查询词典 got on

This thesis discusses the realization of the picture processing function of later phase in the process of PACS development. Basing on traditional digital image processing and according to the characters of medical images, we design the Mark Boff Chain edge detection algorithm basing on the distributing model of image grade scene, and has got good effect in the practical experiments; as to the system development, we design customizable DICOM standard analyzer, and use the trigger mechanism Callback to improve the analysis speed ,and adopt the system structure basing on the standard interface to reduce the modules coupling degree, and strengthen the stability of the system.

本文在PACS系统开发过程中，对其影像后期处理功能的实现进行了探索，在传统数字图像处理的基础上，根据医学图像自身所具有特点，设计出了基于图像梯度场分布模型的马尔可夫链边缘检测算法，并在实际测试中取得较好效果；在系统开发方面，设计出了可定制化的DICOM标准解析器，应用CallBack触发机制来提高解析速度，采用基于标准接口的系统架构体系降低了组件耦合度，增强了系统的稳定性。

I now began to consider, that I might yet get a great many Things out of the Ship, which would be useful to me, and particularly some of the Rigging, and Sails, and such other Things as might come to Land, and I resolv'd to make another Voyage on Board the Vessel, if possible; and as I knew that the first Storm that blew must necessarily break her all in Pieces, I resolv'd to set all other Things apart, 'till I got every Thing out of the Ship that I could get; then I call'd a Council, that is to say, in my Thoughts, whether I should take back the Raft, but this appear'd impracticable; so I resolv'd to go as before, when the Tide was down, and I did so, only that I stripp'd before I went from my Hut, having nothing on but a Chequer'd Shirt, and a Pair of Linnen Drawers, and a Pair of Pumps* on my Feet.

这时我想到，船上还有许多有用的东西，尤其是那些绳索，帆布以及许多其他东西都可以搬上岸来。我决定只要可能，就再上船去一次。我知道，要是再刮大风暴，船就会彻底毁了。因此，我决定别的事以后再说，先把船上能搬下来的东西通通搬下来。这么一想，我就琢磨再次上船的办法。看来，再把大木排撑回去是不可能了。所以，我只好等潮水退后，像上次那样泅水过去。决心一下，我就立即付诸实施。不过，在我走出木屋之前，先脱掉衣服，只穿一件衬衫、一条短裤和一双薄底鞋。

We can see that among works of Fu Xinmin, ink images all without exception with thought, feel.In his language which is imbued with individual characters, image symbols with his own subtle, fuzzy , hazy and dim sense and harmonious, quiet atmosphere fully behave as soul, on the one hand carry on the extension of space and realm from particular meaning, on the other hand has got one gracefully, consummately, do not lose the feeling of the modern sense.

我们看到，在傅新民的作品中，水墨意象无不与思想、感觉相维系，在他的富于个性的语言中，意象作为心灵符号用自身的氤氲性、含蓄性、模糊性和朦胧感以及和谐、宁静的氛围得到充分表现，一方面从特定意义上进行空间和境界的延伸，一方面则获得了一种优雅的、精湛的，又不失现代感的感觉。

So one time I got your creel case open the night before you went on one a your little trips -- price tag still on it after five years -- and I tied a note on the end of the line.

于是，在你又要出去钓鱼的前一天晚上，我打开了你的鱼篮子。五年前的价格签还在那儿挂着呢。

When the place couldn't hold no more, the duke he quit tending door and went around the back way and come on to the stage and stood up before the curtain and made a little speech, and praised up this tragedy, and said it was the most thrillingest one that ever was; and so he went on abragging about the tragedy, and about Edmund Kean the Elder, which was to play the main principal part in it; and at last when he'd got everybody's expectations up high enough, he rolled up the curtain, and the next minute the king come a-prancing out on all fours, naked; and he was painted all over, ringstreaked-and-striped, all sorts of colors, as splendid as a rainbow.

等到场子里再也容不下更多的人了，公爵从入口处走开，绕到场后，走到了台口，站在幕布前面，作了一个小小的演说。他对这次演的悲剧大大夸奖了一番，称作从来戏剧里最为惊心动魄的戏。他大吹大擂地把这个悲剧介绍了一番。还替老埃特蒙·基恩吹嘘了一通，说他要演剧中的主角。最后，当他把观众的胃口吊足的时候，他把幕布向上一拉。一会儿，但见国王全身一丝不挂，四肢着地，蹦上场来。他全身涂着红红绿绿的各种颜色，一圈一圈的条纹，就象天上彩虹那么色彩鲜艳。

Hindley hurried up from his paradise on the hearth, and seizing one of us by the collar, and the other by the arm, hurled both into the back－kitchen; where, Joseph asseverated, I reached this book, and a pot of ink from a shelf, and pushed the house－door ajar to give me light, and I have got the time on with writing for twenty minutes; but my companion is impatient, and proposes that we should appropriate the dairywoman's cloak, and have a scamper on the moors, under its shelter.

