查询词典 grammatically wrong sentence

Although our experiment dealt with the more suavity imperative sentence, the duration of these sentences is still confidently shorter that of statement sentence and question sentence When comparing the nucleus of all three types of sentences, in each type of sentence, the length of the nucleus is always the longest of the five syllables, making up about 30% of the total length for each sentence When comparing the auxiliary word at the end of the sentences, question auxiliary word"了"has a longer length than"吧/了"in imperative sentence, and"了"in statement sentence From this, we can draw a conclusion in Chinese, the duration of the syllable that appears at the end of sentence, is very much related to the type of sentence it is

从句子全长的对比看，祈使句的全长要比陈述句和疑问句短。虽然我们的实验语句属于口气比较委婉的祈使句，而这种祈使句的时长还是比陈述和疑问句大大缩短。三种句型的调核比较看，祈使句、陈述句和疑问句的调核音长在每个句型的5个音节中最长，占句子全长的大约百分之三十左右。从句末助词对比看，疑问句末助词"了"的音长跟祈使句"吧/了"和陈述句"了"的音长相比明显加长了。由此可见，在汉语中句末音节的时长与句型有密切相关，祈使句句末的语气助词的音长是属于短的。

This ain't a love song 歌手:bon jovi this ain't a love song bon jovi i should have seen it coming when roses died should have seen the end of summer in your eyes i should have listened when you said good night you really meant good bye baby, ain't it funny, how you never ever learn to fall you're really on your knees, when you think you're standing tall but only fools are "know-it-alls" and i played that fool for you i cried and i cried there were nights that died for you baby i tried and i tried to deny that your love drove me crazy, baby if the love that i got for you is gone if the river i cried ain't that long then i'm wrong, yeah i'm wrong, this ain't a love song baby, i thought you and me would stand the test of time like we got away with the perfect crime but we were just a legend in my mind i guess that i was blind remember those nights dancing at the masquerade the clowns wore smiles that wouldn't fade you and i were the renegades, some things never change it made me so mad 'cause i wanted it bad for us baby now it's so sad that whatever we had, ain't worth saving if the love that i got for you is gone if the river i've cried ain't that long then i'm wrong, yes i'm wrong, this ain't a love song if the pain that i'm feeling so strong is the reason that i'm holding on then i'm wrong, yeah i'm wrong - this ain't a love song i cried and i cried there were nights that i died for you baby i tried and i tried to deny that your love drove me crazy baby if the love that i got for you is gone if the river i cried ain't that long then i'm wrong, yeah i'm wrong - this ain't no love song if the pain that i'm feeling so strong is the reason that i'm holding on then i'm wrong, yeah i'm wrong - this ain't a love song by lune the end JTL 很长时间Love Is A Pain (I don't cry)(I don't cry)(I don't cry)(I don't say) As time gose by

你身边的那个人看起来会比我做得更好放你离开的那个冬天，痛苦了好久，但是都没有用了开始我小心地走向你，你用阳光般的微笑接受了我的心那么想见你，落下了泪，但是（I don't cry）现在什么也无法说想说爱你，现在不再是我的你有的时候给我的问候的电话我说现在过得很好这样的话，但舌头无法像以前看到了我变瘦的样子，你也会吃惊放你离开的那个冬天，痛苦了好久，但是都没有用了开始我小心地走向你，你用阳光般的微笑接受了我的心那么想见你，落下了泪，但是（I don't cry）现在什么也无法说想说爱你，但现在不再是我的你如果对我说你回来吧我会再次抱着你如果只想看我一次，我会把空位子留给你说不定那个时候是我们两个再一次没有办法地擦肩而过的命运我这样疼痛，你也会非常疼痛的，那个时候你也说没有办法我的没有用的自尊心非常非常的后悔没有你，度过了很长时间，只一个人没有你，我忍受着，得生活下去，我没有自信那么想见你，落下了泪，但是（I don't cry）现在什么也无法说想说爱你，我想再见到你，但现在好象一切都结束了希望好久以来积攒的记忆，到什么时候都不会在时间里被埋没祝你幸福

Fourteen parts of grammar were described, including the measure words, the location component, pronouns, helping words, adverb, verb auxiliaries, comparative sentence, giving sentence, dispositional sentence, passive sentence, negative sentence and question sentence.

