查询词典 hand in hand with

As a human creation, culture evolves with the difference of ages, regions and characteristics, therefore, on the one hand net provides an afterburning platform for multiple cultures and on the other hand in the cultural crashes is the accompanying gloomy mood of "nostalgia of one far away from the motherland" and the impulse of seeking the ancient dream.

文化作为人的创造呈现出时代性演进和地域性展开及异质性绵延，因此，一方面网络提供了全球化背景下多元文化直面的加力平台；另一方面在各种文化的多元互创中，与之相伴随的则是文化"去国怀乡"的愁绪和寻找往古之梦的冲动。

His booth is featured in Bartholomew Fair by Hogarth with a sign that says "Dexterity of Hand."

他在Bartholomew展销会的摊位被标为"Dexterity of Hand"。

An orange people wear the Espana habiliment of the national football team, holding a football on the left hand and the right hand is akimbo with a smile in his face in 1982 FIFA WORLD CUP.

1982年世界杯的是一身穿西班牙国家足球队队服，左手抱着一只足球，右手叉腰，笑容可掬的橘人，这一形象的灵感来自于西班牙盛产的橘子。

"Count, count!" shouted Berg, running up on the other side, as eager as Boris."I was wounded in my right hand"(he pointed to his blood-stained hand, bound up with a pocket-handkerchief), and I kept my place in the front.

"贝格喊着，他和鲍里斯一样兴致勃勃，从另一边跑到前面来，"伯爵，我的右手负伤了（他说着，一面伸出血淋淋的、用手帕包扎的手腕给他看），我还是留在队伍里。

So saying, with dispatchful looks in haste She turns, on hospitable thoughts intent What choice to chuse for delicacie best, What order, so contriv'd as not to mix Tastes, not well joynd, inelegant, but bring [ 335 ] Taste after taste upheld with kindliest change, Bestirs her then, and from each tender stalk Whatever Earth all-bearing Mother yields In India East or West, or middle shoare In Pontus or the Punic Coast, or where [ 340 ] Alcinous reign'd, fruit of all kindes, in coate, Rough, or smooth rin'd, or bearded husk, or shell She gathers, Tribute large, and on the board Heaps with unsparing hand; for drink the Grape She crushes, inoffensive moust, and meathes [ 345 ] From many a berrie, and from sweet kernels prest She tempers dulcet creams, nor these to hold Wants her fit vessels pure, then strews the ground With Rose and Odours from the shrub unfum'd.

Neerer his presence Adam though not awd， Yet with submiss approach and reverence meek， As to a superior Nature， bowing low， [ 360 ] 她一边说着，一边带着急迫的神情，急速转身，一心想着招待的事，怎样精选最上等最可口的东西，风味若不调和，便会变得粗劣，务必要按照自然的变化而加调味，一样接着一样，有条不紊，引人入胜；于是忙着去采集各种的果品，从大地母亲所生产的万汇中千挑万选，无论东西印度、地中海滨各国、本都、布匿沿岸或阿西诺斯国中的，样样都有，结在柔枝上的，有果皮光滑的，粗糙的，果壳带须的，包在荚里的，她都不吝惜地采摘，堆积在桌子上。

Partly it has great practical value – you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you – daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.

一方面是由于它有着非常实际的使用价值——当你跳跃着穿越Jaglan Beta的冰冷的月亮中间时，可以把毛巾裹在身上用来取暖；在Santraginus V的灿烂的大理石沙子的海滩，你也可以躺在毛巾上，呼吸浓烈醉人的海洋蒸汽；也可以在Kakrafoon的沙漠世界里，在红色的恒星照耀下，盖着毛巾睡觉；用它做帆，在缓慢宽阔的Moth河上泛舟；在近身搏斗中打湿了做武器；包住脑袋来防止毒气侵袭或者避开Traal的贪婪虫鸣兽的喋喋不休（一种发自内心的愚蠢的动物，它总是认为如果你看不到它，它也就看不到你——蠢得像灌木，却很贪婪）；可以在紧急情况下挥动毛巾表示求救信号；当然，也可以用来擦干身体——如果它看起来还是足够干净的话。

