查询词典 great-grandmother

That of falling into the Hands of Cannibals, and Savages, who would have seiz'd on me with the same View, as I did of a Goat, or a Turtle; and have thought it no more a Crime to kill and devour me, than I did of a Pidgeon, or a Curlieu: I would unjustly slander my self, if I should say I was not sincerely thankful to my great Preserver, to whose singular Protection I acknowledg'd, with great Humility, that all these unknown Deliverances were due; and without which, I must inevitably have fallen into their merciless Hands.

如果落到他们手里，他们就会把我马上抓起来，就像我抓只山羊或海鳖一样。同时，在他们看来，把我杀死吃掉，也不是什么犯罪行为，就像把一只鸽子或鹬杀了吃掉在我看来也不是什么犯罪行为一样。我衷心感激我的伟大的救世主，如果我不承认我的感激之情，那我就不诚实了。我必须恭恭敬敬地承认，我之所以在不知不觉中免于大难，完全是由于救世主的保佑，要是没有他的保佑，我早就落入野人的毒手了。

You were a great student and, of course, a great ping-pong player.

你是个很棒的学生，当然还是个很棒的乒乓球选手。

And New York's rebellion called to me excitedly, this savagery which piled great concrete block on concrete block, topping at the last moment as in an afterthought, with crowns as delicate as pinnacled ice; this lavishness which, without a prayer, pillaged coal mines and waterfalls for light, festooning the great nature-severed city with diamonds of frozen electrical phenomena─ it fascinated me, the Asian man, and in it I saw not Milton's Satan, but the one of Blake.

而纽约的反叛精神激动着我的心。它的野性将大块混凝土层层垒起，在最后一刻仿佛踌躇再三才加盖，顶部皆似精巧的冰山；它的挥霍未经祈祷便为获取光明劫掠煤矿和瀑布，用钻石般璀璨夺目的无数电灯装饰这座超脱自然的伟大城市──这一切令我，一个亚洲人心醉神迷。在纽约身上我看到的不是弥尔顿笔下的撒旦，而是布莱克的撒旦。

And New York's rebellion called to me excitedly, this savagery which piled great concrete block on concrete block, topping at the last moment as in an afterthought, with crowns as delicate as pinnacled ice; this lavishness which, without a prayer, pillaged coal mines and waterfalls for light, festooning the great nature-severed city with diamonds of frozen electrical phenomena― it fascinated me, the Asian man, and in it I saw not Milton's Satan, but the one of Blake.

而纽约的反叛精神激动着我的心。它的野性将大块混凝土层层垒起，在最后一刻仿佛踌躇再三才加盖，顶部皆似精巧的冰山；它的挥霍未经祈祷便爲获取光明劫掠煤矿和瀑布，用钻石般璀璨夺目的无数电灯装饰这座超脱自然的伟大城市──这一切令我，一个亚洲人心醉神迷。在纽约身上我看到的不是弥尔顿笔下的撒旦，而是布莱克的撒旦。

The first single Mademoiselle Juliette got on the top 13 of French downloading board with its passionate electronic and rock mixture. Alizée also added some cool and stylish singing skills in it. She invited French well-known producer and music composer Bertrand Burgalat (Depeche Mode、Pizzicato Five、Mick Harvey) to produce this album. The second song Fifty Sixy is with smooth and great melody also add some cheerful dance sounds that totally shows extremely young passion. The song with same title as album Psychédélices is set in a fantastic and air-free atmosphere. Beautiful violin sounds go through the whole song and gradually lead the song the softest and most fascinating feeling. Decollage is a song that is added with hip-hop street style. In this song, Alizée shows her great talent in rapping that makes people feel refreshing. With fast beats, Lilly Town is just in people's taste of dance song. The last song of this album L'effet spreads a slight tender of jazz. This time Alizée use various styles that add more charm with her mature appearance.

第一波单曲" Mademoiselle Juliette"，登上法国下载榜Top13，交融强烈电子与摇滚的撞击，艾莉婕加入更多酷酷个性演唱调调，请到法国籍炙手可热的制作/演奏才子 Bertrand Burgalat(Depeche Mode、Pizzicato Five、Mick Harvey)操盘；第二支预备曲"Fifty Sixy"，更为流畅动听旋律贯穿，同样加料欢乐舞曲声韵，展现年轻的无比热力；同名单曲"Psychedelices"漂浮在一股迷离无压的气氛之中，弦乐优雅润饰其中，徐缓勾引出最动人的抒情乐章；添进街头嘻哈风格的"Decollage"，艾莉婕更大秀饶舌才情，让人耳朵为之一开；节奏加速度的" Lilly Town"，是支十分讨喜的正点舞曲；谢幕小品"L'effet"则洒下一抹淡淡爵士柔情，艾莉婕此次大胆尝鲜更为多样风格，为她成熟风貌添加更多迷人魅力。

Then, while a seedy-looking nondescript man carrying a leather bag stood on the steps of St. Paul's Cathedral, and hesitated, for within was what balm, how great a welcome, how many tombs with banners waving over them, tokens of victories not over armies, but over, he thought, that plaguy spirit of truth seeking which leaves me at present without a situation, and more than that, the cathedral offers company, he thought, invites you to membership of a society; great men belong to it; martyrs have died for it; why not enter in, he thought, put this leather bag stuffed with pamphlets before an altar, a cross, the symbol of something which has soared beyond seeking and questing and knocking of words together and has become all spirit, disembodied, ghostly—why not enter in?

那时，一个穿地异常褴褛的男子拎着一个皮革的包站在圣保罗大教堂的阶梯上，踌躇不决的，在那里面充满着安慰，一个多么热烈的欢迎，多少写着墓志铭的坟墓在向他们招手呼唤，胜利的标志并不是献给军队的，而是献给，他认为，那讨厌的寻求真理的精神，而这种精神此刻没有理由的离开了我，还有比这更多的，教堂还能提供伙伴，他想，将邀请你成为社会的一员，伟大的人被葬在了这里，殉教者为它而牺牲，为什么不进去呢，他想着，站在圣坛前将皮包塞满传教的小册子，还有一个十字架，这是一种象征，高高在上的，探索着，寻求着，将不同的词组在一起，形成了一种涵盖一切的精神，无实质的，像鬼魂一样的——为什么不进去呢？

The great plantsman, Christopher Lloyd, is notorious for his use of magenta in his writing and in his famous garden, Great Dixter, in East Sussex, England.

伟大的plantsman ，克里斯托弗劳埃，是臭名昭著的使用洋红色在他的书面形式，并在其著名的花园，大Dixter ，在东苏塞克斯，英国。

Soil erosion in the loess plateau, is great environmental problem at present, and soil erosion monitoring is of great significance for stipulateing the countermeasures against soil erosion.

在我国，黄土高原的土壤侵蚀是目前举世瞩目的环境问题，土壤侵蚀监测对土壤侵蚀防治对策的制定具有重大意义。

Modern music education shows its great concern with its function in intelligence development and integrity formation, and attaches great importance to theory and practice from the perspective of globalization and pluralization, thus establishing a complete system of music education in China.

现代音乐教育开始关注音乐开发智力、陶冶情操的功能，并从全球化、多元化的视角注重其理论与实践，并在中国建构起完整的体系。

It has been a great fight with him this year – not like in the past with other riders when there have always been some polemics – and we have great respect for each other.

今年与他的竞争是一场激烈的战斗，不像在过去与其他车手有很多的争议，我们对彼此都非常尊重。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。