在清末粤方言语法材料的基础上考察历时演变，共出现29个变化点，主要包括：（1）量词&样&、&回&和&个&使用减少；（2）&度&由量词发展为处所词后附成分；（3）清末疑问代词&边&和&乜&竞争，今天&乜&的用法被削弱；（4）&V得&的用法扩大，改变&可以&和&能&的地位，助动词&识&的用法增加；（5）副词&啱&意义扩大，一些双音节副词出现语素更替；（6）动词后补成分&高&被&上&取代，&起嚟&和&去归&消失；（7）表示完成的动态后助成分&哓&完全消失，由&唨&取代，&V下&之外出现动词重叠表短时、随意的用法；（8）句末助词&呢&的读音、&咋&表达的事态或者语气的意义稍有变化；（9）给予句&俾+N〓+过+N〓&是清末的主流形式，今天以双宾语形式&俾／V+N〓+N〓&为主，&过&消失；（10）出现像普通话的&比&字句；（11）清末文献里可以引出处置对象的&戒&不再使用；（12）&俾&发展为一个比较成熟的被动句标记，&被&的使用消失；（13）单音节形式的否定词增加；（14）正反疑问句发生根本性的变化，宾语和补语等补足成分转而出现在否定形式之后，选择疑问句连接选择项的&嚊&或&口被&消失。

They Told Him Don't You Ever Come Around Here Don't Wanna See Your Face, You Better Disappear The Fire's In Their Eyes And Their Words Are Really Clear So Beat It, Just Beat It You Better Run, You Better Do What You Can Don't Wanna See No Blood, Don't Be A Macho Man You Wanna Be Tough, Better Do What You Can So Beat It, But You Wanna Be Bad Just Beat It, Beat It, Beat It, Beat It No One Wants To Be Defeated Showin' How Funky Strong Is Your Fighter It Doesn't Matter Who's Wrong Or Right Just Beat It, Beat It Just Beat It, Beat It Just Beat It, Beat It Just Beat It, Beat It They're Out To Get You, Better Leave While You Can Don't Wanna Be A Boy, You Wanna Be A Man You Wanna Stay Alive, Better Do What You Can So Beat It, Just Beat It You Have To Show Them That You're Really Not Scared You're Playin' With Your Life, This Ain't No Truth Or Dare They'll Kick You, Then They Beat You, Then They'll Tell You It's Fair So Beat It, But You Wanna Be Bad Just Beat It, Beat It, Beat It, Beat It No One Wants To Be Defeated Showin' How Funky Strong Is Your Fighter It Doesn't Matter Who's Wrong Or Right Just Beat It, Beat It, Beat It, Beat It No One Wants To Be Defeated Showin' How Funky Strong Is Your Fighter It Doesn't Matter Who's Wrong Or Right Just Beat It, Beat It, Beat It, Beat It, Beat It Beat It, Beat It, Beat It, Beat It No One Wants To Be Defeated Showin' How Funky Strong Is Your Fighter It Doesn't Matter Who's Wrong Or Right Just Beat It, Beat It, Beat It, Beat It No One Wants To Be Defeated Showin' How Funky Strong Is Your Fighter It Doesn't Matter Who's Wrong Or Who's Right Just Beat It, Beat It, Beat It, Beat It No One Wants To Be Defeated Showin' How Funky Strong Is Your Fighter It Doesn't Matter Who's Wrong Or Right Just Beat It, Beat It, Beat It, Beat It No One Wants To Be Defeated Showin' How Funky Strong Is Your Fighter It Doesn't Matter Who's Wrong Or Right Just Beat It, Beat It Beat It, Beat It, Beat It

They告诉他不您来周围 Do不想要看您的面孔，您更好消失在他们的眼睛的The火的和他们的词是真正地清楚 So敲打它，打了它 You改善奔跑，您改善做什么您能 Do不想要看血液，不是一强壮男子的人 You想要是坚韧的，更好做什么您能 So敲打它，但是您想要是坏的 Just敲打它，打了它，打了它，打了它没人想要被击败 Showin质朴强怎么是您的战斗机 It不重要谁是错误或不错 Just敲打它，打了它 Just敲打它，打了它 Just敲打它，打了它 Just敲打它，打了它 They是得到您，更好的事假，当您能时Do不想要是男孩，您想要是一个人 You想要停留活，更好做什么您能 So敲打它，打了它 You必须表示他们，您真正地不是害怕的 You是与您的生活的Playin，这不是没有真相或胆敢 They将踢您，然后他们打您， Then他们将告诉您它是公平的 So敲打它，但是您想要是坏的 Just敲打它，打了它，打了它，打了它没人想要被击败 Showin质朴强怎么是您的战斗机 It不重要谁是错误或不错 Just敲打它，打了它，打了它，打了它没人想要被击败 Showin质朴强怎么是您的战斗机 It不重要谁是错误或不错 Just敲打它，打了它，打了它，打了它，打了它 Beat它，打了它，打了它，打了它没人想要被击败 Showin质朴强怎么是您的战斗机 It不重要谁是错误或不错 Just敲打它，打了它，打了它，打了它没人想要被击败 Showin质朴强怎么是您的战斗机 It不重要谁是错误的或谁是不错 Just敲打它，打了它，打了它，打了它没人想要被击败 Showin质朴强怎么是您的战斗机 It不重要谁是错误或不错 Just敲打它，打了它，打了它，打了它没人想要被击败 Showin质朴强怎么是您的战斗机 It不重要谁是错误或不错 Just敲打它，打了它 Beat它，打了它，打了它

Based on the mood, a sentence can be a declarative sentence, an interrogative sentence, an imperative sentence or an interjectional sentence.

eg。 在这个领域，他是专家。

From sentence style points of view, closed to specific context, interrogative sentence, negative sentence and ellipsis sentence, as well as the subaudition of the three kinds of sentence.