Training when crawling, let the children get on the ground, into a prone position, his head looked up and, with his hands up the body, the parents of the baby's legs, bending gently on his belly, in your baby's face will put some dynamic, interesting toys, such as the roly-poly, singing dolls, electric vehicles, so as to enhance your baby's interest inspired him to crawl引逗at this time, parents can hand in his buttocks lightly stabbed you, or the palm of your hand resist his little feet, children will often put forward, so he had to crawl slowly; If a child is prone position, the only inhibitory effect head, upper limb strength should not put up their own bodies, chest, waist spaces should not inflate the abdomen should not from the bed, parents can be a towel on the baby's chest and abdomen, and then bring a towel, so that the infant chest, abdomen leaving the bed, body weight fell on hands and knees and repeated practice, the question of the lower leg strong muscles that can support the body weight, it has been gradually learn to crawl.

训练爬行时，先让孩子趴下，成俯卧位，把头仰起，用手把身体撑起来，家长把孩子的腿，轻轻弄弯放在他的肚子下，在孩子的面前，放些会动的、有趣的玩具，如不倒翁、会唱歌的娃娃、电动汽车等，以提高孩子的兴趣，启发、引逗他爬行，此时，家长可以用手在他的臀部轻轻捅一下，或用手掌抵住他的小脚掌，孩子常常会向前扑，于是就慢慢地爬行了；如果婴儿俯卧位时，只会把头抑起，上肢的力量不能把自己的身体撑起，胸、腰部位不能抬高，腹部不能离床时，父母可以用条毛巾放在婴儿的胸腹部，然后提起毛巾，使婴儿胸、腹部离开床面，全身重量落在手和膝上，反复练习后，待小腿的肌肉结实，能支撑身体重量时，也就渐渐地学会爬行了。

Briefly,on the one hand,the development of the early Minimalism is in line with Greenberg\'s principle of "simplified form";on the other hand,after Stella\'s"What you see is what you see",Judd\'s "Special Object" and the creative idea of "theater" advocated by Tony Smith and Robert Morris, the Minimalism begins to depart from the mainstream of Modernism to the anti-Modernism ultimately.In 1967,Greenberg\'s "Recentness of Sculpture"and Michael Fried\'s "Art and Objecthood" mark the watershed of the Formalist criticism which came to decline then.

简要地说，一方面，早期极少主义的发展是符合格林伯格主张的&形式简化&原则的；但另一方面，当斯特拉提出&你看见的是什么就是什么&，贾德主张&特殊客体&，以及托尼·史密斯、罗伯特·莫里斯宣扬&剧场&化的创作主张后，极少主义开始脱离现代主义的发展轨迹，最终走向了反现代主义的道路。1967年，格林伯格的《雕塑的近况》与迈克·弗雷德的《艺术与客体性》成为了形式主义批评的分水岭，此后，形式主义批评走向衰落。

In accordance with "anti-theft security door general technical conditions" provides a qualified anti-theft door within 15 minutes, using chisels, screwdrivers, crowbars and other common hand tools and portable electric tools such as hand drills can not be forced open, or opening a door from a 615 mm2 of the openings, or in lock-point 150-square-millimeter semi-circular opening within a 38 square millimeter openings.

按照《防盗安全门通用技术条件》规定，合格的防盗门在15分钟内利用凿子、螺丝刀、撬棍等普通手工具和手电钻等便携式电动工具无法撬开或在门扇上开起一个615平方毫米的开口，或在锁定点150平方毫米的半圆内打开一个38平方毫米的开口。

Besides it must not be forgotten that these practices went hand to hand with the cultivation of the sublimest virtues, that they were for the most part performed in secret, and in no case for ostentation and display.

此外，它绝不能忘记这些做法去手，一方面与栽培的sublimest美德，他们为大部份表现在秘密，在任何情况下，排场和显示。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。