查询词典 history museum

His works are also widely collected by many museums worldwide, such as "the George R. Gardiner Museum of Ceramic Art" in Canada,"American Museum of Ceramic Art" in USA,"Faenza International Ceramics Museum" in Italy,"Zhenjiang Museum" and "Wuxi Museum" in China,"Boleslawiec Ceramics Museum" in Poland,"Tallinn Applied Art Museum" in Estonia, and "Nottingham Castle Museum" in England.

他的作品也被许多国内外的博物馆收藏，比如加拿大的「加得尼尔陶瓷博物馆」，美国的「波姆那陶瓷博物馆」，义大利的「法恩札陶瓷博物馆」，中国的「无锡博物馆」和「镇江博物馆」，波兰的「布拉什瓦给特陶瓷博物馆」，爱沙尼亚的「塔林应用艺术博物馆」和英国的「诺丁汉城堡博物馆」等等。

Collections: Shanghai Art Museum, Guangdong Museum of Art, Hong Kong Art Museum, Teda Contemporary Art Museum, Poston Art Museum of USA, Museum of Koninklijke Academie voor Schone Kunsten van Antwerpen, Museum of K.U.Leuven.

收 藏：上海美术馆、广东美术馆、香港艺术馆、泰达当代艺术博物馆、美国波士顿美术馆、美国纽约艾丝戴拉基金会美术馆、瑞士日内瓦奥兰斯卡基金会美术馆、比利时鲁汶大学博物馆、比利时安特卫普皇家美术学院博物馆、俄罗斯莫斯科比纳耶乌现代美术馆。

Yigal Ozeri has exhibited extensively throughout Israel, Europe and the United States, and his work can be found in many prominent collections, including Albertina Museum, Vienna; Hudson Valley Center for Contemporary Art, Westchester; Kennedy Center for the Arts, Washington DC; McNay Art Museum, San Antonio; Nerman Museum, Kansas City; Scheringa Museum of Realist Art, Netherlands; Tel Aviv Museum of Art, Israel; and The Jewish Museum, New York.

伊加勒厄泽里显示出了整个以色列，欧洲和美国，广泛他的作品中可以找到许多知名的集合，包括阿尔贝蒂娜博物馆，维也纳，哈得孙河谷当代艺术中心，威，肯尼迪的艺术中心，华盛顿特区； McNay艺术博物馆，圣安东尼奥； Nerman博物馆，堪萨斯城，Scheringa博物馆现实主义艺术，荷兰；特拉维夫艺术博物馆，以色列和犹太博物馆，纽约。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

History is growing on the historical activities.The development of history prompts the prosperousness of history.The historian who is not compatible with history apparently has the political complexity of history.The cultural history which is commended by people and is opposite to history of politics paysatlention to the foreign history,social life history and the demotic history of lower class.

因为史学是在政治生活中生长的；政治的发展激励着史学的昌盛；史学史上那些表面不容于政治的史学家政治情结更浓；被人们所称道似乎与政治史对立的文化史关注域外史、社会生活史和下层人民史，实际上是现代政治权力的扩张。

In this paper, based on the theory of history course resource and by using traditional researching methods of "testifying history by arts""bilateral connection of arts and history", the way to construct the teaching model by combination of liberal arts and history, to analyze the literature in junior high school Chinese course (including Chinese textbooks, after school reading books and recommended masterpiece at home and abroad) to enrich the history teaching by inosculating the literature content in junior high school Chinese lesson into history teaching were explored in order to realize the resource sharing in the Chinese and history teaching and to achieve the state of "testifying history by the help of arts""explaining the arts by the help of history" and " inosculating arts into history".

本研究尝试根据历史课程资源理论和传统的&以文证史&、&文史互通&的史学研究方法，探索在初中历史教学实践中构建文史综合的教学模式，研究如何从课程资源的角度解读中学语文课程（包括语文教材、课外读本和推荐阅读中外名著）中的文学作品，将中学语文课程中的文学作品作为不可或缺的实证史料充实进历史课程，融入历史教学，实现初中历史与语文课程的资源共享，做到&以文证史&、&以史释文&、&融文入史&。

Project planning construction contents::Rizhao Maritime Museum mainly includes 5 parts: Marine Fishery Museum, Marine Salt Museum, Marine Transportation Shipping Exhibition Hall, Marine Biology and Aquarium Museum and Marine Disasters Science Museum.

