的体重还是把他向下坠，当他掉到地上的时候，他闭上了眼睛。

Plateau scattered a lot of saiga horn, it is the Tibetan antelope fall when fighting?

想知道怎个美丽法？大家就跟着我的图片一起游一趟吧

Based on this, the author needs and challenges in the analysis of international and domestic animal husbandry industrialization theory, based on the development of SaFuKe sheep horn, tao saite, small-tail-cold sheep down the actual situation of breeds of sheep.

本着这个需求和挑战，笔者在分析国际和国内畜牧业产业化理论发展的基础上，根据萨福克羊、无角陶赛特、小尾寒羊等肉用绵羊品种的实际情况。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。