欣德利从他壁炉前的天堂急匆匆的走来，提起我们中的一个的领子，抓住另一个的膀子，用力扔到厨房后面。而约瑟夫断言，撒旦会来这里抓我们的，就如同我们活着一样确定。于是，作为安慰，我们各自找一个隐蔽的地方等待他的到来。我拿起这本书，从书架上拿下一瓶墨水，并把房门微微，让亮光照进来，并写了大概20分钟，而我的同伴就没有耐心了。他建议我们偷走牛奶场女工的斗篷，并在它的庇护下在荒地上狂奔。

Set f-number on 7,0, shutter speed on 45, and film speed on 50. And here we got.

把焦距设置成7.0，快门调到45，还有胶片速度50，在看一下。

Rainy season doesn't last for more than two months, but the rain is a constant visitor, and the island is in intimate terms with the rain - despite not so willingly by most of the residents inhabiting here, the exterior of buildings on the island bear the print of rain, a blackish and moldy look, it adds on the face of the city a nostalgic feeling, as if you are looking at a photo in an old postcard - this is especially apparent in Taipei, I was there two weeks ago, when I got the first glimpse of the city on a train, that color on buildings out of the window brought back all my memory and fantasy that I'd ever had of the city, a feeling that could bring tears.

雨季不超过两个月，而居民们不情愿雨的经常造访，可是其它时候雨水仍不期而至。它与岛屿的关系如此亲密，使得岛上建筑的外观带着雨的印记，那是一种发黑的霉的颜色，把城市染上怀旧的奇异色彩，像旧明信片。我再度穿行于城市里，对过去的回忆与曾经有过的一切想像刹时涌现心头，觉得泫然欲泣。

TIE A YELLOW RIBBON ROUND THE OLE OAK TREE I'm coming home I've done my time Now I've got to know what is and isn't mine If you received my letter telling you I'd soon be free Then you'll know just what to do if you still want me If you still want me Oh tie a yellow ribbon round the ole oak tree It's been three long years do you still want me If I don't see a ribbon round the ole oak tree I'll stay on the bus forget about us put the blame on me If I don't see a yellow ribbon round the ole oak tree Bus driver please look for me 'Cause I couldn't bear to see what I might see I'm really still in prison and my love she holds the key A simple yellow ribbon's what I need to set me free I wrote and tell her please Oh tie a yellow ribbon round the ole oak tree It's been three long years do you still want me If I don't see a ribbon round the ole oak tree I'll stay on the bus forget about us put the blame on me If I don't see a yellow ribbon round the ole oak tree Now the whole damn bus is cheering And I can't believe I see A hundred yellow ribbons round the ole oak tree I'm coming home

原来他刚从监狱出来，释放前曾写信给妻子：如果她已另有归宿，他也不责怪她；如果她还爱着他，愿意他回去，就在镇口的老橡树上系一根黄丝带；如果没有黄丝带，他就会随车而去，永远不会去打扰她……汽车快到目的地了，远远望去，镇口的老橡树上挂了几十上百条黄丝带，车上的乘客都欢呼起来。

Nobody loves you when you're down and out [00:18.29]Nobody sees you when you're on cloud nine [00:26.92]Everybody's hustlin' for a buck and a dime [00:35.16]I'll scratch your back and you scratch mine [00:44.54]I've been across to the other side [00:52.89]I've shown you everything, i got nothing to hide [01:01.46]And still you ask me do i love you, what it is, what it is [01:11.71]All i can tell you is it's all show biz [01:19.34]All i can tell you is it's all show biz [01:32.64]Nobody loves you when you're down and out [01:41.31]Nobody knows you when you're on cloud nine [01:49.88]Everybody's hustlin' for a buck and a dime [01:58.67]I'll scratch your back and you knife mine [02:07.40]I've been across the water now so many times [02:16.16]I've seen the one eyed witchdoctor leading the blind [02:24.87]And still you ask me do i love you, what you say, what you say [02:33.11]Everytime i put my finger on it, it slips away [02:41.46]Everytime i put my finger on it, it slips away [03:26.88]Well i get up in the morning and i'm looking in the mirror to see, ooo wee!

当你落魄潦倒的时候，没有人爱你 [00：18.29] 当你是在云九上的时候，没有人看见你 [00：26.92] 每个人 hustlin'为一块钱和一个一角硬币我将擦你的背面和你擦伤的我的 [00：44.54] 我有是横过到另一边我有显示你每件事物的， i 什麽也不得到到兽皮我做 i 的你问和剧照爱你，它是什么，它是什么所有的 i 能告诉你的是它所有的是演艺事业所有的 i 能告诉你的是它所有的是演艺事业 [01：32.64] 当你落魄潦倒的时候，没有人爱你 [01：41.31] 当你是在云九上的时候，没有人认识你 [01：49.88] 每个人 hustlin'为一块钱和一个一角硬币我将擦你的背面和你刀的我的 [02：07.40] 我有是横过水现在如此许多次 [02：16.16] 我有看眼的 witchdoctor 领先盲人我做 i 的你问和剧照爱你，你说的事情，你说什么 Everytime i 把我的手指放在～上它，它滑倒离开 Everytime i 把我的手指放在～上它，它滑倒离开好的 i 在早晨起床的和我正在顺便探访镜子看见， ooo 很小的！

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。