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Secondly, we review the former achievement of the study disyllable word and transferred-designation. Thirdly, we point out the shortage in study of transferred-designation, and draw out the articles main content: to conclude type of the disyllable word shifted from verb to noun; to make the explanation to the disyllable word shifted from verb to noun from the semantics and the cognition two angles.

随后简要的回顾以往的双音词节研究和转指研究的成果，指出目前转指研究中存在的不足，引出本文的主要内容：归纳双音节动词转指名词的类型；从语义和认知的角度对双音节动词转指名词现象作出解释。

I believe that people want to turn from fear towards hope, from divisiveness towards unity, from intolerance to an understanding that we all belong to one great community.

我相信颠覆性的改变即将到来，我相信人们会从害怕转为希望，从分裂朝着团结，从无法容忍到理解，因为我们都属于这个伟大的团体。

This article chooses the most prevailing authors as object from France, Britain, Germany, and Russia, including Jean-Jacques Rousseau, the Sentimentalism in Britain, William Wordsworth, Thomas Hardy,"The Yellow Book" Writers＆Ernest Dowson, Johann Wolfgang von Goethe, the Romanticism in Germany, Theodor Storm, Rudolph lindau, Ivan Sergeyevich Turgenev. In order to expound content arising and influence from European literature, this article demonstrates Yu Da-fu's preference to them, the factual relationship between Yu Da-fu and their productions, the choosing and accepting for their creativity style, the representation of sentiment in his creativity, and the guidance to his aesthetics and creativity from European authors and creations……Meanwhile, it is indicated that Yu Da-fu's sentiment is not simply duplication of European literature, but had its unique characters.

对郁达夫创作的感伤风格构成影响的欧洲作家有很多，本文着重选取最为明显的四国——法国、英国、德国与俄国的一些代表性作家作为论述对象，包括卢梭、英国感伤主义、华兹华斯、哈代、"黄面志"作家群及道森、歌德、德国浪漫派、施笃姆、林道、屠格涅夫，论证了郁达夫对他们的偏爱，郁达夫与他们的作品之间发生的事实联系，郁达夫对他们的创作风格的选择和接受，郁达夫的感伤风格在创作中的表现，欧洲作家作品如何指引郁达夫的审美与创作……由此得出本文的主要结论：郁达夫创作的感伤风格深受欧洲文学的影响。

He shoots the breeze from time to time, as if can see the whole matter clearly; When and chatters, for fear that transports wickedly is imminent; From time to time is sensitive, from time to time is dull-witted.

他时而高谈阔论，似乎能洞察一切；时而又唠唠叨叨，唯恐恶运临头；时而敏感，时而愚钝。

First scanning the known handwriting materials then number them ,In pretreatment, we convert the valid part of the image into a standard size, as images carries out duotone and go throw off chirp handling in order to achieve better effect.draw features from the known handwriting materials with the Co-occurence,especially,we divided a copy of handwriting into 25 little pieces with the size of 128*128 ,drawing features from every little piecese with four directions(0 degree, 45 degrees, 90 degrees as well as 135 degrees) and calculate the four major feature values( veins and the statistical quantity of veins contrast and the statistical quantity of veins consistency Shang the statistical quantity of statistical quantity as well as the veins correlation of gray scale ), preservation all the feature value that drawn from all known ma terials to the handwriting characteristic database,then input the unknown handwriting materials, also using the method of the Co-occurence to draw those features, recycling the minimum European Distance law match the unknown writing material feature value with the handwriting characteristic feature database, export the label of the known hand writing materials which is most similar to the unknown material with minimum European Distance, and then we can confirm who is the author of the unknown material.

首先将笔迹材料作为图象扫描输入，并对其进行编号。预处理部分可将笔迹图象的有效部分规范化到一个统一尺寸，接着对其进行二值化和去除噪声的处理，以便于更好的提取图像的特征。在此我们采用了灰度共生矩阵法提取手写笔迹材料的纹理特征，与以往有所不同的是，我们将一份手写材料分割成64块大小为80*80象素的子图象，每个小块都从四个方向（0度、45度、90度以及135度）来更全面的提取特征，并计算出四个最主要的特征值（纹理一致性的统计量、纹理反差的统计量、纹理熵的统计量以及纹理灰度相关性的统计量），将从所有已知材料提取的特征值保存到纹理特征库中，对于待检手写材料，同样采用灰度共生矩阵的方法提取其纹理特征，再利用最小欧氏距离分类法将从待检手写材料中提取的特征值与纹理特征库中的特征值进行比对，与欧氏距离比对值最小的相匹配，输出匹配成功的原材料的标号，进而识别出待检材料书写者的身份。

Taking the symbolic evolution of the fish pattern as the foundation, this article expounds the evolutional course of the model of the fish emblazonment from the originally natural form to the abstract form and the evolution from the originally emblematic meaning to decorative meaning, which mark the gradual progress of the way of thought in the traditional design from the elementary stage to the advanced stage.

