查询词典 good works

This paper mainly studies on people Jui-Tu neglected to look further into these questions.:one, through the works of Zhang Rui Figure comprehensive carding, so can their have a comprehensive understanding; 2, the morphological changes from the works start, to explore its origins calligraphy; 3, through their works shall know Handscroll analysis to help determine without the banners section in the approximate age of the work; 4 of their book to learn the concept of analysis, in order to more clearly understand the formation process of calligraphy styles. 5. Allograph home and at the same time learn the concept of the book, we can know that the formation of personality style and its concept of an independent study of the book is closely related to, but also deepen their understanding of the law of Zhang Rui.'s calligraphy.

本文主要就人们研究张瑞图时所忽略的一些问题做进一步的探讨：1、通过对张瑞图作品的全面梳理，以求能对其有一个全面的认识；2、从其作品的形态变化入手，探寻其书法的渊源，并尝试对其书法上一个很长的空白期进行探索；3、通过对其手卷作品进行款识分析，以帮助对无年款的条幅作品进行断代；4、对其书法观念进行论述，以求更清晰地理解其书法风格的形成；5、与同时代书家书法观念的比较，可以知道个性风格的形成与其独立的书学观念密切相关，更能加深对张瑞图书法的理解。

Copyright law uses the economic remuneration in market to promote the creation and transmission of new works. That is, it can provide authors with returns in market economy by conferring exclusive rights to them as to created works, which will bestir them to create new works.

著作权法使用市场的经济酬报来激励新作品的创作和传播，即著作权法通过赋予作者或其他著作权人对被创作出来的作品的专有权，为作者提供市场经济上的回报，这将激励他们创作新的作品。

Copyright law uses the economic remuneration in market to promote the creation andtransmssion of new works. That is, it can provide authors with returns in market economy by coferring exclusive rightsto them as to created works, which will bestir them to create new works.

著作权法使用市场的经济酬报来激励新作品的创作和传播，即著作权法通过赋予作者或其他著作权人对被创作出来的作品的专有权，为作者提供市场经济上的回报，这将激励他们创作新的作品。

His works span the spectrum from innovative solo works to large-scale opera-house productions, and include such acclaimed works as Between Two Fires (1982), The Race (1992), The Dark Forest (1993), A Long Undressing (1997), Jerusalem (1999), Les Noces (1995) and last year's TENT.

他的作品广泛，从独舞创新作品到大型歌剧院作品，编有众多知名作品，如《两火之间》（1982年）、《种族》（1992年）、《黑暗森林》（1993年）、《漫长的解衣》（1997年）、《耶路撒冷》（1999年）、《女同性恋的婚礼》（1995年）和去年的《露营》等等。

They teach that we are justified not by works only , but they conjoin faith and works , and say that we are justified by faith and works .

他们教导我们有理由而不是由工程只，但他们 conjoin 信仰和工程，并说我们是合理的信仰和工程。

They teach that we are justified not by works only, but they conjoin faith and works, and say that we are justified by faith and works.

他们教导我们有理由不能只，但他们conjoin诚意和作品，说我们是有道理的诚意和作品。

Chen Ying-zhen's works have been reputed as "a banner in the local literature of Taiwan".With peculiar traits,his early works are universally tinted with the sentiments of strong sentimentality,dejectedness and self-pity.In his works Chen Ying-zhen has displayed much compassion over the fate of both the urban intellectuals and insignificant persons at the bottom of society.

陈映真的创作被誉为"台湾乡土文学的一面旗帜"，他的早期创作特点十分突出，普遍带有浓郁的感伤、苦闷和自怜的情绪，无论是对于市镇知识分子还是社会最底层的小人物的命运，陈映真都充满了深刻的悲悯情怀。

The right of divulgation in the internet, means that an author has the right to determinate whether to issue his works publicly by means of the internet, and also may comprehend one kind of static fight that the right man owns by law,but the fight of transmission in the internet is a right that the author and related right men carl enjoy with cable or wireless means to supply their works to the public,causes the public to obtain the works in the fixed time and site.such reflection is the actual condition the authors had achieved the right of divulgation.

网络发表权是指作者决定是否将其作品通过网络公之于众的权利，所反映的是一种待实现状态，也可以理解为是权利人依法享有的一种静态性权利；而网络传输权是指著作权及相关权利人享有以有线或者无线方式向公众提供作品，使公众可以在其个人选定的时间和地点获得作品的权利，其反映的是作者实现发表权的现实状态。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xu's works, spur his works to enter audience's habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artist's conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesn't stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xus works, spur his works to enter audiences habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artists conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesnt stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

Listen,point and check your answers.

听，指出并且检查你的答案。

Warming needle is one of effective treatment methods for knee arthralgia aggravated by cold,and it is simple,safety,so it should be developed in clinical acupuncture and moxibustion extensively.

但以本院科针灸门诊在2005年1月—2006年6月期间共收治膝痛患者100余例，经过临床的诊断后，其中施以温针治疗的48例，疗效显著，报道如下。1临床资料本组病例48