查询词典 he

He asked me a few questions, put a composing stick in my hand to see how I worked, and then said he would employ me soon, thought he had just then nothing for me to do; and, taking old Bradford, whom he had never seen before, to be one of the town's people that had a good will for him, entered into a conversation on his present undertaking and prospects; while Bradford, not discovering that he was the other printer's father, on Keimer's saying he expected soon to get the greatest part of the business into his own hands, drew him on by artful questions, and starting little doubts, to explain all his views, what influence he relied on, and in what manner he intended to proceed.

他问我一些问题后，把一个排字盘放在我的手中，看我怎样工作，之后他就说能够立即雇用我，并且对老布雷德福特说以前他从没见过的，为全城民众对他有好感的一个，于是谈论他现在的事业和计划；而布雷德福特为了避嫌，并不说明他是另一个印刷厂老板的父亲。他说希望把全城这一行的大部份生意掌握在他手中，布雷德福特引诱他讲下去，让他将他事业的计划和进展的态度完全说出来。

Franklin's life is full of charming stories which all young men should know — how he peddled ballads in Boston, and stood, the guest of kings, in Europe; how he worked his passage as a stowaway to Philadelphia, and rode in the queen's own litter in France; how he walked the streets of Philadelphia, homeless and unknown, with threepenny rolls for his breakfast, and dined at the tables of princess, and received his friends in a palace; how he raised a kite from a cow shed, and was showered with all the high degrees the colleges of the world could give; how he was duped by a false friend as a boy, and became the friend of all humanity as a man; how he was made Major General Franklin, only to resign because, as he said, he was no solider, and yet helped to organize the army's that stood before the trained troops of England and Germany.

富兰克林的一生充满了迷人的传奇故事，青年人都应该知道：他如何在波士顿街道上叫卖民歌唱本，而后来又成为欧洲各国君王的宾客；他如何逃票登船，然后靠做工抵偿船资才到达赞城，后来在法兰西却坐上了王后的轿子；他如何买三个便士的面包卷当早饭，在费城的街道上流浪，举目无亲，无家可归。后来却成为公王筵席上的常客，并且在宫殿里会见他的朋友；他如何从牛棚放起风筝，后来却荣获世界各大学所能给予的雪片般飞来的高级学衔；他在儿时如何被一个虚伪的朋友所欺骗，成年后却成为全人类的良友；他如何被任命为富兰克林少将，但他仅是说他不是军人就辞了职，然而却又帮助缔造了那支敢于同训练有素的英德联军抗衡的军队。

His father, as long as he lived, he obeyed most scrupulously, and when Hadrian passed away at Baiae25 he bore his remains to Rome with all piety and reverence, and buried him in the gardens of Domitia; moreover, though all opposed the measure, he had him placed among the deified.26 On his wife Faustina he permitted the senate to bestow the name of Augusta,27 and for himself accepted the surname Pius.28 The statues decreed for his father, mother, grandparents and brothers, then dead, he accepted readily; nor did he refuse the circus-games ordered for his birthday,29 though he did refuse other honours.

在他的父亲活着的时候，他是非常细心地服从的，当哈德良在拜亚伊（25）去世之后，他恭敬而虔诚地把遗体带回罗马，葬在多米提亚的花园里；此外，不顾所有人的反对，将他奉为神灵（26）。他允许元老院授予他妻子福斯蒂娜"奥古斯塔"的称号（27），自己也接受了"皮乌斯"的姓（28）。他为他的父亲，母亲，祖父母和兄弟们塑像，在以后死去的，他也乐意如此做；他没有拒绝为了庆贺自己生日而举行马戏比赛（29），虽然他拒绝了其他的荣耀。

I am a high school girl, the logistics work in building materials for two years, and later to provide training to fashion design, it is to do this work, because nothing like us to do work experience is very difficult to find work So it more difficult to find if not a very good, so people are looking for挺多relations as it would have been better points, can also have the feeling of Recently, however, I encountered an abnormal designers, because at that time I also have to go to his That interview, he was a design director吧He told me I was with him did not go to school because we feel that a girl I was a bit inconvenient for the kind of timid that do not understand that person is not at ease to get there, and later their own into the a plant is not very good, I know that we have to slowly, but it results only knew he was in front of his girlfriend said I was his work in order to seduce him (Even more is that his girlfriend is I am an alumnus), he did slander me, I really gas hematemesis, his girlfriend that he cheated, he did not dare to him are so angry because he designed to help local (he did not admit that I am an alumnus his girlfriend is also everywhere to deceive the girls), but I do not like what I scolded him a big deal then I am leaving this line.

