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His true name is Abaddon, Apollyon-a destroyer, for that is his business, his design, and employment, to which he diligently attends, in which he is very successful, and takes a horrid hellish pleasure; it is about this destroying work that he sends out his emissaries and armies to destroy the souls of men.

他的真实姓名是阿巴顿， Apollyon -驱逐舰，因为这是他的生意，他的设计，和就业，他认真参加，其中他是非常成功的，并采取了可怕的地狱高兴；这是有关这一破坏工作，他发出了他的使者和军队摧毁灵魂的男人。

Everyone is totally relaxed, including his tired body as well ashis oppressed heart; it is not a place only for abreaction but aplace for one to seek his self, to explore his original face, toconfide something hidden in his heart for years, and to find aheart-to-heart friend……Here it is easier to touch the heart andeven the soul of each other.

每个人都是完全放松的，包括疲倦劳累一天的身体，也包括那也许已压抑很久的心灵；这里绝不只是一个发泄的地方，而是一个寻找自我，探索人性本来面目的世界，可以说深藏心中已久的话，可以寻找一个心灵契合的朋友……在这里更容易接触到彼此的心乃至灵魂。

The sick soldier, Sokolov, pale and thin, with blue rings round his eyes, sat alone in his place, without boots or out-of-door clothes on. His eyes, that looked prominent from the thinness of his face, gazed inquiringly at his companions, who took no notice of him, and he uttered low groans at regular intervals.

那个生病的士兵索科洛夫，面色苍白、瘦削、眼睛周围乌黑发青，只有他一个人，既没有穿衣服，也没有穿靴子，仍坐在原来的地方，两只瘦得鼓突出来的眼球疑问地凝望着此刻不注意他的伙伴们，并发出均匀的低声呻吟。

The old poet seated himself beside his hearth, and took the little fellow on his lap; he squeezed the water out of his dripping hair, warmed his hands between his own, and boiled for him some sweet wine.

老诗人坐在炉边，把这小孩子抱到膝上，把雨水从他的卷发里挤出来，把他的手放到自己的手里暖着，同时为他热了一些甜酒。

The old poet seated himself beside his hearth, and took the little fellow on his lap; he squeezed the water out of his dripping hair, warmed his hands between his own, and boiled for him some sweet wine.

老诗人坐在炉边，把这小孩子抱到膝上，把雨水从他的卷发里挤出来，把他的手放到自己的手里暖着，同时为他热了一些甜酒。这孩子马上就恢复过来了。

Not only his Masses, his Te Deum, his devotional choral works, but his symphonies also sprang from his fundamental religious feeling that swayed Bruckner's entire spirit.

不仅他的弥撒，赞美诗，合唱作品，而且他的交响曲，都是根植于其存身立命的基本宗教情感，而这种情感支配布鲁克纳之整个精神。

Phileas Fogg, having shut the door of his house at half-past eleven, and having put his right foot before his left five hundred and seventy-five times, and his left foot before his right five hundred and seventy-six times, reached the Reform Club, an imposing edifice in Pall Mall, which could not have cost less than three millions.

早上十一点半，福克先生照例走出赛微乐街住宅。他右脚在左脚前移动了五百七十五次，左脚在右脚前面移动了五百七十六次之后，就到了改良俱乐部。这是一座高大的建筑物，矗立在宝马尔大街上，盖这样一个俱乐部，至少也要花三百万英镑。

As for Ukiyo-e prints, Suzuki Harunobu reached his prime time at his late years. For example 《Romantic Voluptuous Little Pretty》,《the Eight Scenes of Beauty's Chamber》《Romantic Beauty Mirrors》, this group of three of beauties are very famous. Kitagawa Utamaro had unique aesthetic appreciation, presenting women's charming and grace. Another artist Toshusai Sharaku didn't created many works. He appeared only for a short period of time, just like a shooting start crossing the sky. Katsushika Hokusai's "the Thirty-six Scenes of Fuyue" was the beginning of the popularity of Ukiyo-e prints. His work absorbed the factors of western world. Many of his works presented grandeur in front of people. The works of Utagawa Hiroshiga were also outstanding. His works revealed a sort of " Japanese complex".

浮世绘方面，铃木春信的创作旺盛期是在晚年，《风流艳色小豆人》、《风流闺室八景》和《荡女鉴镜图》三组美人画非常著名；喜多川歌磨有着独到的审美意识，展示女性的妩媚动人和优雅神态；役者绘大师东洲斋写乐的作品不多，仅仅出现在一个极短的期间，犹如历史夜空中一闪而过的彗星；葛饰北斋的&富岳三十六景&是浮世绘风景画流行的开端，作品吸取西洋的绘画元素，大多雄伟壮丽；歌川广重的&名所绘&出类拔萃，画中流露一种&日本情结&。

Though only small in height, this young striker seems to have a great deal of potential. He seemed to be set for his first Azzurri call up for a friendly against Romania in February, but the match was cancelled due to fan riots in Serie A that weekend. Later he got his first call up to the Azzurri in March for a Euro 2008 qualifier against Scotland, and made his debut as a substitute (substite Luca Toni in 87 min.). In Kaunas on June 6, 2007, on his first start for Italy, he scored his first two goals for them in a 2-0 win over Lithuania in a vital Euro 2008 qualifier.

虽然成就不高，这个年轻前锋有着很好的潜质。07年2月他似乎很可能入选意大利对罗马尼亚的友谊赛阵容，但由于之前一场意甲联赛球迷骚乱这场比赛被取消。3月他入选了欧锦赛意大利对苏格兰的比赛名单，并且在第87分钟替补托尼出场。6月6日在考纳斯，他首次为意大利首发出场，最终意大利2比0击败立陶宛，而他包办了这场欧锦赛预选赛关键胜利的这两个入球。

In his prose,"A Dramatist," Walser imputed Büchner's failure as an excellent dramatist to his personality. Later, Walser refuted such criticism. Juxtapose his opinion of Büchner and his refutation, and we can infer that Walser was probably in the opinion that Büchner, Kleist and himself were not well-known during their lifetime due to their personality. This is not only a self-criticism, but also a secret criticism of the prevailing opinion of his contemporaries.

他在一位剧作家一文中暗批毕西纳受限於自身性格，无法成为卓越的剧作家；若将此批评对照他之后於自我辩护信中的反驳，更令人怀疑瓦尔泽实是想藉此文表达：毕西纳的性格如同克莱斯特及其本身的性格一般，难以胜任人生舞台，故无法在有生之年享受成功的荣耀；而此看似自我批评，却也是对主流意见隐密不彰的批判。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。