查询词典 hillbilly music

In this post WWII period "country" music was called "folk" in the trades, and "hillbilly" within the industry.

在这个后二战时期"国家"的音乐被称为"民间"的行业，" hillbilly "行业内。

Know i can be what i wanna be if i work hard at it i'll be where i wanna be (i'll be where i wanna be) be, b-boys and girls, listen up you can be anything in the world, in god we trust an architect, doctor, maybe an actress but nothing comes easy it takes much practice like, i met a woman who's becoming a star she was very beautiful, leaving people in awe singing songs, lina horn, but the younger version hung with the wrong person gotta astrung when i heard when cocaine, sniffing up drugs, all in her nose coulda died, so young, no looks ugly and old no fun cause when she reaches for hugs people hold they breath cause she smells of corrosion and death watch the company you keep and the crowd you bring cause they came to do drugs and you came to sing so if you gonna be the best, i'ma tell you how put your hands in the air and take the bell [chorus -2x] i know i can be what i wanna be if i work hard at it i'll be where i wanna be (i'll be where i wanna be) be, b-boys and girls, listen again this is for grown looking girls who's only ten the ones who watch videos and do what they see as cute as can be, up in the club with fake id careful,'fore you meet a man with hiv you can host the tv like oprah winfrey whatever you decide, be careful, some men be rapists, so act your age, don't pretend to be older than you are, give yourself time to grow you thinking he can give you wealth, but so young boys, you can use a lot of help, you know you thinkin life's all about smokin weed and ice you don't wanna be my age and can't read and right begging different women for a place to sleep at night smart boys turn to men and do whatever they wish if you believe you can achieve, then say it like this save the music y'all, save the music y'all save the music y'all, save the music y'all save the music be, be,'fore we came to this country we were kings and queens, never porch monkeys it was empires in africa called kush timbuktu, where every race came to get books to learn from black teachers who taught greeks and romans asian arabs and gave them gold when gold was converted to money it all changed money then became empowerment for europeans the persian military invaded they learned about the gold, the teachings and everything sacred africa was almost robbed naked slavery was money, so they began making slave ships egypt was the place that alexander the great went he was so shocked at the mountains with black faces shot up they nose to impose what basically still goes on today, you see?

知道我可以。是我想。如果我努力学习它。我将会在哪里，我想我将会在哪里，我想。是，b-boys和女孩，仔细听好了你可以在这个世界上，我们相信上帝建筑师、医生、也许是一名演员但什么是轻易造成大量练习喜欢，我遇见了一个女人的成为一个明星她非常美丽，让人敬畏唱歌，埃德喇叭，但年轻的版本挂着一个错误的人当我听到时要astrung 闻起来，可卡因，在她的鼻子的药物本来，年轻，没有死亡，看起来很丑陋当她到达任何有趣的原因，人们认为他们拥抱气息因为她的腐蚀和死亡的主要原因。气味看你的人群，你带因为他们来做药物和你来唱所以如果你要成为最好的，我会告诉你怎么做把你的手在空中和带铃 [合唱-2x] 我知道我可以。是我想。如果我努力学习它。我将会在哪里，我想我将会在哪里，我想。是，b-boys和女孩，再听一遍这是为了寻找女孩长大的只有十分钟那些看录像，他们看到了些什么作为可爱，就可以在俱乐部和假身份证小心，你遇到一个人涌现hiv病毒你可以在电视主持人奥普拉·温芙瑞一样无论你决定，要小心，一些人你的年龄，所以法案强奸犯，不要假装比你大，给自己时间长你认为他能给你的财富，而是这样年轻的男孩，你可以用很多的帮助，你知道的你thinkin生活的全部smokin杂草和冰你别想成为我的年龄和不能读英语和正确的为不同的女性乞讨，晚上睡不着觉聪明的男孩把男性做任何他们的愿望如果你相信你能达到的，就像这样说保存音乐偷鸡摸狗，节省了音乐偷鸡摸狗保存音乐偷鸡摸狗，节省了音乐偷鸡摸狗节省的音乐是，是，脱颖而出，我们来到这个国家我们被国王和王后们，从不门廊的猴子它是在非洲帝国库廷巴克图，在每一场比赛来买书如何从黑教师教希腊人和罗马人亚洲的阿拉伯人，并给他们黄金的时候金子被转化为钱都改变了钱便成了权力为欧洲人波斯的军队入侵他们知道金子、教导和一切圣物非洲几乎抢走了赤裸奴隶制是钱，于是他们开始做奴隶船埃及是亚历山大大帝的地方去他是如此的震惊和黑色的脸山上他们的鼻子强加给射击基本上什么今天还在继续，你看到了吗？

The paper mainly surrounds these five aspects to summarizing the ideology of ethnomusicology and music education of John Blacking: the ideology of music education for children, the experience of music culture, the ideology of musicbiology, his equal conception of different music culture and his conception of world music.

