查询词典 he

The other parts of his game are pretty weak including his stratagy.if hendry knuckled down and accepted he isnt the player he was he could be world champion again.but he goes for everthing making him just about the easyist player in the world to beat when he is of form!

如果亨德利自暴自弃且没有那种可以再当世界冠军的信心，他就成为是世界上最容易被别人击败的选手，特别是他不在状态的时候。

At the beginning of 80's Andrzej Kostynowicz vel Andre Kostynowitz runs away from Poland, as he was involved in the conflict with polish authorities. He gets a French nationality and starts to work for state authorities as a secret executioner. After a wealthy Polish businessman irrationally deceives a group of French executives during a high-stakes business transaction, the executives waste no time in recruiting Kostynowitz to kill Muran. But when the Polish Secret Police get wind of their plan, they go against orders to protect the endangered man, whose life, as well as their own, could be taken at any moment. At the same time Kostynowitz finds out he is terminally ill and decides to come back to Poland in order to find his old love Anna. He realizes that if he accepts contract and executes Muran in Poland it will be his last mission

在上世纪八十年代出，Kostynowicz逃离出波兰，他被卷入到一场政治风云中，他得到了法国国籍并且开始为法国政府工作，他从事的秘密杀手的工作，一位波兰商人Muran 骗取了这些法国行政官员，之后这些法国行政官员派遣Kostynowitz去暗杀Muran，，但是波兰秘密警察听到风声之后，立即去保护Muran，日夜守护Muran，在此同时，Kostynowitz 发现自己已患重病，他决定回波兰去找他的爱人，这时他意识到如果自己接受暗杀Muran，这将是他的最后的使命

Being a composer and orchestrator, he was constantly writing at the piano and he could see no reason to live with a clumsy pencil or a bad light, so he puttered and he searched until he found a graceful, dependable, thoroughtly efficient pencil and a fine light for his work, completely comfortable and satisfactory in every respect.

身为作曲和管弦乐编曲人，马克西经常在钢琴上边弹边写，因此他对铅笔和灯光颇为挑剔，决不将就。他四处寻觅，终于找到了一种优雅美观、性能上佳的铅笔和一盏优质的台灯，各方面都让人感到舒适称心。

Don't be overhasty to preach to or instruct him, for he will immediately oppose you. When that happens, it doesn't matter how much learning or eloquence you possess. Even if he doesn't angrily overturn tables and chairs in his embarrassment, or rebel against you, he will not truly submit in his heart. He may appear to go along, but behind your back he won't.

切莫急於说教或指示，否则他马上和你对立起来；那时你纵有满腹学识和无碍辩才，他就算没恼羞成怒地掀桌翻椅、唱反调，最少也会口服心不服、阳奉阴违。

On the other hand,he is also unfortunate,he cannot choose to be born,he cannot choose his intelligence,but he can choose how he shall live,optimistically or pessimistically.

另一方面，他又是不幸的，他不能够选择出生，不能够选择他的智力。但是他可以选择怎样生活，乐观的或是悲观的。

On one hand he had realized the declining capitalist society; on the other hand, he intended to defend his own class. Pity and chivalry were just tools that he used to prettify the bourgeois. He wanted to use aesthetics in the literature to cover the ugly aspect of the bourgeoisie. He was a bourgeois himself.

通过他对阿舍斯特性格的刻画，他的阶级局限性也体现了出来：他一方面已经认识到了腐朽衰落的资本主义社会，并勇敢的把它揭示出来；另一方面他力图挽救资本主义制度，为本阶级寻找出

He had gone on board the Victoria Regia, but had afterwards exchanged his berth for one in another vessel belonging to the same owners, and had gone to New York, where he had stayed as long as he could support the weariness of his exile; as long as he could endure the loneliness of an existence which separated him from every friend he had ever known.

他曾经登上&维多利亚·里吉亚号&海船，但他后来跟人换了船票，上了另一条属于同一个老板的海船，到纽约去了。当他能顶得住流放所产生的厌倦之感，当他能忍受得了跟他以往所熟识的朋友全都隔绝的寂寞生涯之时，他在纽约待了一段时光。

At that time,the Shepherd saw the scrow in trouble.so he run forward him,and grasped it.he cut the crow's feathers,and then he gave it to the children,the children asked him:"what is the bird" he answered,"this is a crow,but he try his best to be a eagle"

这时，牧羊人看看了被羊毛缠住的乌鸦，跑过去将他抓住，剪去了乌鸦翅膀的羽毛，牧羊人把乌鸦交个了孩子们玩，孩子们问，这是什么鸟，他回答到：&；这是一只乌鸦，可他自己硬要去充当一只老鹰&

He does not say what he thinks being transcendental means, and he says he is not going to consider 'whether, in general, such a form of argument is permissible or fruitful'.6 He says the argument is also transcendental in another (presumably non-Kantian) sense: in proving the existence of a class of entities different in kind from 'sensa'.

他没有说他所认为的&先验&的意思，但他说他不会考虑&一般来说，这类论证是否是可允许的和富有成效的&这类问题，他说这类论证有另一类非康德的意义：提供对一类实体的存在的证明。

He does not say what he thinks being transcendental means, and he says he is not going to consider 'whether, in general, such a form of argument is permissible or fruitful'.6 He says the argument is also transcendental in another (presumably non-Kantian) sense: in proving the existence of a class of entities different in kind from 'sensa'.

他并没有说他怎么看先验论证，他说他不打算考虑&总的来说这么种论证是否可行或有所收获&。他说这类论证亦是另外一种意义上（应该就是指非康德意义上）的先验：证明某类不同于&感觉&的实体的存在。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。