查询词典 grisaille

"In the 16th century grisaille enamel s were developed in Limoges, France; the technique achieves a dramatic effect of light and shade and a pronounced sense of three-dimensionality."

16世纪时，纯灰色画珐琅艺术发展于法国利摩日，此技巧在光和影上达到戏剧性的效果和明显的三维空间立体感

I was doing decorative painting and copper leafing this whole wall for these offices and ended up finishing this whole wall with full of copper and could see Grisaille figures on it.

我在做装饰画，铜翻阅这对这些办事处整面墙，最终完成这个充满铜，可以看到它Grisaille数字整面墙。

"In the 16th century grisaille enamels were developed in Limoges, France; the technique achieves a dramatic effect of light and shade and a pronounced sense of three-dimensionality."

16世纪时，纯灰色画珐琅艺术发展于法国利摩日，此技巧在光和影上达到戏剧性的效果和明显的三维空间立体感

Closed, the triptych offers a grisaille view of the third day of the creation of the World, with God the Father as Creator.

合上后，此三联画展示了上帝创世第三日的阴暗面，上帝即是创造者。

"In the 16th century grisaille enamels were developed in Limoges, France; the technique achieves a dramatic effect of light and shade and a pronounce d sense of three-dimensionality."

16世纪时，纯灰色画珐琅艺术发展于法国利摩日，此技巧在光和影上达到戏剧性的效果和明显的三维空间立体感

Grisaille : Painting technique by which an image is executed entirely in shades of gray and usually modeled to produce the illusion of sculpture or relief .

完全用灰色浓淡变化描绘形象，通常多突出立体感，以形成类似雕塑，特别是浮雕的视觉效果的绘画技法。

Grisaille : Painting technique by which an image is executed entirely in shades of gray and usually modeled to produce the illusion of sculpture or relief.

灰色单色画完全用灰色浓淡变化描绘形象，通常多突出立体感，以形成类似雕塑、特别是浮雕的视觉效果的绘画技法。

A humorous note is added with the lively expressive head of a cherub visible in the frieze in grisaille decorating the belly of the vase.

幽默笔记增加以天使的活泼的传神头可看见在带状装饰在grisaille 装饰花瓶的腹部。

Grisaille : Paiting technique by which an image is executed entirely in shades of gray and usually modeled to produce the illusion of sculpture or relief .

完全用灰色浓淡变化描绘形象，通常多突出立体感，以形成类似雕塑，特别是浮雕的视觉效果的绘画技法。

"Strange" mix: grisaille+ flowers, geometry.

"新奇"的组合：浮雕式灰色装饰画+花卉，几何图形。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。