我是一个高中毕业的女孩，在建材物流工作了两年了，后来去培训服装设计，现在也是做这块工作呢，，因为像我们这样没什么工作经验的人是很难找到工作的呢所以比较难如果找到也不是太好的，所以挺多人都是找关系的呢那样会比较好点，本来感觉还可以的可是最近我遇到一个变态的设计师，因为当时我也有去他那公司面试，他是个设计总监吧他叫我跟他学我那时没去因为觉得一个女孩子不方便我比较胆小的那种认为不了解那个人就不放心去呢，后来自己进了一家厂也不是很好的呢，我知道要慢慢来，可是呢结果才知道他在他女朋友面前说我那时为了去他那工作勾引他呢(更巧的是他的那个女朋友是我的校友)，他那样诽谤我，真的把我气吐血呢，他女朋友知道他骗他又不敢对他生气因为都是做设计的要他帮忙的地方(他都不承认我的校友是他的女朋友还到处去骗女孩子)，可是我就不一样了我骂了他大不了我不干这行呢。

In 1943 he was accused of fathering a child; the papers made much of the scandal, but it was proved in a court trial that he was not the father. The same year he entered his fourth marriage, to Oona Chaplin, daughter of playwright Eugene O'Neill. They had eight children. Tired of political and moralistic controversies and plagued with tax problems, he left the United States for Switzerland in 1952. He published his memoirs in 1964. In 1972 he returned to Hollywood to claim a special Oscar honoring his lifetime contributions to movies. He was named Knight Commander of the British Empire in 1975. He died in his sleep from old age.

卓别林第一部电影长片是1921年《寻子遇仙记》，两年后他为联美公司亲自监制、执导了《巴黎一妇人》，1925年和1928年又先后推出经典之作《淘金记》和《马戏团》，在1929年的第一届奥斯卡上，《马戏团》一片为他赢得"集编剧、表演、导演和制作于一身的多才多艺天才"特别大奖。1932年，卓别林从伦敦返回美国后，推出了他最成功的作品之一《摩登时代》，此后是1940年讽刺纳粹政权的的《大独裁者》。

Yeaah It's something that you need to have Cause when she leave yo *** she gone leave with half 18 years, 18 years And on her 18th birthday he found out it wasn't his Now I aint sayin she a gold digger (When I'm Need) But she aint messin wit no broke Now I aint sayin she a gold digger (When I'm need) but she aint messin wit no broke get down girl go head get down get down girl go head get down get down girl go head get down get down girl go head [Verse 3:] Now I aint sayin you a gold digger you got needs You dont want ya dude to smoke but he can't buy weed You got out to eat and he cant pay yall cant leave There's dishes in the back, he gotta roll up his sleeves But why yall washin watch him He gone make it into a Benz out of that Datson He got that ambition baby look in his eyes This week he moppin floorz next week it's the fries So, stick by his side I know this dude's ballin but yea thats nice And they gone keep callin and tryin But you stay right girl But when you get on he leave yo *** for a white girl Get down girl go head get down Get down girl go head get down get down girl go head get down get down girl go head can I hear that back

yeaah 它的东西，你需要有原因当她离开摇摇***她离开了一半 18岁， 18岁和她的18岁生日，他发现这不是他我现在是不是sayin她一条金挖掘机但她不是messin束手无策，没有发生我现在是不是sayin她一条金挖掘机但她不是messin束手无策，没有发生趴下去的女孩头部着手趴下去的女孩头部着手趴下去的女孩头部着手趴下去的女孩头部 [诗3： ] 我现在是不是sayin你一个黄金挖出你的需要您不希望亚dude吸烟，但他无法购买杂草你失控，吃和他cannot支付yall cannot离开还有的菜在后面，他的宝贝，卷起他的衣袖但为什么yall washin观赏他他经历了使它成为一个奔驰摆脱这种datson 他认为，野心婴儿看在他眼中这个星期，他moppin floorz下周的薯条因此，坚持在他身旁我知道这dude的ballin ，但雅这就是尼斯和他们保持了callin和tryin 但你留在女童的权利但是，当你得到关于他离开摇摇***一个白人女生趴下去的女孩头部着手趴下去的女孩头部着手趴下去的女孩头部着手趴下去的女孩头部

