查询词典 have nothing in one

And E.N.E: Had they seen the Island, as I must necessarily suppose they did not, they must, as I thought, have endeavour'd to have sav'd themselves on Shore by the Help of their Boat; but their firing of Guns for Help, especially when they saw, as I imagin'd, my Fire, fill'd me with many Thoughts: First, I imagin'd that upon seeing my Light, they might have put themselves into their Boat, and have endeavour'd to make the Shore; but that the Sea going very high, they might have been cast away; other Times I imagin'd, that they might have lost their Boat before, as might be the Case many Ways; as particularly by the Breaking of the Sea upon their Ship, which many Times obliges Men to stave, or take in Pieces their Boat; and sometimes to throw it over-board with their own Hands: Other Times I imagin'd, they had some other Ship, or Ships in Company, who upon the Signals of Distress they had made, had taken them up, and carry'd them off: Other whiles I fancy'd, they were all gone off to Sea in their Boat, and being hurry'd away by the Current that I had been formerly in, were carry'd out into the great Ocean, where there was nothing but Misery and Perishing; and that perhaps they might by this Time think of starving, and of being in a Condition to eat one another.

如果他们发现这个小岛，我想他们一定会用船上的救生艇竭尽全力划到岸上来的。但看来他们一定没有看到小岛，只是鸣枪求救，尤其是他们看到我燃起的火光后，更是多次放枪。由此我头脑里出现了种种设想。首先，我想到，他们看到我点燃的火光后，必然会下到救生艇里拼命向岸上划来，但由于风急浪高，把他们刮走了。一会儿我又猜想，也许他们的救生艇早就没了，这种情况是经常发生的。当大船遇到惊涛骇浪时，水手们往往不得不把船上的救生艇拆散，甚至干脆扔到海里去。过会儿我又想，也许与他们结伴同行的船只，在见到他们出事的信号后，已把他们救起来带走了。我又想到，说不定他们已经坐上救生艇，可是遇到了我上次自己碰上的那股急流，给冲到大洋里去了。到了大洋里，他们可就糟了，那是必死无疑的。说不定这会儿他们都快饿死了，甚至可能正在人吃人呢！

Because lecturer Wang always saying it recently, should sublease the apartment with us, and I call him uncle Wang according to the courtesy , focal point even if I want classics of watching, I extraordinary fearness household noisy, household noisy I nothing hear right away, so I must depend on Triratna, because the uncle Wang he become a Buddhist at all, what he believes is the Triratna that is always said, explain Buddha dharma to him, he will talk about the similar law that they always said, so really make me too bitter to say, certainly I know this it is hindered that is my family property, if miss obstacle, must learn to give up, that is to say that gives up one's own moral integrity , certainly perhaps a lot of people can not understand , in fact very simple , a reason for my meaning, what the string is fastenned is too tight, very apt to lose brokenly, the ones that fastenned are too too loose to spring the sound, so adjust just now very all right, what I say certainly it gives up to be Buddha Bodhisattva in the degrees of all living creature, can give up heads with the brain , certainly if you meet the greedy person , or ignorant person, the left eye of your charity, he wants the right eye, you are two holes of charity, even if he throws your eyes to the ground to step on rottenly , it is so discredited that will blurt out and scold and say, so say that you know , cross all living creature's thing , it is not really what common people can do in this, so I must have pieces of view think meet as me wholehearted to ask people of law , I willing charity everything certainly, but if the other side does not ask the law wholeheartedly , certainly the charity that I can not be silly and silly, I must do the view with reason , it is all right that I act dumb with him, that is to say that he acts dumb with me in meaning, I certainly can regard oneself as noble-minded and unwilling to swim with the tide too, Buddha Bodhisattva is it cross some three evil all living creature of dish to want sometimes, must put down the figure , go to put into animal's body , then go to follow the statement of one of three evil , the focal point is that I am not so great, I do the part of Theravada well first , or finish humanity first, ten is it do five exhortation well to good at first, three Ban 5 exhortation make and discuss well that Bodhisattva has feet to give up to give up, three Ban five exhortation finish anyway, you is it defend the doctrine god defend , so I it hopes to be too urgent what oneself force to have, I am only relaxed studies Buddha.

