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It quick at a side see rise, also picked up a shuttlecock to kick to get up, a carelessly, kick a branch, the shuttlecock be inclined to fly to go out to see will fall to the ground, Wang2 Yu4 Lian2 display light achievement, inclined inside on put, the right foot saved a shuttlecock to get up, left foot again put effort to kick a shuttlecock toward the quick son, oneself of shuttlecock is by this time at the right moment quick fall in, his right foot is also steady be be of connected up.

之敏在一旁看得兴起，也拿起一个毽子踢了起来，一不小心，踢岔了，毽子斜飞出去眼看就要落地，王玉连施展轻功，斜里一插，右脚把毽子救了起来，左脚再使力把毽子踢向敏儿，自己的毽子这时候正好快落下，他的右脚也稳当当的接了上去。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

MOORE: Lookit's hard to tell, I can only go on the stated reasons that the producers havecommunicated to me in the form of an email communication and they set out veryclearly that it's all in relation to the documentary about the Uighar ethniccommunity in the western provinces of Chinaand the documentary is about Rebiya Kadeer and I think the fact that she willbe here live in Australiahas probably added insult to injury.

我只能说阐述的理由是，这几位电影制作者是通过电子邮件的方式和我沟通，他们很清楚地说明，他们的决定就是由于那部有关中国西部省份维吾尔族聚集区的纪录片，那部纪录片讲述了热比娅的故事，我认为她要来澳大利亚出席该仪式这件事可能火上浇油。

But now, when, as I have said, I began to beweary of the fruitless excursion which I had made so long and sofar every morning in vain, so my opinion of the action itself beganto alter; and I began, with cooler and calmer thoughts, to considerwhat I was going to engage in; what authority or call I had topretend to be judge and executioner upon these men as criminals,whom Heaven had thought fit for so many ages to suffer unpunishedto go on, and to be as it were the executioners of His judgmentsone upon another; how far these people were offenders against me,and what right I had to engage in the quarrel of that blood whichthey shed promiscuously upon one another.

星期五在小船上打死打伤的那五个，情形也一样。他们中有三个确实是受了伤倒下的，另外两个却是吓昏了倒下的。这时候，我手上仍拿着一支枪，但我没有开枪，因为我已把手枪和腰刀给了那西班牙人，手里得留一支装好弹药的枪，以防万一。我把星期五叫过来，吩咐他赶快跑到我们第一次放枪的那棵大树边，把那几支枪拿过来。他一下子就取回来了。于是我把自己的短枪交给他，自己坐下来给所有的枪再次装上弹药，并告诉他需要用枪时随时可来龋正当我在装弹药时，忽然发现那个西班牙人正和一个野人扭作一团，打得不可开交。那个野人手里拿着一把木头刀跟西班牙人拼杀。

Dusty cleared the rise in an awkward leap. Jack started to slip out of the saddle. He let go of the reins and tried to hold on to the saddle horn, but his weight pulled him down. He closed his eyes as he fell to the ground.

大灰马在山道上奔跑跳跃，杰克的身体开始从马鞍向下滑，他松了松缰绳，试着不让自己从马鞍上滑下去，但是他的体重还是把他向下坠，当他掉到地上的时候，他闭上了眼睛。

Another thing that I liked to do is to go on Tuesdays to the Scrounge coffee shop, to see the shows.

我还很喜欢在星期二到"搜寻"咖啡店里看表演。

On the other hand, an innocent person wanted to stick to the previous topic and no matter how you would bring him/her to the new topic, he/she will still have time to make a segue and go back to the previous topic!

另一方面，一个诚实的人想继续前一个话题，无论你用什么方式使他/她进入一个新话题，他/她仍然有时间回到前一个话题！

We could go on quoting these voices and still find lots of different and uniquely valid approaches in this discourse, but I will close the post with a personal insight that seems inspiring to me: I am glad to live in these times where it's finally possible to freely manifest inner feelings, even if they will sound spacey and weird to my neighbor.

我们会持续引述这些声音，并继续寻找在这场论述中，各种有独特效果的管道。但在这里我将先用我个人觉得很有启发的领悟结束这篇贴文：我很高兴我生活在这样的年代中，一个终於可以表达内在感受的时代，即使对我的邻居们而言这些感受听起来很刺耳与古怪。

Chapter3, first of all, sums up the theories concerning about ideology control since the founding of People's republic and clarifies the disputes between various theories. It holds the point that the attitude to trivialize or overemphasize is wrong , neither of which is advisable. On the issue of ideology control,both the extreme and conservative ways should be abandoned. Instead, we should stick to the principle of moderation, which requires us neither to go back to the old way of class struggle nor to exaggerate the pursuit of democracy and freedom.

第三章首先总结了我国建国以来有关的意识形态控制理论，并对我国建国以来有关意识形态控制问题的争论加以澄清，认为对意识形态问题的一味的"淡化"和"强化"态度都是不可取的，是错误的，进行意识形态控制，不能偏左也不能偏右，不能过激也不能保守，控制要把握住"度"，既不能回到阶级斗争的老路上去，也不能夸大对民主、自由的追求。

On the supposition that she would go down to see him, Princess Marya imagined the words he would say to her, and she would say to him; and at one moment, those words seemed to her undeservedly frigid, at the next, they struck her as carrying too much meaning.

在假定她会走到客厅去见他时，她设想着他会对她说的话和她要告诉他的话；时而她觉得这些话冷淡得不适当，时而又觉得这些话含有过分重大的意义。

For a big chunk of credit-card losses; the number of filings (and thus charge-off rates) would be rising again, whether

年美国个人破产法的一个改动使得破产登记急速下降，而后引起了信用卡大规模的亏损。

Eph. 4:23 And that you be renewed in the spirit of your mind

弗四23 而在你们心思的灵里得以更新