查询词典 full-faced

Nature is full of genius, full of the divinity; so that not a snowflake escapes its fashioning hand.

大自然充满了天才，充满了神，因此，这不是一个逃跑的雪花形成的手。

Nature is full of genius, full of the divinity; so that not a snowflake escapes its fashioning hand.

大自然充满了天才，完全是神，所以这不是一个逃跑的雪花形成的手。

So full, so full, are the hope of germinating, are pale green forget themselves for many years.

那么满，那么满，都是萌动的希望，都是相忘多年的淡淡的绿。

Picture this: The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust.

想象这样一幅画面：春风中混杂着空气与泥土的芬芳，土壤被温暖的阳光渗透，阳光中飘满了红色的尘埃。

Picture this :The air and the earth interpenetrated in the warm gusts of spring;the soil was full of sunlight ,and the sunlight full of red dust.

想象这样一副图景：温暖的春风弥漫这泥土的气息，阳光照射着每一寸土壤，土壤把阳光染成深红色。

Picture this: The air and the earth interpenetrated in the warm gusts of spring;the soil was full of sunlight, and the sunlight full of red dust.

想像这样一幅图景：温暖的春风弥漫着泥土的气息，阳光照射着每一寸土壤，土壤把阳光染成深红色。

Picture this: The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust.

想象这样一幅图景：温暖的春风弥漫着泥土的气息，阳光照射着每一寸土壤，土壤把阳光染成深红色。

The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust.

温暖的春风弥漫着泥土的气息，阳光照射着每一寸土壤，土壤把阳光染成深红色。

Picture this: The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust.

每个春天都是想象这样一幅图景：温暖的春风弥漫着泥土的气息，阳光照射着每一寸土壤，土壤把阳光染成深红色。

Picture this: The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust.

每个春天都是想象这样一幅图景：温暖的春风弥漫著泥土的气息，阳光照射著每一寸土壤，土壤把阳光染成深红色。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。