最近因为一贯道的王讲师，要跟我们分租公寓，而我也是依照礼数称他王叔叔，重点就是我要看经典，我非常的怕人家吵，人家一吵我就什麼也听不到，因此我必须要依靠三宝，因为这位王叔叔他根本没有皈依三宝，他所信的是一贯道的三宝，跟他讲佛法，他都会讲到他们一贯道的相似法，因此真的让我有苦说不出，当然我也知道这都是我的业障，如果不想被障碍，就必须要学会舍，也就是说舍掉自己的德行，当然我的意思可能很多人会听不懂，其实很简单，就是一个道理，弦旋的太紧，很容易断掉，旋的太松会弹不出声音，因此就是调的刚刚好就好，当然我所说的舍就是佛菩萨度众生的时候，可以舍掉头目随脑，当然如果你遇到贪心的人，或者愚昧无知的人，你布施左眼，他要右眼，你两眼都布施，他就是把你的眼睛丢到地上踩烂，还会随口骂说这麼臭，所以说这你才知道，渡众生这一件事情，真的不是一般人可以办到的，因此我必须要有个观想，当我遇到真心求法的人，我当然愿意布施一切，但是如果对方不是真心求法，当然我不可能傻傻的布施，我必须要随缘做观，我跟他装傻就好，意思就是说他跟我装傻，当然我就是不能太自命清高，有时候佛菩萨要渡一些三恶道的众生，都必须要放下身段，去投入畜生身，然后去跟三恶道的说法，重点就是我没有那麼伟大，我先把小乘的部分给做好，或者先把人道做好，先把五戒十善做好，三皈五戒做好再谈菩萨戒具足戒，反正三皈五戒做好，你就会有护法神守护，因此我不希望把自己逼的太紧，我只要轻松的学佛。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

Geek in the pink Well let the geek in the pink take a stab at it If you like the way I'm thinkin' baby wink at it I may be skinny at times but I'm fat fulla rhymes Pass me the mic and I'm a grab at it well isn't it delicious crazy way that I'm kissin' Cause baby listen to this don't wanna miss it while it's hittin' Sometimes you gotta fit in to get in But don't ever quit cause soon I'm gonna let you in but see I don't care what you might think about me You'll get by without me if you want I could be the one to take you home Baby we could rock the night alone If we never get down it wouldn't be a let down But sugar don't forget what you already know I could be the one to turn you out We could be the talk across the town Don't judge it by the color, confuse it for another You might regret what you let slip away Like the geek in the pink pink pink Like the geek in the pink yeah Well this relationship fodder don't mean to bother nobody But Cupid's automatic musta fired multiple shots at her Because she fall in love too often that's whats the matter At least I talk about it keep a pattern of flattery and She was starin' through the doorframe and eyeing me down like already a bad boyfriend Well she can get her toys outta the drawer then Cause I ain't comin' home I don't need that attention, see I don't care what she might think about me she'll get by without me if she want I could be the one to take her home Baby we could rock the night alone If we never get down it wouldn't be a let down But sugar don't forget what you already know I could be the one to turn you out We could be the talk across the town Don't judge it by the color, confuse it for another You might regret what you let slip away Hey baby look at me go From zero to hero You better take it from a geek like me I can save you from unoriginal dum-dums Who wouldn't care if you com...plete him or not So what I've got a short attention span A coke in my hand Because I'd rather have the afternoon, relax and understand My hip hop and flip-flops well it don't stop with the light rock A shot to mock you kinda puts me in the tight spot The hype is nothing more than hoo-ha so I'm Developing a language and I'm callin' it my own So take a peek into the speaker and you'll see what I mean That on the other side the grass is greener I don't care what you might think about me You'll get by without me if you want I could be the one to take you home Baby we could rock the night alone If we never get down it wouldn't be a let down But sugar don't forget what you already know I could be the one to turn you out We could be the talk across the town Don't judge it by the color, confuse it for another You might regret what you let slip away