本文从句式角度，紧密结合具体的语境，探讨了日语的间接言语行为与疑问句、否定句、省略句的关系及三种句式能够间接表达的言外之意。

This thesis presents the preliminary study of the influence of sentence stress on prosodic features in Mandarin, and of the relationship between duration and pitch under different sentence stress levels. The results show that: The pitch is the most important factor which carries the sentence stress, with the increase of the sentence stress level, the peak of distribution contour of pitch moves towards high frequency area. In the case of"Stress"and"Light", two peaks are found in the distribution contour of duration, which means that the duration of some words are affected by sentence stress, but of others are not. The relationship between pitch and duration in"Normal","Stress"and"Light" are un-correlated, positive correlation and negative correlation respectively.

研究了汉语语句重音对音长和音高的影响、及音长和音高之间的相互关系，结果指出：（1）音高是汉语语句重音的基本表达手段，随着语句重音级别的提高，音高的统计分布曲线向高频方向推移；（2）在连续语流中的词被&重读&和&轻读&的情况下，音长分布出现双峰，表示它们的音长存在着受语句重音的影响和不受语句重音的影响两种情况；（3）词在&正常&、&重读&和&轻读&三种情况下，音高和音长的相互关系分别是：不相关、负相关和正相关。

The results of the statistic analysis are as follows: 1 The intonation of interrogative sentence is expressed by the change of the pitch of the whole sentence rather than by the sentence final pitch alone; 2 The highest and lowest point of the tone nucleus and sentence final intonation in different interrogative sentences are higher than those of the declarative sentences; 3The difference between the questions in declarative word order and declarative sentence is larger than that between the other kinds of questions i.e.

统计分析的结果表明：(1)疑问语调不是仅仅由句末的音高来表现的，而是通过整句话的音高变化来实现的。(2)与陈述句相比，各种疑问句在语调上的共同特点是调核的调域和句末的调域都较高。(3)不带疑问结构的疑问句因为语调为其唯一的疑问标记，所以与陈述句的差异比带疑问词或疑问句法结构的疑问句与陈述句的差异更大。

English sentence composite long sentence for sentence, followed by the attributive noun phrase or clause, as well as the first sentence of the verb or the back of the adverbial phrase or clause as modified ingredients, these ingredients can be modified once a one of a set.

而英语句长句多为复合句，由名词后面的定语短语或从句，以及动词后面或句首的状语短语或从句作修饰成份，这些修饰成份可以一个套一个连用。

After research we can find that: firstly, a great number of predicate-word phrases can act as the adnex of the verb-complement structure; secondly, almost all the verbal phrases and adjectival phrases can act as complement, and other phrases like adverbs, noun, quantifier phrases, some prepositional phrases and subject-predicate phrases, even compound sentence can act as complement too;thirdiy, there are six kinds of verb-complement structures in the novel;fourthly, the verb-complement structures can act as subject, predicate, object, attribute, adverbial modifier, complement in a sentence and other phrases component, even can be a sentence by itself; fifthly, the semantic connection between complement and other components in the sentence is very abundance and complex;sixthly, some special verb-complement structures in the Dream of the Red Chamber show the characteristic of transitional language.This thesis is divided into five parts:Part 1: Preface.

通过研究我们可以发现：首先，大多数的谓词性词语在《红楼梦》中都可以充当述补结构的述语；其次，几乎所有的动词性词语和形容词性词语都可以充当补语，少数副词和名词性词语也可以做补语，数量短语、介宾短语、主谓结构和复句也可以做补语；第三，述补结构的类型按中间的助词标记可以分为没有助词的，有&得/的&的，有&个&的，有&着&的，有&将&的和有&到&的六种；第四，述补结构可以充当主语、谓语、宾语、定语、状语、补语以及各种成分内部的组成成分，还可以单独成句，其语法功能非常丰富；第五，补语的语义指向是多方面的，语义内容非常复杂；第六，几种特殊的述补结构说明了《红楼梦》的述补结构带有过渡时期的特点。

The production moved off-Broadway to New York City, where she won the Joseph E. Calloway award for her performance, and was profiled in American Theater Magazine as one of ten young theater artists to watch.

生产提出过百老汇的新的纽约市，在那里她赢得了约瑟夫calloway奖，她的表现，并于异型在美国的战区杂志之一， 10战区的青年艺术家观赏。

It's a risk tradeoff, and I believe that adding test support code usually wins.

这是一个风险的权衡，我相信添加测试代码通常会占上风。