查询词典 his self

Even though Deng Jianjin's early paintings were related to dreams, love, sex, pornography, peeking, and self-absorption, they provided no entertainment at all. Instead they gave a representation of exaggerated, dead serious, and even overcorrect individual heroism. They bore the historical baggage of China's 5000 years of civilization and all the suffering and oppression of Chinese people in modern Chinese history. They were a diligent and honorable means of salvation.By the end of 1990s, Deng Jianjin's series 'About the Witness's Dreams' continued to carry on his signature style of being 'expressive' and 'intimate', but cynicism and jokes had also started to prevail among his paintings heavy in colors and opened up a way out for 'sentimental youth' and 'heavy-hearted moods'. Ever since then, Deng Jianjin has obtained a sense of uninhibited freedom and been able to let his thoughts flow on this paintings.

邓箭今的早期作品虽然与梦境有关，与情色和色情有关，与偷窥和自恋有关，但却毫无娱乐性，是一种放大了的、极其严肃的、甚至是矫枉过正的个人英雄主义写照，它背负着五千年文明的历史包袱和近现代中国人民的所有压抑和苦难，是一种花大力气的、正派的拯救的方式。90年代末，邓箭今在《有关目击者的梦境》系列中，虽然延续了他一贯的&表现&和&私密&的话语风格，但是调侃和玩笑之风开始盛行于色彩拥挤的画面，并为&感伤的青春&和&忧心重重的情怀&开启了一扇透气的风门，从此，邓箭今游刃有余，思想得以自由穿行。

Tasting Sunny Cui's sunny life, experiencing his surgent passion, and reading his colorful stories, I see a passionate, mature, intellectual and self-possessed man behind his successes.

品尝着Sunny Cui 的阳光生活，感染着他的澎湃激情，阅读着他的魅力人生，在他成功人生的背后，掩映的是一个热情成熟、聪敏冷静的魅力男人。

To make of monsters, and things indigest, Such cherubins as your sweet self resemble, Creating every bad a perfect best As fast as objects to his beams assemble: O 'tis the first,'tis flattery in my seeing, And my great mind most kingly drinks it up, Mine eye well knows what with his gust is 'greeing, And to his palate doth prepare the cup.

只害怕时光的无数意外事故钻进密约间，勾销帝王的意旨，晒黑美色，并挫钝锋锐的企图，使倔强的心屈从事物的隆替：唉，为什么，既怵于时光的专横，我不可说，&现在我爱你到极点，&当我摆脱掉疑虑，充满着信心，觉得来日不可期，只掌握目前？

Wilson rejects the advice of his double and, in effect, brings about his own moral death, whereas Dr. Jekyll connives at crime of his double and gradually loses self.

维尔森拒绝了双面人的建议，结果招致个体的道德死亡，博士则对双面人的罪恶默许纵容，在无形之中失去了自我。

His emphasis on the dialogic nature and literariness of autobiography tinges his autobiographical theory with idealism, but his ideas on Dialogue and Self-consciousness are enlightening to today's autobiographical study.

强调自传的对话性和文学性，使其自传观带有了理想色彩，但巴赫金的对话和自我意识观念对当前的自传研究有着重要的启迪。

The emphasis of this thesis is to trace down evidences of American consumerism from the angle of the components which forms the main dimension of consumerism: status-pursuit by possession and consumption of commodities as automobiles, residence and fineries, which are in effect treated as the symbols of social position, for they are endowed with additional value besides the use value, that is the sign value which even surpasses the material property; and another task of the thesis is to analyze the impacts of consumerism reflected by Dreiser through his arrangement of the fate of his heroes who live in consumer culture circumstance, who inevitably are under the irresistible influence of it and who accept consumption as their only choice of self-identification; at last the attitude of the great author towards consumerism and his exploration of the significance of life will be concerned.

本文重点是探讨作品中构成消费主义的各种表现形式：通过消费华服、汽车，占有豪宅等表现社会地位的奢侈品达到身份的认同而寻求心理上的满足，因为这些物品的物质属性早已让步于其的文化属性，被赋予的符号价值取代了使用价值成为人们追求的主要因素。本文的另一个探索方向是通过把握德莱塞对作品中主要人物命运的安排，分析消费主义对存在于消费语境下的人们所产生的不可抗拒的影响以及得莱塞反映在本部作品中对消费主义的态度和对人生意义的思考。

Castilla奥奈real painting and the vivid reflection of the politicians, diplomats and academics in the same image features: his black, sharp eyes and a calm, as if to see through all; he That reddish, tightly closed, outside velvet lips, showing his self-confidence, determination, resourcefulness and the rigorous and extremely good; slight tilt of his chin, and that dense,络腮胡be neat to show 16th-century Renaissance Italy unique style of scholars; that black hat, white shirt, gray-black fitted prime painted and reflect the idea was abandoned in the Su-loaded艳装to promote culture of the times.

卡斯蒂利奥奈》这幅作品真切而生动地反映了这位政治家、外交家兼学者于一身的形象特征：他那黑亮、锋利而又平和的眼神，好象能够看穿一切；他那微红、紧闭、外柔内刚的双唇，显示了他自信、果断、严谨和善辩的机巧；微微翘起的下巴，那浓密、整齐的络腮胡须，显示了意大利16世纪文艺复兴时期学者特有的风范；那黑色的礼帽，白色的衬衫，灰黑色的素装又反映了被画者在当时主张摒弃艳装提倡素装的时代风尚。

When war demanded his attention, his spear was not wreathed with ivy, nor his helmet redolent of unguents; he did not come out to battle from the women's chamber, but, hushing the bacchanal shouts and putting an end to the orgies, he became at once, as Euripides calls it,"the minister of the unpriestly Mars;" and, in short, he never once incurred disaster through indolence or self-indulgence.

然而一旦放下酒杯、推开女人，他立刻就神勇无比，正如欧里庇德斯的诗句&the minister of the unpriestly Mars&，总之就是德米特里从来也没有因为纵情声色而招致灾祸。

Once he has power, I believe, he will self-restraint and uses it carefully. He will not swollen-headed for his high position, not to mentioning exploits his underling and people in his prefecture as he likes.

他不会拿著鸡毛当令箭，他不会因身居高位而得意忘形；更不会将自己的部属以及辖区内的百姓当成囊中之物，动辄随意榨取。

Once he has power, I believe, he will self-restraint and uses it carefully. He will not swollen-headed for his high position, not to mentioning exploits his underling and people in his prefecture as he likes.

他不会拿着鸡毛当令箭，他不会因身居高位而得意忘形；更不会将自己的部属以及辖区内的百姓当成囊中之物，动辄随意榨取。

You can do some assertiveness training.

你可以进行一些自信训练。

We were well on the path to making a rear-wheel-drive global platform," says Mays."

我们正致力于建立一个后轮驱动的平台，"Mays这样说道。"