怪胎的粉红色那么让怪胎的粉红色就在它刺伤如果你喜欢的方式我thinkin '婴儿在这眨眼我可能有时瘦，但我胖fulla韵我的通行证麦克风和我是一个抓住它以及是不是疯了美味的方式，我基辛'原因婴儿收听此不想错过它，而它的hittin '有时候，你总得适应进入但是，不要任何时候都很快退出事业我一定让你看到的，但我不在乎你们可能认为我你会得到的没有我如果你想我可以是一个带您回家宝贝我们可以岩夜间单独如果我们永远不会下跌不会是一个放下但是，糖不要忘记你已经知道我可以是一个把你我们可以谈论整个镇不要判断它的颜色，它混淆另一你可能会感到遗憾的是你让溜走像怪胎的粉红粉红粉红像怪胎在粉红色的是那么这种关系的饲料并不意味着没有人打扰但丘比特的自动穆斯塔发射多种拍摄她因为她爱上往往是什么问题至少我谈论这件事保持一贯奉承和她starin '通过门框和关注我已经想了一个坏男友那么她可以让她的玩具outta然后抽屉原因我不是comin家里我不需要注意，见我不在乎什么，她可能认为我她会没有我的，如果她想我可以是一个带她回家宝贝我们可以岩夜间单独如果我们永远不会下跌不会是一个放下但是，糖不要忘记你已经知道我可以是一个把你我们可以谈论整个镇不要判断它的颜色，它混淆另一你可能会感到遗憾的是你让溜走喂婴儿看我走从零到英雄您是否可以更好地从一个像我这样的怪胎我可以为您节省来自非独创的达姆， dums 谁不会关心你的COM 。。。他完全或不所以我有一个短期注意跨度焦炭在我的手因为我宁愿有下午，放松和理解我的嘻哈和触发器以及它不停止与轻摇滚一杆嘲笑你有点儿让我在紧张的现场宣传只不过是豪哈所以我开发的一种语言，我callin '但我自己因此，需要看到的发言，你会明白我的意思这在另一边的草绿色我不在乎你们可能认为我你会得到的没有我如果你想我可以是一个带您回家宝贝我们可以岩夜间单独如果我们永远不会下跌不会是一个放下但是，糖不要忘记你已经知道我可以是一个把你我们可以谈论整个镇不要判断它的颜色，它混淆另一你可能会感到遗憾的是你让溜走

I must live like an exile, if I approach near to people a hot terror seizes upon me, a fear that I may be subjected to the danger of letting my condition be observed - thus it has been during the past year which I spent in the country, commanded by my intelligent physician to spare my hearing as much as possible, in this almost meeting my natural disposition, although I sometimes ran counter to it yielding to my inclination for society, but what a humiliation when one stood beside me and heard a flute in the distance and I heard nothing, or someone heard the shepherd singing and again I heard nothing, such incidents brought me to the verge of despair, but little more and I would have put an end to my life - only art it was that withheld me, ah it seemed impossible to leave the world until I had produced all that I felt called upon me to produce, and so I endured this wretched existence - truly wretched, an excitable body which a sudden change can throw from the best into the worst state - Patience - it is said that I must now choose for my guide, I have done so, I hope my determination will remain firm to endure until it please the inexorable Parcae to bread the thread, perhaps I shall get better, perhaps not, I am prepared.

我不得不活着像个流放的人，要是我接近人群，恐惧就会涌上心头，唯恐别人发现我病情。半年来我就是这样过来的。一位高明的医生让我尽量避免使用听觉，而也差不多正合我愿，所以这半年来我一直呆在乡下。不过，有时我也会违背医嘱，忍不住想与别人交往，但是，当我旁边的人听到远处的笛声而我却什么都听不到，或是别人听到牧羊人的歌声而我又什么都听不到的时候，那是怎样一种屈辱的感觉啊！这些事情让我濒临崩溃，要不是对艺术的渴求制止了我，我差不多就要结束我的生命了。我知道没把我命里所有的作品都创造出来，我是不可能离开这个世界的，所以我忍受这痛苦的生活，真的痛苦啊！我的身体容易激动，突然有一点变化，就会一下子从最好变成最坏。我必须选择忍耐，别人这么说，我也这么做了。希望我有足够坚定的意志来承受苦难，直到无情的死神割断我的生命之线的那天。也许我的病会好转，也许不会，对此我都是有心理准备的。

There have been caught in Walden pickerel, one weighing seven pounds —— to say nothing of another which carried off a reel with great velocity, which the fisherman safely set down at eight pounds because he did not see him —— perch and pouts, some of each weighing over two pounds, shiners, chivins or roach, a very few breams, and a couple of eels, one weighing four pounds —— I am thus particular because the weight of a fish is commonly its only title to fame, and these are the only eels I have heard of here;——also, I have a faint recollection of a little fish some five inches long, with silvery sides and a greenish back, somewhat dace-like in its character, which I mention here chiefly to link my facts to fable.