本文主要围绕约翰·布莱金的儿童音乐教育思想、音乐文化体验、音乐生物学思想、平等的音乐文化观以及他的世界音乐的观念等五个方面来研究布莱金的音乐人类学和音乐教育的思想。

Thus, despite a long history of Galla authentic music still retains its ancient advocate music played, playing, dancing, singing legacy, but also be able to see a few thousand years, Buddhism and Taoism, Confucianism and other religious music, and military music, imperial court music to its effects.

因此，尽管经过了漫长的历史，高洛音乐会仍保留着原汁原味的古鼓吹乐奏、打、舞、唱的遗风，也能看到几千年来释、道、儒等宗教音乐及军乐、宫廷乐对它的影响。

This name is very quickly popular, because it refers comes from these the country which is affected Spain moreover style each different music: Rumba music, Són Montuno, Guaracha, graceful wave music, exactly, Danzón, són, Guguanco, Cubop, melon Shirra dance music, Cumbia, Plena, Bomba, Festejo, plum Lunger dance music and so on.

这个名称很快流行起来，因为它指来自于那些受西班牙影响的国家而且风格各异的音乐：伦巴乐曲、Són Montuno、Guaracha、曼波音乐、恰恰、Danzón、són、Guguanco、Cubop、瓜希拉舞曲、Cumbia、Plena、Bomba、 Festejo、梅伦格舞曲等。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

Britten was the famous composer of Britain in twentieth century, his music's personality is very vivid, and the types of literature is very variety, include: opera, ballet, orchestral music, concerto, chorus works, vocal solo and band, vocal solo and piano, chamber music, piano works, pipe organ works, movie music, broadcast incidental music etc.

布里顿是二十世纪英国著名的作曲家，其音乐具有鲜明的个性，并且作品体裁多样、题材广泛，包括歌剧、教堂寓言剧、芭蕾舞剧、管弦乐、协奏曲、铜管乐、合唱、独唱与乐队、独唱与钢琴、室内乐、钢琴曲、管风琴曲、电影戏剧和广播配乐等多种形式。

Some of us were responsible for searching different kind of music such as palace music, literator music and sacred music and I was responsible for the folk music.

确定了课题后，由我相应做了分工，她们负责搜集宫廷、文人和宗教音乐，民族音乐归我。

The development of digital technology influences on the music industry radically on the internet time. The Phonogram and Videogram Producers have to transfer into digital modality. New competition elements penetrate, such as Online-music Operator, the Service Provider, and the Terminal Facilities Producer, go into the industry . Even the Mobile Operator would like to lead the development of the music industry by the music digital operation. There are gambling and amalgamation among groups for the increasing future of digital music.

网络时代数字技术的发展对音乐产业产生了颠覆性的影响，传统唱片公司不得不进行数字化转型，产业链加入了新的竞争力量——网络音乐运营商、增值服务提供商、终端设备制造商，甚至移动运营商以其音乐数据业务欲主导音乐产业的发展，各种力量之间的博弈、融合均为了未来数字音乐极具潜力的发展前景。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

You can snipe the second and third union leaders from this position.

您可以鹬第二和第三工会领袖从这一立场出发。

Aiming at the currently shortage of XML streams quality detecting, this paper proposes a new forecasting method of XML streams quality by least squares support vector machines, which is used the method of XML keys' vector matrix as windows, and vector product wavelet transform to multilevel decompose and refactor the XML streams series, that can fulfill real-time checking demand of XML quality, and ensure constraint, consist- ency and integrality. For even more adapting net load, it proposes a control strategy by weight and adaptive adjustment to ensure XML streams quality.

针对当前XML数据流质量检测存在的不足，提出构建XML键的矢量矩阵作为窗口，利用矢量积小波变换多级分解与重构XML数据流，再结合最小二乘支持向量机对XML数据流质量进行预测的一种方法，满足XML数据流质量重构时实时检测的要求，保证XML数据的约束性、一致性与完整性；为了更好的适应网络负载，采取加权与自适应窗口调整等调度策略充分保证XML数据流的质量检测。