查询词典 his self

The first part states in a comprehensive way the research on Zhou Zuoren so as to define the purpose, methodology and significance of the dissertation. The second part analyzes the experience of Zhou's self-culture creation from a personal angle-Yue culture in Zhejiang gave Zhou a perceptual knowledge of folklore, while the idea of world folklore gave him a rational cognition of folk' culture. The combination forms a dual folklore. The third part observes Zhou Zuoren's examination of literarure from folklore's perspective as well as its pioneering significance. The fourth part explores in a further way Zhou's perspective of folk culture, and analyzes the method he has established to conduct literary criticism from the angle of folklore as well as his research on Chinese Culture. The fifth part analyzes the impacts folklore theory and folk culture have on the formation of Zhou' literary ideas, focusing more his folklore interpretation and humanism perspective about the origin and hist ory of literature, also his literary aesthetic standards about "ordinary humanism" and "loving amusement" from the position of folklore. The sixth part expounds Zhou's achievement in combining literature and folklore and explores the consistency of their focus on human, thereby presenting a complete picture of Zhou's literature. The last part generalizes the revelation drawing from the research done in this dissertation.

本文分为六章：第一章综述周作人研究的历史与现状，从而确定本文的研究目的、方法及意义；第二章从社会、时代背景、区域文化传统和个人文化选择的角度，阐释周作人选取民俗学视角观照文学的原因，侧重分析周作人自我文化建构的心路历程——浙江越文化传统的浸润给周作人以民俗学的感性认识，而世界民俗学的理念赋予他注重民间文化的理性精神；第三章考察周作人的民俗学研究及先锋意义；第四章进一步探讨周作人的民俗文化观，分析他确立的从民俗文化角度进行文学批评的方法，兼及他从民俗学视角进行的中国文化研究；第五章分析民俗学理论及民俗文化观在周作人文学思想生成中的影响，着重论述周作人关于文学起源和文学发展史的民俗学阐释、文学的民俗人性观，以及从民间立场出发所具有的"平凡的人道"、"有情的滑稽"等文学审美原则；第六章从创作实践方面，探讨周作人文学作品的民俗文化意蕴，进一步论述周作人将文学与民俗结合在一起的实绩，并揭示二者以"人"为核心的内在精神的一致性，从而呈现出周作人较为完整的文学风貌；最后是余论，指出这一研究的启示。

Aiqing"s compassion and devotion for the peasants" fate and hardness are explored from the aspects of his innate " complex for peasants", country background and his experience of the city. It is a climax of his creation. The second chapter: From Yanan to Beijing. The self-division of the inner world that is caused by the outer conflicts between the unique complex sense with the expressive way and the main opinions, and the confusion for the sticking the uniqueness are discussed.

第一章：行吟者的歌，从他与生俱来的"农人情结"和故土背景与他对都市的感受中，去论述艾青对民族命运及苦难的悲悯与献祭情怀，这一时期也是艾青创作的第一个高峰期；第二章：从延安到北京，主要论述这种独特的复杂感受和表达方式与主流意识形态的外在矛盾而导致诗人内心世界的自我分裂，也是艾青坚守个人独特性的困惑。

Aiqing's compassion and devotion for the peasants' fate and hardness are explored from the aspects of his innate " complex for peasants", country background and his experience of the city. It is a climax of his creation. The second chapter: From Yan'an to Beijing. The self-division of the inner world that is caused by the outer conflicts between the unique complex sense with the expressive way and the main opinions, and the confusion for the sticking the uniqueness are discussed.

第一章：行吟者的歌，从他与生俱来的"农人情结"和故土背景与他对都市的感受中，去论述艾青对民族命运及苦难的悲悯与献祭情怀，这一时期也是艾青创作的第一个高峰期；第二章：从延安到北京，主要论述这种独特的复杂感受和表达方式与主流意识形态的外在矛盾而导致诗人内心世界的自我分裂，也是艾青坚守个人独特性的困惑。

While his adversaries may disdain the prime minister's tacky public persona (the garish outfits, the bimbo eruptions, the tactless remarks about other world leaders) and his tiresome self-glorification (the man has compared himself to both Napoleon and Jesus), Italian voters have, in three general elections, chosen the devil they know over his dull and plodding opponents on the left.

