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In the past sixty years, with the three generations of Party leadership with Comrade Mao Zedong, Comrade Deng Xiaoping and Comrade Jiang Zemin as a core, and with the leadership of the Central Committee formed after the 16th National Congress of the CPC, with hard work and wisdom of all ethnic groups of the country, the Chinese people have joined hands to overcome the great hardship and made great contributions that have been recognized by the world, and proved our possibilities and endurers.

60年来，在以毛泽东同志、邓小平同志胡锦涛同志为核心的党的三代中央领导集体和党的十六大以来的党中央领导下，勤劳智慧的我国各族人民同心同德、艰苦奋斗，战胜各种艰难曲折和风险考验，取得了举世瞩目的伟大成就，谱写了自强不息的壮丽凯歌。

In the past sixty years, with the three generations of Party leadership with Comrade Mao Zedong, Comrade Deng Xiaoping and Comrade Jiang Zemin as a core, and with the leadership of the Central Committee formed after the 16th National Congress of the CPC, with hard work and wisdom of all ethnic groups of the country, the Chinese people have joined hands to overcome the great hardship and made great contributions that have been recognized by the world, and proved our possibilities and endurers.

新中国60年的发展进步充分证明，只有社会主义才能救中国，只有改革开放才能发展中国、发展社会主义、发展马克思主义。中国人民有信心、有能力建设好自己的国家，也有信心、有能力为世界作出自己应有的贡献。

In the past sixty years, with the three generations of Party leadership with Comrade Mao Zedong, Comrade Deng Xiaoping and Comrade Jiang Zemin as a core, and with the leadership of the Central Committee formed after the 16th National Congress of the CPC, with hard work and wisdom of all ethnic groups of the country, the Chinese people have joined hands to overcome the great hardship and made great contributions that have been recognized by the world, and proved our possibilities and endurers.

60年来，在以毛泽东同志、邓小平同志、江**同志为核心的党的三代中央领导集体和党的十六大以来的党中央领导下，勤劳智慧的我国各族人民同心同德、艰苦奋斗，战胜各种艰难曲折和风险考验，取得了举世瞩目的伟大成就，谱写了自强不息的壮丽凯歌。

In the past sixty years, with the three generations of Party lea**ship with Comrade Mao Zedong, Comrade Deng Xiaoping and Comrade Jiang Zemin as a core, and with the lea**ship of the Central Committee formed after the 16th National Congress of the CPC, with hard work and wisdom of all ethnic groups of the country, the Chinese people have joined hands to overcome the great hardship and made great contributions that have been recognized by the world, and proved our possibilities and endurers.

60年来，在以毛泽东同志、邓小平同志、江泽民同志为核心的党的三代中央领导集体和党的十六大以来的党中央领导下，勤劳智慧的我国各族人民同心同德、艰苦奋斗，战胜各种艰难曲折和风险考验，取得了举世瞩目的伟大成就，谱写了自强不息的壮丽凯歌。

In the past sixty years, with the three generations of Party leadership with Comrade Mao Zedong, Comrade Deng Xiaoping and Comrade Jiang Zemin as a core, and with the leadership of the Central Committee formed after the 16th National Congress of the CPC, with hard work and wisdom of all ethnic groups of the country, the Chinese people have joined hands to overcome the great hardship and made great contributions that have been recognized by the world, and proved our possibilities and endurers.

60年来，在以毛泽东同志、邓小平同志、***同志为核心的党的三代中央领导集体和党的十六大以来的党中央领导下，勤劳智慧的我国各族人民同心同德、艰苦奋斗，战胜各种艰难曲折和风险考验，取得了举世瞩目的伟大成就，谱写了自强不息的壮丽凯歌。

In the past sixty years, with the three generations of Party leadership with Comrade Mao Zedong, Comrade Deng Xiaoping and Comrade Jiang Zemin as a core, and with the leadership of the Central Committee formed after the 16th National Congress of the CPC, with hard work and wisdom of all ethnic groups of the country, the Chinese people have joined hands to overcome the great hardship and made great contributions that have been recognized by the world, and proved our possibilities and endurers.

艰难曲折、风险考验：这八个字的意思有重复，因此可以合二为一翻译为 the great hardship

From Rusticus I received the impression that my character required improvement and discipline; and from him I learned not to be led astray to sophistic emulation, nor to writing on speculative matters, nor to delivering little hortatory orations, nor to showing myself off as a man who practises much discipline, or does benevolent acts in order to make a display; and to abstain from rhetoric, and poetry, and fine writing; and not to walk about in the house in my outdoor dress, nor to do other things of the kind; and to write my letters with simplicity, like the letter which Rusticus wrote from Sinuessa to my mother; and with respect to those who have offended me by words, or done me wrong, to be easily disposed to be pacified and reconciled, as soon as they have shown a readiness to be reconciled; and to read carefully, and not to be satisfied with a superficial understanding of a book; nor hastily to give my assent to those who talk overmuch; and I am indebted to him for being acquainted with the discourses of Epictetus, which he communicated to me out of his own collection.

