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Throughout misan zhao a hollywood movie-style romance and aestheticism, full of warmth and hope, along the idea of the film, it seems that no matter how happy we are close to a miracle will have occurred, let us wait for a romantic embrace of a miracle, or wait for the arrival of well-being of love, waiting for that a direct hit from cupids arrows of our hearts, falling in love, and never returned to cape side.

影片自始至终都弥散着一种好莱坞式的浪漫和唯美，充满着温馨与希望，沿着电影的思路，似乎我们身边不管是怎样幸福的奇迹都将会发生，让我们怀抱着一颗等待浪漫奇迹、或者说是等待幸福爱情的降临，等待那一支来自丘比特的箭直接命中我们的红心，堕入爱河，永不回到海角边。

Had I continued in the Station I was now in, I had room for all the happy things to have yet befallen me, for which my Father so earnestly recommended a quiet retired Life, and of which he had so sensibly describ'd the middle Station of Life to be full of; but other things attended me, and I was still to be the wilful Agent of all my own Miseries; and particularly to encrease my Fault and double the Reflections upon my self, which in my future Sorrows I should have leisure to make; all these Miscarriages were procured by my apparent obstinate adhering to my foolish inclination of wandring abroad and pursuing that Inclination, in contradiction to the clearest Views of doing my self good in a fair and plain pursuit of those Prospects and those measures of Life, which Nature and Providence concurred to present me with, and to make my Duty.

我若能长此安居乐业下去，生活必然会无比幸福。正是为了能获得这些幸福，我父亲曾竭力规劝我过一种安份守己的平静生活；而且，他告诉我，只有中间地位的生活，才享有种种幸福。他的看法确实是通情达理、切合实际的。然而，冥冥中另一种命运在等待着我。我自己一手造成了自己的不幸，增加了自己的过错，使我后来回想起来倍加悔恨。我后来遭遇的种种灾难都是由于我执迷不悟，坚持我遨游世界的愚蠢愿望，并刻意去实现这种愿望。结果，我违背了大自然与造物主的意愿和自己的天职，放弃用通常正当的手段追求幸福的生活，以致给自己造成无穷的危害。

Had I continued in the Station I was now in, I had room for all the happy things to have yet befallen me, for which my Father so earnestly recommended a quiet retired Life, and of which he had so sensibly describ'd the middle Station of Life to be full of; but other things attended me, and I was still to be the wilful Agent of all my own Miseries; and particularly to encrease my Fault and double the Reflections upon my self, which in my future Sorrows I should have leisure to make; all these Miscarriages were pro by my apparent obstinate adhering to my foolish inclination of wandring abroad and pursuing that Inclination, in contradiction to the clearest Views of doing my self good in a fair and plain pursuit of those Prospects and those measures of Life, which Nature and Providence concurred to present me with, and to make my Duty.

我若能长此安居乐业下去，生活必然会无比幸福。正是为了能获得这些幸福，我父亲曾竭力规劝我过一种安份守己的平静生活；而且，他告诉我，只有中间地位的生活，才享有种种幸福。他的看法确实是通情达理、切合实际的。然而，冥冥中另一种命运在等待着我。我自己一手造成了自己的不幸，增加了自己的过错，使我后来回想起来倍加悔恨。我后来遭遇的种种灾难都是由于我执迷不悟，坚持我遨游世界的愚蠢愿望，并刻意去实现这种愿望。结果，我违背了大自然与造物主的意愿和自己的天职，放弃用通常正当的手段追求幸福的生活，以致给自己造成无穷的危害。

Had I continued in the Station I was now in, I had room for all the happy things to have yet befallen me, for which my Father so earnestly recommended a quiet retired Life, and of which he had so sensibly describ'd the middle Station of Life to be full of; but other things attended me, and I was still to be the wilful Agent of all my own Miseries; and particularly to encrease my Fault and double the Reflections upon my self, which in my future Sorrows I should have leisure to make; all these Miscarriages were pro by my apparent obstinate adhering to my foolish inclination of wandring abroad and pursuing that Inclination, in contradiction to the clearest Views of doing my self good in a fair and plain pursuit of those Prospects and those measures of Life, which Nature and Providence concurred to present me with, and to make my Duty.

