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Bergson makes a thorough analysis to the comedy produce——"smile" and "farcicality" from the point of social activities and mental idea and etc. He thinks that leading a life to machine appearance is the basic reason of "smile" or "farcicality"——the purpose of "smile" is rectification, and as a the kind of social means it still has the function in castigation,"farcicality" is attributed to man, who lacks go-aheadism is similar to things and it can constituted the main factor comedy result. So, in Bergsons view, the essence of comedic taste can comprehend a consciousness which the true estate of life falls into mechanize appearance in the space by chance.

柏氏主要从社会生活和心理表象等方面对喜剧所产生的效果——"笑"和"滑稽"作了细致深入的分析，他认为把生活导引到机械状态是"笑"或"滑稽"的根本原因，"笑"的目的是纠正，作为一种社会手段它还具有制裁作用，"滑稽"是属人的，人的缺乏能动性和主动性的僵硬与物类似的性质构成了喜剧效果的要素，所以，在柏格森看来，喜剧的审美本质可以理解为人的生命本真状态对偶然落入的空间化或机械化状态的意识。

Drawing on a panoramic clothing of sources, from Sunday-school textbooks and favourite exhibitions to centime magazines and soldiers diaries, the aggregation demonstrates how the orientalist handle functions--or, to be more precise, malfunctions--in those favourite ethnic spheres that are so markedly abstracted from prince Saids work: it is exclusive by exploring sources that go beyond the highbrow, the academic, or the official, that we crapper begin to apprehension the restricted nowness of the orientalist handle in the metropolitan center, and the assorted meanings it could stop for assorted ethnic groups.

借鉴了来源广泛的主日学校的教科书和流行展览，将一分钱杂志和士兵的日记，书演示如何在东方话语的功能-或者，更准确地说，在这些故障流行文化领域-这如此显着从萨义德的上班：这只是通过探索源超越曲高和寡去，学术，企业或官员，我们可以开始掌握在都市中心东方话语有限的货币，不同的含义它可容纳不同的社会群体。

Chace recently addressed his relatively newfound popularity: In terms of being famous, it did go from 0-60 in pretty much no time at all but you learn to deal with it.

Chace最近对他现在受欢迎的状况作了评价：成名后，可能在0到60岁之间都不会有什么自己的时间了，但你需要去学会解决他。。

It is needless to say that Vans sneakers and the checkerboard pattern go hand-in-hand; one of their most basic and popular designs, it seems as if almost everyone has a pair.

这是不用说，轻型客货车的运动鞋和棋盘格局去手；之一，其最基本和最流行的设计，好像如果几乎每个人都有一对。

I like it because I can go outside to play. If it rains, I can stay inside and play checkers.

我喜欢暑假是因为我可以外出玩耍；要是下雨，我就可以在室内下棋。

J: No, it is the last time, it'd be nice to go drinking somewhere classy.

不，这是最后一次，找一家格调高雅的地方去畅饮吧！

It's like smoking. It's not a good idea to suddenly go cold turkey.

就像抽烟上瘾一样，一下子戒掉烟瘾是难以让人接受的。

At last,I want to say that Conan is a terrific cartoon.I hope everyone go to see it and love it as me.

最后，我想说，柯南是一部不错的动漫，我希望每个人都能像我一样地喜欢它。

It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness. Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex. Because of the southern Americans special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life.

第二章从福克纳创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所。

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方(来源：A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。