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heroic man相关的网络例句

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与 heroic man 相关的网络例句 [注:此内容来源于网络,仅供参考]

Writing on the recipients of prophecy, Benedict XIV (Heroic Virtue, III, 144, 150) says: The recipients of prophecy may be angels, devils, men, women, children, heathens, or gentiles; nor is it necessary that a man should be gifted with any particular disposition in order to receive the light of prophecy provided his intellect and senses be adapted for making manifest the things which God reveals to him.

"写作的接受者预言,本笃十四(英雄美德,三, 144 , 150 )说:"接受者的预言可能是天使,魔鬼,男人,妇女,儿童,异教徒,或异教徒,也不是必要的,一个男人天赋应该与任何特定的处置,以收到鉴於他的预言提供了智力和感官相适应的决策体现了上帝的事情暴露给他。

Writing on the recipients of prophecy, Benedict XIV (Heroic Virtue, III, 144, 150) says: The recipients of prophecy may be angels, devils, men, women, children, heathens, or gentiles; nor is it necessary that a man should be gifted with any particular disposition in order to receive the light of prophecy provided his intellect and senses be adapted for making manifest the things which God reveals to him. Though moral goodness is most profitable to a prophet, yet it is not necessary in order to obtain the gift of prophecy.

"写作对受助者的预言,本笃十四(英雄美德,三, 144 , 150 )说:"受助者的预言可能是天使,魔鬼,男人,女人,儿童, heathens ,或外邦人,也不是必要的,一个男人应天才与任何特定配置,以获得轻的预言提供了他的智慧和理智加以改装以供制作舱单的东西揭示了上帝给他,虽然道德善,是最有利可图的一个先知,但也没有必要为了获得礼品的预言。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来",意味着他不得不采用感情误置的方式,将石头进行拟人化的处理,用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目,它被提升到一个象征的位置上,与神话和英雄的精神题旨迅速结合在一起,成为人性之中欲望、焦虑、压力等情感的客观对应物,从本质上来说,物自身的特性被淹没了,在表现物的自然特性和表现理念这两者之间,他选择了后者,这意味着,在感动他的最初事实与他要表现的事实之间就有了一种脱节,但他敏感地意识到了这种脱节,这种"图解的危险",我们可以看到,当这组画最终呈现在我们面前的时候,物的自然特性得到了很大程度的挽留和表现,其中有一些画作直接描绘了岩石本身,它本身的褶皱和棱角、苍凉和沉重,同时,并没有人出现在这样的画面上。

The descendants in Zheng He's hometown recall the grand old man's heroic feat and take on a long voyage with delighted heart.

郑和的家乡后人,缅怀着前辈的壮举,远航着快乐的心情。

Many people have heard of the man's heroic deeds.

许多人都已经听说了这个人的英雄事迹。

Let us imagine a coming generation with such intrepidity of vision, with such a heroic penchant for the tremendous; let us imagine the bold stride of these dragon-slayers, the proud audacity with which they turn their back on all the weaklings' doctrines of optimism in order to "live resolutely" in wholeness and fullness: would it not be necessary for the tragic man of such a culture, in view of his self-education for seriousness and terror, to desire a new art, the art of metaphysical comfort, to desire tragedy as his own proper Helen, and to exclaim with Faust

今日的艺术已显出这种普遍的困难:他们徒然依赖一切伟大创造时代和创造天才作为榜样;人们徒然搜集全部"世界文学"放在现代人周围以安慰他;人们徒然使人置身于历代艺术风格和艺术家中间,以便一一命名,象亚当给走兽命名那样;然而,读者始终是饥肠辘辘,"批评家"则愁眉苦脸,没精打彩,象亚历山德里亚的学者们那样,他们毕竟是图书馆员和校勘者,可怜让书上尘埃和误刊错字弄得失明。

The beauty of the soul shines out when a man bears with composure one heavy mischance after another, not because he does not feel them, but because he is a man of high and heroic temper.

当一个人在遭遇了一次又一次的打击之后还能保持冷静清醒,这种冷静并不是因为他的冷漠无情,而是因为他的高尚而英勇的性情,这便是灵魂之美。

The beauty of the soul shines out when a man bears with composure one heavy mischance after another, not because he does not feel them, but because he is a man of high and heroic temper.2

当一个人忍受着一个接着一个的重大打击后还能保持镇静自若,不是因为他们麻木了,而是因为他们有高尚和英勇的品质。

The beauty of the soul shines out when a man bears with composure one heavy mischance after another, not because he does not feel them, but because he is a man of high and heroic temper.--Aristotle

一个人泰然自若地承受接踵而至的灾难,并不是由于他感觉迟钝,而是因为他具有崇高和英勇的品质;尽管在厄运中,他的心灵美仍放射出灿烂光辉

Through lisey's mind and heart, the reader is pulled into the intimacies of her marriage to bestselling novelist scott landon, and through her we come to know this complicated, troubled and heroic man.

通过对李西的心理感受,读者深入地了解到她和畅销书作家斯各特·拉顿之间的婚姻私密,并进一步知道他的丈夫是一个错综复杂,麻烦不断的英雄式人物。

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