查询词典 heroine

There's a moment in the Disney classic , Cinderella , when the ragamuffin heroine lays claim to her wayward glass slippers and Prince Charming adoringly sweeps her into his arms and waltzes her away .

在迪斯尼经典动画片中，有一个场景：当衣衫褴褛的女主角穿上那双其他女孩怎么也不合适的水晶鞋之后，白马王子充满爱意地将她搂进怀中，与她翩翩起舞，然后一起飘然而去。

But she has become a heroine not only to people dreaming of being catapulted from obscurity to fame but also to those who cheer her triumph over looks-ism and ageism in a world that so values youth and beauty.

但她不只成为那些梦想一夕成名的芸芸众生心目中的偶像，那些为她战胜这个以貌取人和歧视老年人、只注重年轻美貌的世界，也为她喝采。

The novel has its amusing moments--such as when Alex confiscates Alix's pot plant-but readers aren't likely to embrace MacAlister's self-centered heroine.

小说有其有趣的时刻--如当亚历克收缴alix的盆栽植物，但读者也不可能拥抱macalister以自我为中心的女主人公。

Be in " the autumn of new York " in the occasion with a lot of moving warmth, concern with the kitchen almost: Enter villa when the heroine, there is partition almost inside whole house, look, kitchen of sitting room bedroom all stops eye ground, the ambry with contemporary extremely strong sense deserves to go up tremendous central island and mensal chair, become in penetrating a space most a scenery that punch a hole...

在《纽约的秋天》里很多温馨动人的场面，几乎都和厨房有关：当女主人公步入别墅，整个屋内几乎没有隔断，一眼望去，客厅卧室厨房都尽收眼底，现代感极强的橱柜配上巨大的中心岛和餐桌椅，成为通透空间中最打眼的一道风景

Gaskell to become the first novelist who takes the fallen woman as a heroine, which is about forty years earlier than Hardy's choosing a fallen woman Tess as the heroine in his novel Tess of The D'urbervilles.

该小说的出版使盖斯凯尔夫人成为十九世纪英国第一个把失足妇女当作主人公的小说家，比哈代创作其小说《德伯家的苔丝》要早约四十年。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

In Chapter 2, I make use of the keywords like "settle the dispute","work" to analyze about self-consciousness and identity of the heroine (Otani's wife) of " The Wife Of Villon". Furthermore, I also analyze the figure characteristics of the husband of the heroine with the monologue of Otani's wife .

第二章透过「善后」、「工作」等关键事件来分析「维扬之妻」的女主角―大谷之妻的自我意识、主体性，其次透过大谷之妻的独白、描述，分析大谷这个故事里的男主角的形象。

Margaret is the central as well as a multi-functional character in the novel and her special quality can be viewed in three aspects: in the story she is drawn away from the supposed female realm, into the dialogues with men and social activities; she is performing the abandoned paternalist role in her family, becoming "parent to the parent"; she is established by the author as a "rescuing heroine" and thus her final union with Thorton represents a new "unity of purpose" between the upper classes.The thesis tries to examine Margaret the heroine through a close look at the multiple role she plays in the narrative from the above three perspectives.

本篇论文试图从三个方面分析玛格丽特的人物性格塑造：借助女主人公在作品中频繁的"角色越位"，作者把玛格丽特塑造成"新女性家长"式的人物；同时，玛格丽特又是充满同情心的中介者，在厂主与工人两个对立阶级之间起着"传声筒"的作用，文本中各种不同的话语声音实际是对当时"英国现状论争"的体现；作品中的主要人物，尤其男女主人公，都带着鲜明的文化印记，是各自文化的产物，因此，玛格丽特与桑顿的婚姻被赋予了"社会解决方案"的象征意义。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Li Yi and Zhang Sheng are heroes in the Legend of Tang Dynasty Huo Xiaoyu Zhuan, Yingying Zhuan. They are two different types of betrayers. The process that they fell in love with the heroine, and the reasons that they abandon the heroine are all different.

唐传奇《霍小玉传》、《莺莺传》中的男主人公李益、张生分别是两种不同类型的负心汉，他俩与女主人公相恋的过程，以及抛弃女主人公的具体原因都各不相同。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。