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From the countryside to the cities and from the economic to other areas, the process of sweeping reform has unfolded with irresistible momentum. From the coastal areas to areas along the Yangtze River and the borders, and from the eastern to the central and western regions, the door has been resolutely opened to the outside world.

从农村到城市、从经济领域到其他各个领域，全面改革的进程势不可挡地展开了；从沿海到沿江沿边，从东部到中西部，对外开放的大门毅然决然地打开了。

From the countryside to the cities and from the economic to other areas, the process of sweeping reform has unfolded with irresistible momentum. From the coastal areas to areas along the Yangtze River and the borders, and from the eastern to the central and western regions, the door has been resolutely opened to the outside world.

从农村到城市、从经济领域到其他各个领域，全面改革的进程势不可当地展开了；从沿海到沿江沿边，从东部到中西部，对外开放的大门毅然决然地打开了。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

The capital structure of accepted sina inside course of study all the time very complex, day endowment stage endowment wait for each capital worry inside, just when 98 years I just got online, I remember sina still making 4 profit at that time square, 4 are belonged to after all come from an enterprise at ZhongGuanCun, so sina should calculate the example that mainland is born to rise through attracting foreign capital to expand; The first pail of of Sohu capital that start comes from Yu Zhangchao this world to be brought back from American Silicon Valley; As similar as Sohu is already selected now Na Sida captures exponential part Baidu, the poineering capital of Baidu also is Li Yan grand bring back from the United States.

业内公认新浪的资本结构一直很复杂，日资台资等各路资本在里面纠缠不清，只是98年我刚上网的时候，我记得新浪那个时候还叫四通利方，四通究竟属于来自于中关村的一个企业，所以新浪应该算本土诞生通过吸引外资壮大起来的典范；搜狐的第一桶启动资金来自于张朝阳从美国硅谷带回；与搜狐类似的是现在已经入选纳斯达克指数成分股的百度，百度的创业资金也是李彦宏从美国带回。

Theoretical analysis and experimental results show that in shaping of copper fin, when the depth of cut is less than 2 mm, the feed is ranged from 0.5 to 3 mm, and side cutting edge angle is ranged from 20° to 50°, fin with height from 1.5 to 3 mm and thickness from 0.3 to 1.8 mm can be steadily formed.

理论和实验研究表明：在紫铜材料的成形中，切削深度小于2 mm、进给量0.5~3 mm、刀具主偏角20°~50°范围内，可以稳定地形成翅高1.5~3.0 mm、翅厚0.3~1.8 mm的翅片。

Shaking hands with the young sportsmen; kissing the rosy-cheeked girls; sometimes even embracing portly matrons who came to thank him for their pleasant visit; everywhere genial, hospitable, generous, happy, and beloved, the baronet hurried from room to room, from the hall to the stables, from the stables to the courtyard, from the courtyard to the arched gateway, to speed the parting guest.

他同爱打猎的年轻人握手；亲吻面颊绯红的姑娘们；有时甚至还要拥抱那些前来感谢他殷勤招待的肥胖主妇们；爵士匆匆忙忙的从这个房间走到那个房间，从大厅走到马厩，从马厩走到院子，从院子走到拱廊入口，祝愿离去的客人一路顺风，他走到哪儿都显得亲切、殷勤、慷慨、快乐和招人喜欢。

