查询词典 hold one's horses

Phaeton joyfully jumped on the carriage and set off.very soon he lost his way.he grew pale at the great height and the vast sky in front of him and behind.the horses ran wild.unable to hold them,phaeton dropped them in fear.straight down to the earth the carriage dashed.rivers were dried up.crops hung down and withered.men's cries of suffering rose up from the burnt earth.the enraged zeus soon found the cause of the trouble,and without hesitation gave one of his most powerful thunderbolts at the proud and careless boy.phaeton dropped straight down into a river.both parents were sad over the loss of their son.and his sisters,who were so unhappy with his untimely death,were changed into poplars and their tears ambers.

法厄同怀着喜悦的心情跳上战车出发了。很快他就迷失了方向。看到前后令人头晕目眩的高度和浩瀚的天空，他变得脸色苍白。战马狂奔了，简直无法驾驶。恐惧之下，他把缰绳松了。战车向地面猛栽下去。河流干涸了，作物枯萎凋谢了。从烧焦的土地上传来了人类受难的恸哭。暴跳如雷的宙斯很快找到了这场乱子的原因。他毫不犹豫地朝高傲自大、粗心大意的法厄同施放了雷电中最猛烈的一击。法厄同径直地掉江中。父母为失去儿子而哀痛。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。