查询词典 his self

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

His character mainly is cautiousness, calm, liking something strange, self-abased, heavy-hearted, which is both reflection of his life experience of frustrations and affects his attitude towards persons and things.

江淹的性格主要是谨慎、沉静、奇尚异、卑、郁，这既是其坎坷经历与人生志趣的积淀和折射，又潜移默化地影响着其为人处世。

Even though Deng Jianjin's early paintings were related to dreams, love, sex, pornography, peeking, and self-absorption, they provided no entertainment at all. Instead they gave a representation of exaggerated, dead serious, and even overcorrect individual heroism. They bore the historical baggage of China's 5000 years of civilization and all the suffering and oppression of Chinese people in modern Chinese history. They were a diligent and honorable means of salvation.By the end of 1990s, Deng Jianjin's series 'About the Witness's Dreams' continued to carry on his signature style of being 'expressive' and 'intimate', but cynicism and jokes had also started to prevail among his paintings heavy in colors and opened up a way out for 'sentimental youth' and 'heavy-hearted moods'. Ever since then, Deng Jianjin has obtained a sense of uninhibited freedom and been able to let his thoughts flow on this paintings.

邓箭今的早期作品虽然与梦境有关，与情色和色情有关，与偷窥和自恋有关，但却毫无娱乐性，是一种放大了的、极其严肃的、甚至是矫枉过正的个人英雄主义写照，它背负着五千年文明的历史包袱和近现代中国人民的所有压抑和苦难，是一种花大力气的、正派的拯救的方式。90年代末，邓箭今在《有关目击者的梦境》系列中，虽然延续了他一贯的"表现"和"私密"的话语风格，但是调侃和玩笑之风开始盛行于色彩拥挤的画面，并为"感伤的青春"和"忧心重重的情怀"开启了一扇透气的风门，从此，邓箭今游刃有余，思想得以自由穿行。

liang shiqiu,an important writer in modern chinese literature,has long been regarded as a gentlemanly writer,thus his prose has also got the characteristic of gentlementliness.a review of liang's creation course and an analysis of his literature psychology reveal that "the sense of homeliness" is,in fact,another important trait of his prose,which was formed gradually by liang's using techniques of self-interpretation,simple wording and humorous language.

本文在回顾和分析了梁实秋散文的创作历程后发现，这些散文在外在的绅士风之中还有着浓浓的家常味，后者亦是梁的散文的重要品性，本文即对这个特性的形成以及三个特点——对周遭世相和内在心潮的自我解说、标举"简单"、"割爱"的原则及运用幽默手法——进行了简要地分析和讨论。

Yong Rub, Mongolian conductor should obtain high assessment due his demonstration on self-awareness arousal of Mongolian musical culture identity during his way on musical creation for several decade years from highness of human musical culture history. At the mean time, his way of deploitation visual field actively in multivariate cultural exchange circumstances, absorbing tastes melodize technique widely from different nationalities, praticing new cumulative artistic experience all the time, is worth to be learned by us.

从人类音乐文化历史发展规律的高度来看，蒙古族作曲家永儒布几十年的音乐创作道路所昭示的蒙古族音乐文化身份自我意识的觉醒，应当获得高度的评价；与此同时，他身处多元文化交流的大环境而主动拓宽视野，从诸多异民族文化中广泛吸纳审美理念和作曲技法，勇于实践所积累的新鲜艺术经验，又是值得吾辈学习效法的。

He alone—with the ideal of glory and greatness he has acquired in Italy and Egypt, with his frenzy of self-adoration, with his insolence in crime, and his frankness in mendacity—he alone can justify what has to be accomplished.

他在意大利和埃及培植了光荣和伟大的理想，他疯狂地自我崇拜，他大胆地犯下罪行，他毫无顾忌地撒谎，只有他这样的人才能为所发生的事辩护。

God is more than just the world in its totality because he has his own transcedent self-identity; yet God includes the world within himself by his knowledge and love, which are simply his perfect prehension or taking in of the creative events of the world.

上帝是不止，世界在其整体因为他有自己的transcedent自我认同；但在神面前，包括世界上自己，由他的知识和爱，这纯粹是他的完美的捏，或采取在该创意活动的世界。

In his way﹐Wang Du was fashioning his concept of the artist as self-media at the same time as a number of other artists who were active in this regard﹐including Pierre Huyghe and his Mobil TV﹐created with melik Ohanian in 1995 and 1998﹔Lincoln Tobier and Rirkrit Tiravanja and Radio Printemps＆...

以他的独特的方式，王度塑造了他对于自助媒体的观念，与此同时，还有1995年和1998年皮埃尔。雨戈和梅里克。欧阿年制作的《移动电视》，林肯。托比耶和里尔克利特。提拉瓦尼亚在1996年制作的《春天广播电台及其它》和2000年的《多功能电台舱》，格里高利。

His tone replete with self-confidence, it is his progress, it is his efforts, I am pleased.

他的语气里充满自信，这是他的进步，这是他在努力，我很欣慰。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。