And he also deduces the complete systemic universal theory that the comic's circling movement from the ancient and it graduated layer upon layer and to evolve from the beginning to the end, and grow out of nothing empty to solid; and the universe formula:E = mn1+n2+…nn + mc2 ;and the truth of the gravitation origin; and the extragalactic nebula red shift phenomenon is the result of its galaxy quality structure and the magnitude characteristic attraction, mutually by no means was far away but explodes, and he obtained the universe theory different from the large explosion completely. At the same time it will explain the abstract cultural natural sciences knowledge truth secret something like: Pan-Gu heaven and earth, the River-Chart and the Luo-River-Book, primal chaos and Yi Gua, the profound and abstruse principles of Daoism, the symbolism number of Yi-ology and so on, and it is so broad and profound mystical that it is to be lost many years in Chinese eternity civilization. Then, he establishment the law of myriad things with one method; and deciphered the method that CongzhiZu instantaneously obtained the girth quotient density earlier near millennium than the European at the Han Dynasty, and broke the misunderstanding that all to think he has use shearing the round technique method in the world; and expounded the Pan Gu truth that the world occurs and forms with, broke the thought Pan Gu was the god superstition which the folk spread; and has cleared the-River-Chart and Luo-river-book is the nature objective reflection appearance of the universe transportation principle; and has opened the universe code numeral secret; and explained the scientific truth Fu Xi drawing the ancient divination symbol, furthermore, the writer has drawn all the ancient divination symbol order orientation diagram that had lost the thousands years of the pre-heaven Lian-shan, the midst Gui-cang, the after earth Qian-kun,and the after heaven Zou-Yiology. Through the universe laws and regulations law of from the beginning to the ultimate and myriad things all out of Pangu River-chart Luo river book primal chaos, explained thoroughly the digital code of the universe myriad things' transports and constitution. The digital code only a digital odd and even, but the binary system code deduced the world myriad things' number.

推论出宇宙万物从无到有、由虚化实、由始到终、从一到万、盘旋古衡地层层量级运动演化完备系统的万有理论；推算出了宇宙万有品质及能量公式 E = mn1+n2+…nn +mc2；论述了万有引力、磁力、电流、微观中的强力弱力诸能量的由来，以及宇宙万有物质和三大力等统一为一体的道理；推论出一切物质构成存在皆是能量结晶体，得出&一切物质皆是能量实在&，&物质本身即是能量&的理论；讲明了银河外星系的红移现象是其盘旋圆合成的星系巨大品质结构和量级特性的引力所致，并非相互远离而爆炸，得出了与大爆炸完全不同的理论；同时破解了中国博大精深神秘玄奥的华表准天、八节太极、弇兹九宫、盘古天地、河图洛书、太极易卦、天机道秘、象数彖爻等自然科学知识道理奥秘；释解并创立了万物同准法理论；解密了古代祖冲之早於欧洲近千年，瞬间得出圆周率密率的方法，打破了世界上都认为密率是用割圆术等推算出的误解；阐明了盘古天地发生形成的宇宙自然之道，以及日晷观天历纪二十四节气等等，许多天地万物万事的科学同准方法，揭秘了认为盘古是民间流传的神话迷信；理清了河图洛书是天地垂象万物负图之客观自然规律出现的宇宙物有运化成物的基本道理的数理定律；解开了现代专家教授都迷惑不解的太极易卦天地编码万物数理秘密；释解了伏羲画卦的科学道理，把失传数千年的先天连山易、中天归藏易、后地乾坤形易以及后天周易的遗失卦象次序方位数学矩阵图全都补画出来；通解了宇宙天地万有运化构成的基因数码，只用一这个最简单元始数字，奇偶一二进位地组成编码天地数字推演万物。

Thus to go from one great novelist to another — from Jane Austen to Hardy, from Peakcok to Trollope, from Scott to Meredith — is to be wrenched and uprooted; to be thrown this way and then that.

因此，从一位伟大的小说家到另一位——从简·奥斯丁到哈代，从皮科克到特罗洛普，从司各特到梅瑞狄斯——我们都要经受一场脱胎换骨、背井离乡的痛苦，被扔过来又赶过去。

Travel time from Seoul to DongDaegu was cut by 56%, from Seoul to Busan by 36%, from Seoul to Gwangju by 31%, and from Seoul to Mokpo by 35%.

旅行时间从汉城到大邱减少了56％，从汉城到釜山的36％，从汉城到光州31％，从汉城到木浦35％。

The two highways from Kunming to Chiang Mai , Thailand and from Kunming to Lashio, Burma, and the two railroads from Yunnan to Vietnam, and from Yunnan to Thailand were listed as the projects taking first priority in being developed.

昆明至泰国清莱、昆明至缅甸腊戍的两条公路和云南至越南、云南至泰国的两条铁路被列为优先发展的项目。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。