查询词典 higher criticism

The author maintains that New Historicism demonstrates and practises the concept of critical project to refute the fallacy of the unhistorical criticisms that are characterised by a lack of self-reflection on the historicity of the criticism itself, cross-examines the validity of critical context and pursues the eventualization of criticism, redefines the essence of literary criticism and stresses its socio-cultural function of drawing and redrawing boundaries in the circulation of social energy, and reveal...

针对一般理论对批评自身的历史性缺乏反思的&批评之罔&，新历史主义论证并实践了其&批评工程论&。它盘诘批评语境的合法性并将批评活动自身&事件化&；它考察批评的&划界&本质及其参与&社会能量流通&过程所发挥的社会文化功能；它强调批评活动构造和体验&不同版本历史&的实质并追求文学批评的&横向超越&。这对我们在当代语境中重新进行批评定位具有重要的参考价值。

By analysis the correlation of deconstruction criticism and the ancient Chinese dialectic philosophy, it demonstrates the feasibility and practical significance of introducing deconstruction into Chinese architectural criticism as a critical pattern. The conclusion deduces out the value of outspreading the deconstruction criticism in contemporary Chinese architecture.

第五章是现实适应性论证——通过分析解构的批判性与中国古老思辩哲学的联系，论证了解构作为一种批评模式引入到中国建筑批评的可行性及其现实意义。

The criticism is endlessly quibbled over details; and is lack of a kind of systematical instruction of theory. While the criticism ignored procedural Vance orient that must be obeyed in devising retrial procedure. The criticism coming from the practical circles possesses certain utilitarianism flavors.

但这些批评过分地纠缠于一些细节，忽视了设计再审程序所应遵循的程序价值取向，缺乏一种较为系统的理论基础的指导，实务界的责难更多的带有一定的功利主义色彩。

Experience ; experiential criticism ; reconstituting criticism ; descriptive criticism ; internal critic

体验；体验批评；还原批评；描述批评；内在批评

This thesis is an inquiry into the religious impact on Eliot's criticism, which systematizes the religious factors in Eliot's criticism, analyses the characteristics and essence of Eliot's religious thought, evaluates it and summarizes the enlightenment it brings to Chinese contemporary criticism.

本论文是对艾略特批评中的宗教影响的研究，系统地梳理了艾略特批评中的宗教因素，分析了艾略特宗教思想的特点与实质，并在此基础上对之做出评价，同时还总结了它给我国当代批评带来的启迪。

He could have such influence because: first, there are serious problems in the theory and practice of international communist movement; second, it has something to do with his way of criticizing-to use the apparently pure scientific way in pure academic criticism; third, the focus of his criticism, which targeted at Marxist materialist historical view, was mainly the l7th-l8th century historicism, especially the dogmatic, vulgarized and distorted Marxist social historical theory; last but not the least, Marxist materialist historicism is the dialect logical results drawn from practice while Popper chiefly used formal logic and scientific way, the more easily understandable and acceptable way, in his criticism.

究其原因，我认为这首先与国际共产主义运动的理论与实践本身存在严重问题有关；其次与他批判的特点有关－用貌似纯科学的方法作纯学术的批判；三是其批判锋芒所指虽然也包括马克思主义的唯物史观，但主要是指17-18世纪历史决定论，特别是指被教条化、庸俗化和曲解了的马克思主义的社会历史理论；更深层的原因是，马克思主义的历史决定论是在实践中运用辩证逻辑概括出来的，而波普尔的批判主要运用的是形式逻辑和自然科学的方法，这样的逻辑和方法是人们通常比较容易理解和接受的方法。

He could have such influence because:first,there are serious problems in the theory and practice of international communist movement;second,it has something to do with his way of criticizing-to use the apparently pure scientific way in pure academic criticism;third,the focus of his criticism, which targeted at Marxist materialist historical view,was mainly the 17th-18th century historicism,especially the dogmatic,vulgarized and distorted Marxist social historical theory;last but not the least,Marxist materialist historicism is the dialect logical results drawn from practice while Popper chiefly used formal logic and scientific way,the more easily understandable and acceptable way,in his criticism.

究其原因，我认为这首先与国际共产主义运动的理论与实践本身存在严重问题有关；其次与他批判的特点有关用貌似纯科学的方法作纯学术的批判；三是其批判锋芒所指虽然也包括马克思主义的唯物史观，但主要是指17—18世纪历史决定论，特别是指被教条化、庸俗化和曲解了的马克思主义的社会历史理论；更深层的原因是，马克思主义的历史决定论是在实践中运用辩证逻辑概括出来的，而波普尔的批判主要运用的是形式逻辑和自然科学的方法，这样的逻辑和方法是人们通常比较容易理解和接受的方法。

He could have such influence because:first,there are serious problems in the theory and practice of international communist movement;second,it has something to do with his way of criticizing-to use the apparently pure scientific way in pure academic criticism;third,the focus of his criticism,which targeted at Marxist materialist historical view,was mainly the 17th-18th century historicism,especially the dogmatic,vulgarized and distorted Marxist social historical theory;last but not the least,Marxist materialist historicism is the dialect logical results drawn from practice while Popper chiefly used formal logic and scientific way,the more easily understandable and acceptable way,in his criticism.

究其缘故起因，我以为这首先与国际共产主义行为的理论与实践本身存在主要题目有关；其次与他批驳的特点有关用貌似纯科学的要领作纯学术的批驳；三是其批驳锋芒所指虽然也包孕马克思主义的唯物史不美观，但主若是指17—18世纪历史抉择论，出格是指被教条化、俗气化和误解了的马克思主义的社会历史理论；更深层的缘故起因是，马克思主义的历史抉择论是在实践中运用辩证逻辑概括出来的，而波普尔的批驳首要运用的是情势逻辑和自然科学的要领，这样的逻辑和要领是人们凡是对照轻易理解？理睬和接管的要领。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

The chapter of criticism studies the relationship and poetry criticism between the modernists and the western new criticism.

批评篇研究现代派与西方新批评的关系和诗评，资料篇研究本文发现的现代派诗刊。

You can do some assertiveness training.

你可以进行一些自信训练。

We were well on the path to making a rear-wheel-drive global platform," says Mays."

我们正致力于建立一个后轮驱动的平台，"Mays这样说道。"