查询词典 grace

The fact that it extends the metric value of the bass is no cause for alarm; this effect may be exactly what the composer intended and the reason he uses the grace note.

事实上，延长了低音的音长并没有引起恐慌；这些音乐效果证明，作曲家的意图和运用倚音的理由是正确的。

As a matter of fact, the grace note must be played considerably softer than the main note, and, even more important, the main note must be held for its full metric duration.

事实上，倚音比主音演奏地一定很柔和，更主要的是，主音一定持续了它自己全部的音长。

I can observe her without her knowing,and this gives me pleasure;for it is as in a moving picture that I can note the grace of her gesture,whether she raises a glass of wine to her lips or turns with a remark to one of her neighbours or takes a cigarette from her case with those slender fingers.

我能在她毫无察觉的情况下仔细打量她。就象在电影里一样，她那优雅的动作，不论是把一杯果酒举到唇边，或是侧头于邻座谈话，还是用纤细的手指从烟盒里拿烟，我都看得真真切切。这使我感到愉快。

I can observe her without her knowing, and this gives me pleasure, for it is as in a moving picture that I can note the grace of her gestures, whether she raises a glass of wine to her lips or turns with a remark to one of her neighbours or takes a cigarette from her case with those slender fingers.

我可以观察她而不让她发觉，这使我觉得开心，因为我可以像看电影一样地欣赏她优雅的动作，不论是举杯送到唇边，还是扭头与邻座交谈，抑或是用她那纤细的手指从烟盒中夹取香烟的动作。

The notation of the first type of grace note varies greatly; in Baroque and Classical music some of these notes are slashed to indicate that they are short, while those without a slash are held to their full printed value-sometimes even longer.

第一种类型的装饰音的注释变化极大；在巴洛克式和古典乐时期，这些音符中一部分被猛烈地削减直到它们标明地很简短，而没被削减的音符则要按它们全部印刷的长度发声－有时甚至时间更长些。

But it is also necessary that the grace note not disturb the melodic flow, and the main note should certainly not be cheated of its full metric value, especially since it is considered important enough to merit the adding of an ornamental tone.

但它同样要求装饰音不能干扰主旋律的涌出，而且主音的音值长度绝不能缩短，特别是当它认为增加一装饰音的音调特别重要时，主音的音长更不能缩短。

Through classifying and summing up the five aspects of technical issues of melody levels, octave, scale, sound jumping and tone repeating, analyzing the six main aspects of the singing control of melody, levels of vocal parts, dynamics and changes of tone color, performance of grace note, application of pedal, and the handling of rhythm, this article analyzes the main points of performance, thereby elaborates the teaching value of the eight impromptus embodied.

通过对八首即兴曲的旋律层次、八度、音阶、跳音、重复音五个方面的技术课题进行了分类、归纳；从旋律歌唱的把握、声部线条的层次、力度与音色变化、装饰音的弹奏、踏板的应用、节奏的处理六大方面分析演奏的要点，并进一步阐述八首即兴曲在教学中的价值体现。

Traditional Mongolian method of simging has the characteristics that the diapason is wide,the grace note is strong,the integration of true and falsetto is natural,the place of phonate and place of speech is inosculating,the timber is pure and full of peretrability.There are many terms in it and it has its own way and theory of training.

蒙古族传统歌唱法具有音域宽、装饰性强、真假声结合自如、发声位置与语音位置相吻合、音色纯净、音质饱满、富于穿透力等特征，并形成了诸多专业术语和自成体系的声音训练与发声理论。

Through the eleven technical types of Czerny's music tudes : 1. five fingers , 2. the thumb , 3. double tone , 4. octave , 5. chord , 6. grace note , 7. finger spreading , 8. duplicate tone , 9. rhythm , 10. legato and exercise in the nature of singing , 11. comprehensive technical exercises , the essay analyses the four major characteristics of Czerny's music tudes —— systematism , proper ordering , specialization , clear aiming .

从车尔尼练习曲的十一种主要技术类型：1、五指；2、拇指；3、双音；4、八度；5、和弦；6、装饰音；7、指间扩张；8、单音、八度、和弦的同位重复；9、节奏；10、连奏及歌唱性练习；11、综合各类技术练习，分析了体现在车尔尼练习曲中的系统性、循序性、专门性、针对性四大特性。

You will also need to know if you are protected by the policy's grace period.

你还需要知道，如果你受到保护政策的宽限期。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。