在瓦尔登湖中，捉到过梭鱼，有一条重七磅，且不去说那另外的一条，用非常的速度把一卷钓丝拉走了，渔夫因为没有看到它，估计它稳稳当当有八磅的重量，此外，还捉到过鲈鱼，鳘鱼，有些重两磅，还有银鱼，鳊鱼（学名Leueiscus Pulchellus），极少量的鲤鱼，两条鳗鱼，有一条有四磅重，——我对于鱼的重量写得这样详细，因为它们的价值一般是根据重量来决定的，至于鳗鱼，除了这两条我就没有听说过另外的，——此外，我还隐约记得一条五英寸长的小鱼，两侧是银色的，背脊却呈青色，性质上近于鲦鱼，我提起这条鱼，主要是为了把事实和寓言连接起来。

One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow; And have been cold a long time To behold the junipers shagged with ice, The spruces rough in the distant glitter Of the January sun; and not to think Of any misery in the sound of the wind, In the sound of a few leaves, Which is the sound of the land Full of the same wind That is blowing in the same bare place For the listener, who listens in the snow, And, nothing himself, beholds Nothing that is not there and the nothing that is.

若想敬仰松树枝干层层为霜雪覆盖，你得具备冬天的头脑。在寒冷中持久凝视，那冰雪蓬松的刺柏丛林，那闪烁在远处腊月阳光下的迷漫云杉。不要去想那风声和树叶夹带着的凄凉。这声音是风地里的声音，这风是为在空地上的你而吹。在雪里聆听的人儿啊，听着与己无关的事儿，那儿不存在的东西看见，眼里只有现存的一片空旷。

At the I past's in consciousness, my these people's always don't be pay taxes, because I only is a in ordinary enterprise the a ordinary worker, pay taxes is big-little businessman, the street pedlar owners and have high take in peoples the things, however our attach America go to visit one's relatives could travel,changed our view, has very much very much the fact can prove, my these ordinary common people,also too is pay taxes people, but also nearly is day-day for the pay taxes,it for my the assemble impression is: nothing don't be obtain you pay taxes the part, nothing don't be obtain you pay taxes the billand bills more,that's mouth say nothing evidence, has bill for act credentials:.

在我以往的概念中，我们这些人是从来不纳税的，因为我只是一名普通企业里的一名普通职工，纳税是大小老板们，摊贩主们和享有高收入人们的事，然而我们的赴美探亲之LU，改变了我的这一看法，有太多太多的事实可以证明，我们这些平头老百姓，也是纳税人，而且几乎是天天地在纳着税，它给我的总的印象是：没有不收你税的地方，更没有不收你税的发票和单据，口说无凭，有单据为证

I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude,substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head —— useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace,some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse,and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil,and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping.

我有时梦见了一座较大的容得很多人的房屋，矗立在神话中的黄金时代中，材料耐用持久，屋顶上也没有华而不实的装饰，可是它只包括一个房间，一个阔大、简朴、实用而具有原始风味的厅堂，没有天花板没有灰浆，只有光光的椽木和桁条，支撑着头顶上的较低的天，——却尽足以抵御雨雪了，在那里，在你进门向一个古代的俯卧的农神致敬之后，你看到衍架中柱和双柱架在接受你的致敬；一个空洞洞的房间，你必须把火炬装在一根长竿顶端方能看到屋顶，而在那里，有人可以住在炉边，有人可以往在窗口凹处，有人在高背长椅上，有人在大厅一端，有人在另一端，有人，如果他们中意，可以和蜘蛛一起住在椽木上：这屋子，你一打开大门就到了里边，不必再拘泥形迹；在那里，疲倦的旅客可以洗尘、吃喝、谈天、睡觉，不须继续旅行，正是在暴风雨之夜你愿意到达的一间房屋，一切应有尽有，又无管理家务之烦；在那里，你一眼可以望尽屋中一切财富，而凡是人所需要的都挂在木钉上；同时是厨房，伙食房，客厅，卧室，栈房和阁楼；在那里你可以看见木桶和梯子之类的有用的东西和碗橱之类的便利的设备，你听到壶里的水沸腾了，你能向煮你的饭菜的火焰和焙你的面包的炉子致敬，而必需的家具与用具是主要的装饰品；在那里，洗涤物不必晒在外面，炉火不熄，女主人也不会生气，也许有时要你移动一下，让厨子从地板门里走下地窖去，而你不用蹬脚就可以知道你的脚下是虚是实。

Sixty-one percent of those surveyed said there was nothing they would have done more of in their lives and 78 percent said there is nothing they would have done less.

61％的被调查者表示，他们在生活中没有什么想做而未做过的事，78％的人表示他们未做过任何不想做的事。

The concept of equivalent rotationally rigidity is offered and the formula of rotationally rigidity is obtained.

主要做了如下几个方面的工作：对伸臂位于顶部的单层框架—筒体模型进行分析，提出了等效转动约束的概念和转动约束刚度的表达式。

Male cats normally do not need aftercare with the exception of the night after the anesthetic.

男猫通常不需要善后除了晚上的麻醉。