虽然他的对手可能会鄙视总理俗气的公众形象（即花哨衣服的宾博爆发，对其他世界领导人的圆滑的评论）和他的烦人自我颂扬（该名男子把自己比作拿破仑和耶稣都），意大利的选民有在三次大选，他们选择了魔鬼对他沉闷和缓慢左边的对手知道。

No self-pleasing in eating and drinking, no comfort or ease, should for a moment keep him from showing the spirit of the cross in his daily life, or from sacrificing all, like his Master. Read the following four passages which comprise his life-history: I Cor. iv. II-I3, 2 Cor. iv.8-I2, vi.

不以满足自己的食欲来吃喝，不求安逸的生活，乃在日常生活中表现出背十字架的记号，像主一样凡事牺牲，我们从下列经文可看出他一生所有的：（林前五：11-13），和（林后四：8-12）（六4-10，十一：23-27）。

With characteristic tentativeness and a disclaimer of self-knowledge, Rawls speculates that his beliefs changed because of his experiences in the war and his reflections on the moral significance of the Holocaust.

这是具有一种典型的暂时性和自我认知的否弃，罗尔斯推测他的信仰变化是因为他的战争经验和对于大屠杀的道德意义的反思。

MS14Not only Bogart,nearly all the other characters on Miguel Street do likewise.When Edward goes to work at the American base at Chaguaramas,he adopts the American styles of dress and behavior and alternates between a Trinidadian and an American accent.Morgan,who is the subject of derision on the street,will feel depressed if he is not laughed at by others.To make the others laugh and thus gain a self-concept from them,he even plays jokes on his children by conducting a family court and public flogging to punish them.When all his efforts fail to arouse laughter from other street dwellers,Morgan becomes desperate and eventually sets his house and fireworks on fire.

MS14不仅·博加特，几乎所有的其他特征对米盖尔街做同样的事情当爱德华去上班了，他在Chaguaramas美军基地，采用美国风格的服饰、行为和变换Trinidadian之间，带上了美国口音摩根，谁是这个主题的街道上的人，就会感到沮丧，如果他不是被别人嘲笑…让别人发笑，并由此得到一个自我，他甚至从他们对他的孩子们发挥玩笑进行家庭法院和公众的鞭打惩罚他们当他所有的努力失败引起欢笑从其他街的居民，并最终成为绝望。

I kept my Piece in my Hand still, without firing, being willing to keep my Charge ready; because I had given the Spaniard my Pistol, and Sword; so I call'd to Friday, and bad him run up to the Tree, from whence we first fir'd, and fetch the Arms which lay there, that had been discharg'd, which he did with great Swiftness; and then giving him my Musket, I sat down my self to load all the rest again, and bad them come to me when they wanted: While I was loading these Pieces, there happen'd a fierce Engagement between the Spaniard, and one of the Savages, who made at him with one of their great wooden Swords, the same Weapon that was to have kill'd him before, if I had not prevented it: The Spaniard, who was as bold, and as brave as could be imagin'd, though weak, had fought this Indian a good while, and had cut him two great Wounds on his Head; but the Savage being a stout lusty Fellow, closing in with him, had thrown him down and was wringing my Sword out of his Hand, when the Spaniard, tho' undermost wisely quitting the Sword, drew the Pistol from his Girdle, shot the Savage through the Body, and kill'd him upon the Spot; before I, who was running to help him, could come near him.

当星期五向那批逃到独木舟上的野人开火时，我拔出刀子，把那可怜的家伙身上捆着的菖蒲草割断，把他的手脚松了绑，然后把他从地上扶起来。我用葡萄牙话问他是什么人。

In the end, although he is just a boy like Huck and is appealing in his zest for adventure and his unconscious wittiness, Tom embodies what a young, well-to-do white man is raised to become in the society of his time: self-centered with dominion over all.

最后，尽管他只是一个男孩喜欢哈克并呼吁在他的热情和他的冒险昏迷wittiness ，汤姆体现了什么是年轻，富裕的白人男子，成为提高在社会中的时间：自中心与统治一切。

As a representative artist from the 70's, Li Jikai tells his stories from a personal, microcosmic angle in his paintings that are filled with researches on the Self, which shows some attitude of his generation on autognosis.

作为70年代出生的艺术家代表，李继开的作品多是以个人的，微观的角度展开叙述。作品中充满了对于自我的探索，从而体现了一代人对于自我认知的一种态度。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。