从拉斯蒂克斯，我领悟到我的品格需要改进和训练，知道不迷误于诡辩的竞赛，不写作投机的东西，不进行繁琐的劝诫，不显示自己训练有素，或者做仁慈的行为以图炫耀；学会了避免辞藻华丽、构思精巧的写作；不穿着出门用的衣服在室内行走及别的类似事情；学会了以朴素的风格写信，就像拉斯蒂克斯从锡纽埃瑟给我的母亲写的信一样；对于那些以言词冒犯我，或者对我做了错事的人，一旦他们表现出和解的意愿，就乐意地与他们和解；从他，我也学会了仔细地阅读，不满足于表面的理解，不轻率地同意那些夸夸其谈的人；我亦感谢他使我熟悉了埃比克太德的言论，那是他从自己的收藏中传授给我的。

1Also known as the French baroque style of Louis XIV of France, and its furniture is characterized by: majestic, with exaggerated, the classical form of thick, elegant graceful emphasis on comfort, Although the use of the mat, using a straight line, and some combination of arc-shaped curve and rectangular, symmetrical structure features, the use of oak, walnut and some European and Lei Muk forging, inlay with wood plaque, wooden shovel, such as Liriodendron, furniture bottom have braces, structural firmly until late cancellation rungs; both carving and fine inlay work, or part of another gold-plated or gold-plated silver, mosaics, painting, painting, in this period of the development process, the original straight leg into a curve leg, Desktop for the marble and fine嵌石workers, high armchair, wall layout with well-carved bracing the lower part of the snail-shaped narrow leg platform; decorative patterns, including the rising sun inlay gemstones have shaped pins around head-ray, in the oval with a double "L"-shaped, forest god of the mask,"C""S" shaped curve, dolphins, face lion body, head and claws, rams head, or turtle, olive leaves, diamond-shaped flower, fruit, butterflies, palms and water lily leaves short irregular dispersed layout and human fable of ancient weapons.

1也被法国路易十四的法国巴洛克风格而知名，其家具的特点是：雄伟，与夸张的厚，优雅舒适优雅的古典形式强调，虽然使用垫，用一条直线，和一些弧形曲线和矩形，对称结构特点，是橡木，胡桃木和一些欧洲及梨木锻件，与木牌匾，木铲，如鹅掌楸，镶嵌组合使用，家具底部有括号，年底之前取消结构梯级坚决的，都镶嵌雕刻和优良的工作，或另一个黄金的一部分，在这一发展过程期间，原直镀镀金银，马赛克，油画，油画，腿成一条曲线，对大理石和精细嵌石工人，高椅，与井壁的布局桌面腿雕刻支撑的蜗牛下部形窄腿平台；装饰图案，包括旭日镶嵌宝石塑造针围绕头线，在椭圆形双的&L&形，森林之神的面具，在&C&的&S&形曲线，海豚，面狮身，头和爪，公羊头，或龟，橄榄叶，菱形花，果，蝴蝶，棕榈和睡莲叶短不规则分散布局和古人类寓言武器。

In this image I have used 13 lights: 4 omni lights as ambient lighting, 2 to highlight the form of the engine, 3 spotlights to highlight the back of the engine, 3 highlight to stress the specular and the greasy effect on the shell, a spotlight behind the snail neck for the sub surface scattering, in addition to the sun with area shade and the sky with a HDRI with an atmosphere similar to the photograph of the road for the global lighting I have used a surface with an asphalt texture for the floor and the yellow lines only to be reflected on the engine and to add some radiosity to the snail body and shine.

在这方面的形象，我用13个灯： 4全方位的灯作为环境照明，二要强调形式的引擎， 3射灯，以突出后面的引擎， 3突出强调，镜面和油腻的作用，对蚬壳，一聚光灯背后的蜗牛颈部为小组表面散射中，除了太阳与地区的树荫和天空与hdri与气氛，类似照片的道路，为全球照明，我用了一个表面上与一沥青纹理为楼和黄线只反映对发动机，并添加一些辐射，以蜗牛身体和服务。

I normally use quite a lot of light sources; I place them so I can highlight details of the scene. In this image I have used 13 lights: 4 omni lights as ambient lighting, 2 to highlight the form of the engine, 3 spotlights to highlight the back of the engine, 3 highlight to stress the specular and the greasy effect on the shell, a spotlight behind the snail neck for the sub surface scattering, in addition to the sun with area shade and the sky with a HDRI with an atmosphere similar to the photograph of the road for the global lighting I have used a surface with an asphalt texture for the floor and the yellow lines only to be reflected on the engine and to add some radiosity to the snail body and shine.

通常我使用很多的光源，我到处放置它们，这样我才能照到足够多的细节，在这幅图里我使用了13盏灯，4 盏点光源作为环境光，2盏来照亮引擎的形状，三盏聚光灯用来照亮引擎的背面，三盏来强调蜗牛壳的高光及油腻的感觉，有一盏蜗牛脖子背后的灯光来表现3S半透明效果，另外还有一盏太阳光来获得各个区域的阴影，以及一个赋予了HDRI贴图的sky，来作为全局光，我使用了一种沥青材质作为地面材质，并让引擎能反射地面上的黄色带子，并为蜗牛身体与光射线增加了一些radiosity，以取得得与背景类似的灯光环境。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。