我若能长此安居乐业下去，生活必然会无比幸福。正是为了能获得这些幸福，我父亲曾竭力规劝我过一种安份守己的平静生活；而且，他告诉我，只有中间地位的生活偶像拉丁文idola的意译。又译&幻像&或&假相&。详，才享有种种幸福。他的看法确实是通情达理、切合实际的。然而，冥冥中另一种命运在等待着我。我自己一手造成了自己的不幸，增加了自己的过错，使我后来回想起来倍加悔恨。我后来遭遇的种种灾难都是由于我执迷不悟，坚持我遨游世界的愚蠢愿望，并刻意去实现这种愿望。结果，我违背了大自然与造物主的意愿和自己的天职，放弃用通常正当的手段追求幸福的生活，以致给自己造成无穷的危害。

The stage nature shows that the unique structure of the landscape poem of Xie Lingyun times is an open structure and it has been effected by the linguistic idea created by the political environment and the social trend of the thought in Back-Xie Lingyun times after carrying on the structure of the poem about scenery in Wei-jin times, then it evolutes and helps to bring about the landscape poem of Tang dynasty which only exist the part of depict and full of the sensation of stereoscopic ultimately.

其阶段性表现为：谢灵运时代山水诗的独特结构是开放的结构，在承继了魏晋时期写景诗中的构诗方式之后，又受到后谢灵运时代政治环境、社会思潮，以及由此产生的语言观的影响，从而发生嬗变，最终促成景语独振、兴象玲珑的盛唐山水诗。

And see no end to the landscape,new objects presenting themselves as we advan ce;so,in the commencement of life,we set no bounds to our inclinations.nor to the unrestricted opportunities of grastifying them.we have as yet found no obs tacle,no disposition to flag;and it seems that we can go on so forever.we look round in a new world,full of life,and motion,and ceaseless progress;and feel in ourselves all the vigour and spirit to keep pace with it,and do not foresee from any present symptoms how we shall be left behind in the natural course o f things,decline into old age,and drop into the grave.it is the simplicity,and as it were abstractedness of our feelings in youth,thatidentifie s us with nature ,and(our experience being slight and our passions strong)delu des us into a belief of being immortal like it.our short-lives connexion with existence we fondly flatter ourselves,is an indissoluble and lasting union-a h oneymoon that knows neither coldness,jar,nor separation.as infants smile and s leep,we are rocked in the cradle of our wayward fancies,and lulled into securi ty by the roar of the universe around us0we quaff the cup of life with eager h aste without draining it,instead of which it only overflows the more-objects p ress around us,filling the mind with their magnitude and with the strong of de sires that wait upon them,so that we have no room for the thoughts of death.

此时，但觉好风光应接不暇，而且，前程更有美不胜收的新鲜景致。在这生活的开端，我们听任自己的志趣驰骋，放手给它们一切满足的机会。到此为止，我们还没有碰上过什么障碍，也没有感觉到什么疲惫，因此觉得还可以一直这样向前走去，直到永远。我们看到四周一派新天地——生机盎然，变动不居，日新月异；我们觉得自己活力充盈，精神饱满，可与宇宙并驾齐驱。而且，眼前也无任何迹象可以证明，在大自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。由于年轻人天真单纯，可以说是茫然无知，因而将自己跟大自然划上等号；并且，由于经验少而感情盛，误以为自己也能和大自然一样永世长存。我们一厢情愿，痴心妄想，竟把自己在世上的暂时栖身，当作千古不变、万事长存的结合，好像没有冷淡、争执、离别的密月。像婴儿带着微笑入睡，我们躺在用自己编织成的摇篮里，让大千世界的万籁之声催哄我们安然入梦；我们急切切，兴冲冲地畅饮生命之杯，怎么也不会饮干，反而好像永远是满满欲溢；森罗万象纷至沓来，各种欲望随之而生，使我们腾不出工夫想死亡。

The application of fair value in Chinese Accounting Standa rds is full of twists. Under development of global economic integration and international coordination of accounting,Chinese standards-making institutions has realized that avoidance of fair value will lead to the set back of accounting theory. Thus, Fair value accounting is widely and deeply researched. In February 2006,the Ministry of Finance issued the new Accounting Standards System. Fair value as measurement was written in basic standard and widely applied in specific standards.