该项目规划建设内容为：日照市海洋博物馆主要由海洋渔业博物馆、海洋盐业博物馆、海洋交通航运展览馆、海洋生物观赏馆、海洋灾害科普馆五个部分组成。

China deliciosus deliciosus Museum for display of Chinese history and the development of the industry, promote Chinese culture has a long deliciosus of great practical significance 1, deliciosus ----- deliciosus Science Museum Science Museum is a museum Core deliciosus, where the soul from the scientific point of view, to the universal audience deliciosus knowledge, deliciosus is rich in value, is a gift of nature The treasure of humanity, from a scientific point of view, the adoption of specimens, models, three-dimensional landscape, pictures, videos, interactive multi-media technology to display the way to create a lively, and the pro-intellectual context, so that viewers feel lovely natural life, Alas .

中国菇菌博物馆对于展示中国菇菌行业的发展历史、弘扬中国悠久的菇菌文化具有重要的现实意义 1、菇菌科学馆-----菇菌科学馆是整个菇菌博物馆的核心、灵魂所在，从科普的角度，向观众普及菇菌的知识，菇菌有着丰富的利用价值，是大自然赐予人类的瑰宝，从科学的角度出发，通过标本、模型、立体造景、图片、影片、多媒体技术等互动展示手法，营造了一个生动、亲和的知性情境，让观众感受自然生命可爱、可叹之处。

Pieces of works, the Asia-Pacific Museum of California. 1989 should be invited by the University, Ohio fen to conduct academic exchanges and organized individual exhibitions. In July 1990 in Nepal's capital Kathmandu, large-scale exhibition held at the Museum. October 1990 New Delhi, India Baha'i Museum exhibition,"Chenming," a collection. On three occasions since 1991 in Florida, where Bo and other three cities held personal exhibitions. 1992 work,"Spring Bamboo" is Queen of the Netherlands Beja Therese collection. In Sydney, Australia in 1993, organized by city, the first Asia-Pacific Chinese ink painting contest winners, work "snowy's Island," a collection. In October 1994 the National Museum of the Netherlands invited to organize large-scale solo exhibition in December 1994 in Rotterdam invited Chinese literary weeks personal exhibition was held. 1995 Chinese Culture Week was mayor of Amsterdam, the Netherlands named after a famous Chinese artist. 1996 has been Noto City, He Luolin root City,拉登维斯林City, is an ink-Wei City, Amstelveen invited to organize large-scale exhibition city.

1986年起多幅作品被美国加州亚太博物馆收藏。1989年应美国俄亥俄州芬来大学邀请进行学术交流并举办个人画展。1990年7月在尼泊尔首都加德满都博物馆举行大型个展。1990年10月在印度新德里巴哈伊博物馆举行个展，《晨鸣》被收藏。1991年起先后三次在佛罗里达州、里勃等三城市举办个人画展。1992年作品《春竹》被荷兰女王贝雅特丽丝收藏。1993年在澳洲雪梨市举办的，首届亚太地区中国水墨画大赛获奖，作品《雪原之洲》被收藏。1994年10月被邀于荷兰国家博物馆举办大型个人画展，1994年12月在鹿特丹中国文体周特邀举行个人画展。1995年阿姆斯特丹中国文化周被市长命名为荷兰著名中国艺术家。1996年先后曾被乃登市、荷罗林根市、拉登维斯林市、乃墨卫市、阿姆斯特芬市邀请举办大型个展。

I would have more time to finish the Akhenaten Museum, the Civilization Museum, the Sohag Museum, the Greco-Roman Museum in Alexandria, and many other museums I want the world to see.

我将有更多时间来完成阿肯那顿博物馆，文明博物馆，索哈杰省博物馆，亚历山大的希腊罗马博物馆，和许多我希望世界看到的其他博物馆。

"Bird Man's Diary, Butting on the Love Island", Changsha, China

2008年"鸟人日记，顶在爱情岛"，中国长沙

As long as they were in the service of a family of wizards, their magic would remain dormant.

只要他们一天为家庭服务，他们的法力就潜藏不动。