Thanks be to God, there is a buoyant principle which elevates the poor down-trodden colored man above all this:--It is that there is society which regards man according to his worth; it is the fact, that when he looks up to Heaven he knows that God treats him like a moral agent, irrespective of caste or the circumstances in which he may be placed. Amid the embarrassments which he has to meet, and the scorn and contempt that is heaped upon him, he is cheered by the hope that he will be disenthralled, and soon, like a bird set forth from its cage, wing his flight to Jesus, where he can be happy, and look down with pity on the man who despises the poor slave for being what God made him, and who despises him because he is identified with the poor slave.

感谢上帝，有一个振奋人心的道义在此情况下鼓舞着历经践踏的有色贫苦人──这就是：每个人的价值得到如实的社会评价；事实上当他们仰望天堂时，心里明白上帝将他们一并视爲苍生之员而不论他们的种族和背景；处于羞辱与难堪，身受讥讽与蔑视之时，他们提起精神，满怀希望：他们不久将获得解放，像飞出樊笼的鸟儿，展开双翅，投入耶稣的怀抱欢欣雀跃；他们将怜悯地俯陇那些蔑视奴隶，认爲自己是上帝造就的人们，俯瞰那些蔑视自己、将自己等同于奴隶的人们。

He is not easily astonished, he is still less easily terrified, he makes songs on superstitions, he takes the wind out of exaggerations, he twits mysteries, he thrusts out his tongue at ghosts, he takes the poetry out of stilted things, he introduces caricature into epic extravaganzas.

他不轻易感到惊奇，更不容易 Dddtt 恐惧，他用歌谣讥刺迷信，他戳穿谰言妄语，嘲讪神异，对着鬼怪伸舌头，拆垮虚张声势的空架子，丑化歌功颂德的谀词。那并不是因为8 Tt t 8。

A young man is so strong,so mad,os certain,and so lost.he has every thing and he is able to use nothing.he hurls the great shoulder of his strength forever against phantantasmal barriers,he is a wave egose power explodes in lost mind-oceans under timeless skies,he reaches out to grip a fume of painted smoke , he wants nothing.in the end,he is destroyed by this own wealth.devoughtless of money or the accumulation of material possessions,he is none the less defeated in the end by his own gerrd a grees that makes the avarice.

年轻人是那么的强壮，那么的狂妄，那么的固执，又是那么的迷茫。他拥有一切，却不会利用。他永无休止地用他那强壮的臂膀撞击着一个个假想的壁垒；他是海中巨浪，在永恒的天空下无助地怒吼；他伸手欲接取一把斑斓的烟雾；他贪欲无穷，他心存对一切欲望的渴求，而最终一无所获。末了，他被自己的力量所毁灭，被自己的欲求所吞灭，而最终一无所获，由于自己的财富而变得贫困。从不考虑积累金钱与财富，最终被自己的贪欲所累，这种贪欲使贪婪迈达斯国王在其面前都相形见绌。

In 1943 he was accused of fathering a child; the papers made much of the scandal, but it was proved in a court trial that he was not the father. The same year he entered his fourth marriage, to Oona Chaplin, daughter of playwright Eugene O'Neill. They had eight children. Tired of political and moralistic controversies and plagued with tax problems, he left the United States for Switzerland in 1952. He published his memoirs in 1964. In 1972 he returned to Hollywood to claim a special Oscar honoring his lifetime contributions to movies. He was named Knight Commander of the British Empire in 1975. He died in his sleep from old age.

卓别林第一部电影长片是1921年《寻子遇仙记》，两年后他为联美公司亲自监制、执导了《巴黎一妇人》，1925年和1928年又先后推出经典之作《淘金记》和《马戏团》，在1929年的第一届奥斯卡上，《马戏团》一片为他赢得&集编剧、表演、导演和制作于一身的多才多艺天才&特别大奖。1932年，卓别林从伦敦返回美国后，推出了他最成功的作品之一《摩登时代》，此后是1940年讽刺纳粹政权的的《大独裁者》。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。