在经济全球一体化和会计国际趋同发展的大环境下，我国准则制定机构清醒地认识到，对公允价值的回避是理论上的退步，于是对公允价值进行了广泛、深入的研究。2006年2月，我国财政部发布了由一个基本准则和38个具体准则组成的新会计准则体系，首次将公允价值作为一种计量属性写入基本准则中，并且在具体准则中大量地运用了公允价值。

Any one who had chanced to pass through the little town of Vernon at this epoch, who had happened to walk across that fine monumental bridge, which will soon be succeeded, let us hope, by some hideous iron cable bridge, might have observed, had he dropped his eyes over the parapet, a man about fifty years of age wearing a leather cap, trousers a waistcoat of coarse gray cloth, to which something yellow which had been a red ribbon, was sewn, shod with wooden sabots, tanned by the sun, his face nearly black his hair nearly white, a large scar on his forehead which ran down upon his cheek, bowed, bent, prematurely aged, who walked nearly every day, hoe sickle in hand, in one of those compartments surrounded by walls which abut on the bridge, border the left bank of the Seine like a chain of terraces, charming enclosures full of flowers of which one could say, were they dddtt.com larger:"these are gardens," were they a little smaller:"these are bouquets."

当年如果8 tt t8.com 有人经过 ssbbww 小城韦尔农，走到那座宏大壮丽的石桥上去游玩（那座桥也许 ssbbww.Com 不久将被一道丑恶不堪的铁索桥所替代），立在桥栏边往下望去，便会看到一个五十左右的男子，戴一顶鸭舌帽，穿一身粗呢褂裤，衣衿上缝着一条泛黄的红丝带，脚上穿的是木鞋，他皮肤焦黄，脸黝黑，头发花白，一条又阔又长的刀痕从额头直到脸颊，弯腰，曲背，未老先衰，几乎整天拿着一把平头铲和一把修枝刀在一个小院里踱来踱去。在塞纳河左岸桥头一带，全是那种院子，每一个都有墙隔开，顺着河边排列，象一长条土台，全都种满花木，非常悦目，如果8 tt t8.com 园子再大一点，就可以 www.ssbbww.com 叫做花园，再小一点，那就是 www.8ttt8.com 花畦了。

Into Beijing International Home Living Museum of the large 3000 square meters of space, not only have come from Milan, Paris, New York and other international cities to display the latest home fashion trends, and the most fashionable furniture dynasty romantic of the seven series, more than brand-name products section, such as a layer of wood Santa brands internationally popular Scandinavian style and the Italian brand new perfect combination of modern minimalism, with a slight浅紫Medium lavender blue color, pure , simple, extremely elegant; second floor of the "I HOME" series of products will be China's traditional red and western gray perfect combination of fashion, with the color of the most poetic, and then add pure white decorations, pieces of furniture will become a pleasant works of art, constructed by the home, it is full of art; came three Dynasty furniture is the most "cool" furniture series - light series, Sapele series, only use material neat and simple metal the plates, just a crisp, beating about the bush in no way express the modern flavor; enter the four-story, we will see more than 1000 million family favorite, with traditional Eastern United States, another implication of modern simplicity and art of "Collected Essays" shallow Hu, black HU Series .

到北京国际家庭生活的大型3000平方米的空间，不仅有来自米兰，巴黎，纽约和其他国际城市来，博物馆展出最新的家居流行趋势，以及最时尚的家具浪漫的王朝7个系列，品牌名称的产品部分，如木材层圣品牌在国际上流行的北欧风格和意大利全新现代简约完美结合，有轻微浅紫中等薰衣草蓝色，纯净，简单，非常优雅，第二次&我主页&产品系列地板将是中国传统的红色和灰色的西方时尚的完美结合，与最富有诗意的颜色，然后添加纯白色装饰，几件家具将成为愉快的工作艺术，是由民政兴建，它充满了艺术；来到三时期的家具是最&酷&的家具系列-灯系列，沙比利系列，只使用简单的材料整齐，金属板，只是一个清晰的，转弯抹角绝不表达现代气息，进入四层，我们将看到1000多万个家庭喜爱，与传统的美国东部，另一个现代简单，&文集艺术的影响&浅胡，黑胡系列。

To leave over the state it is whispered to get the mawayh of hog, the legs of a stag, the eyes of a falcon, the ears of an ass, willers of a gol, or the expression of an ape, or overplus, a satchel full of mfirsty or patience.

周游全地球须有猪嘴巴，鹿的腿，鹰的双眼，驴的耳，骆驼的肩膀和猿猴的脸，尤其需要的是要有满口袋的金融和耐心。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。