本文以鱼形纹饰的象征性流变为理论基础，论述了鱼纹的造型从最初的象征意义到现代的装饰意义的流变，在此流变过程中体现了传统设计思维方式从低级阶段向高级阶段发展的渐进过程。

Speaking from the tongue of an experienced simpleton who obviously Would rather be an emasculated, infantile camplainee This note should be pretty easy to understand All the warnings from the punk rock 101 courses over the years Since my first introduction to the ,shall we say, ethics involved with independence And the embracement of your community has proven to be very true I haven't felt the excitement of listening to as well as creating music along with reading And writing for too many years now, I feel guilty beyond words about these things For example, when we're backstage and the lights go out and the manic roar of the crowed It doesn't affect the way in which it did for Freddy Mercury who seemed to love and relish in the love and adoration from the crowd.

年来的'朋克摇滚101'，自从我第一次介入那包含着独立性、应当称为道德原则的东西之后，你们团结一致的拥戴已证明是非常真实的。我已经好多年都不能从听音乐，写音乐以及读和写东西中感到激奋了。对于这些事我感到了一种难以形诸文字的负罪感。比如说，但我们来到后台，灯火熄灭，人们狂躁的咆哮响起，这一切对我的影响就远不如对FreddyMercury（"QUEEN"乐队主唱，1991年因艾滋病辞世。）影响那么大，，他似乎喜欢而且把玩那些从人群中而来的爱与赞美——那正是我赞赏与嫉妒的一切。事实上我无法欺骗你们，无法欺骗你们中的任何一人。那对你对我都不公平。

Owing to the image of China from the late Qing dynasty which was passively transformed from "Empery" to "Nation-state", and the consequence of which gave birth to the consciousness of "Enlightenment" and "saving the nation from extinction", we abandoned the traditional circulative theory of history, but accepted the western linear time theory, so the occurrence of the concept of Modern Literature is based on the traditional-modern time imagination and China-western spatial imagination.

中国现代文学观念的发生并不是一个单纯的文学事件，由于晚清以来"中国"形象发生了从"帝国"向"民族国家"的被动转化，这种"空间"认识的变化以及由此产生的启蒙和救亡意识，最终使我们抛弃了传统的循环论而接受了西方的线性时间观。

Taking vitalize China's enamelled wire industry as own task, Shengjia is developing toward the promising objective of "Founding Centenary Shengjia and Setting Model Enterprise of Enamelled Wire" in accordance with the enterprise spirit of scientific and technological development road of "production specializing, service standardizing and management modernizing", which is the key for Shengjia Company from nil to existing, from small to large and from weak to strong.

短短几年的风雨历程，圣嘉人励精图治、荣辱与共、形成了以"质量创造品牌，诚信铸就圣峰"为经营理念，以"质量精益求精，服务永无止境"为质量方针，以振兴中国漆包线产业为己任，向着"铸百年圣嘉，树漆包线标榜"的远景目标，按照"生产专业化，服务规范化，管理现代化"的科学发展之路的企业精神，这正是圣嘉公司从无到有，从小到大，从弱到强的关键之所在。

CT and MRI examinations were taken regularly after operation. Results Among 50 cases of anterior skull-base defects with the longitudinal size from 2cm to 6cm (average 3.5cm )and the transversal size from 2cm to 5cm (average 2.8cm ),the long-term follow-up study which duration ranged from 3 months to 5 years (average 2 years)showed no evidence of CSF leakage and encephalomeningocele.

结果 50例病人的前颅底骨缺损范围为：前后径2～6cm(平均3.5cm)，左右径2～5cm(平均2.8cm)，随访时间为3个月至5年(平均2年)，均未发生脑脊液漏和脑膜脑膨出现象，其中32例病人得到CT或MRI证实。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。