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The history of the development of criminal law is a history from uncivilization to civilization, from unrecklessness to reason, from severity to lightening, from antagonism to dialogue. Restorative justice is a new criminal law system, which develops form North America and Australia in the 1970s. For those offenders, restorative justice involves accepting responsibility for their actions, by repairing any harm they caused instead of being punished; For those harmed, restorative justice puts an eye on their damage right. And restorative justice repairs the damage relationship and it will meet the human seek for the value of justice, order and ratio. The study of restorative justice has become a wide law topic, which the whole world pays close attention to. Especially in China, because China is trying to build the harmonious social environment.

刑法发展的历史是一部由野蛮到文明、由恣意到理性、由严厉到轻缓、由对抗到对话的历史。20世纪七十年代开始，从北美和澳大利亚等地发展起来的恢复性司法模式，以一种&向前看&的态度对待犯罪人过去的犯罪行为，关注被害人权利的保障，修复被犯罪破坏的社会关系，更好地适应了人类对公正、秩序和效率等价值的追求，于世纪之交成为备受国际社会和构建和谐社会语境下的中国关注的一大法律课题。

At present, the researches about self-concept have changed from static study to dynamic study, from unitariness to multi-dimension, from humanism to positivism, and from theoretical study to applied study.

目前，对于自我概念的研究已由静态转为动态，有单元转为多面，有人本主义转为实证主义，有理论研究转为应用研究。

To have the level of fourth-generation technology, thanks to good fortune by the German-made automatic winding machine AC338 for example, with the third-generation type of comparison, the practical winding speed of nearly 30 percent, most can be as high as 2 000 m / min;筒纱quality increased yarn Uster CV value of the two machines are basically the same though, but the quality of yarn, such as details of 1000 meters from 14.5 to 12, 17.24 percent lower; km thick section from 134.3 to 121.7 , 9.38% lower; Neps kilometers from 121.6 to 115.5, lower 5%; 3 mm in length Hairiness (months / 10m) from 135 down to 102, reduced 24.4%; 14.36% increase in production; production efficiency 8.5%, not筒纱the use of high-quality, the following procedures brought about by economic interests.

以具有第四代技术水平的，由德国赐来福公司制造的AC338型自动络筒机为例，与第三代型机比较，实用卷绕速度提高了近30%，最可高达2 000 m/min；筒纱质量大幅度提高，乌斯特条干CV值两机虽然基本相同，但纱的质量如千米细节由14.5降至12，降低了17.24%；千米粗节由134.3降至121.7，降低了9.38%；千米棉结由121.6降至115.5，降低了5%；3 mm长度毛羽(个/10m)也由135降到102，降低了24.4%；产量提高14.36%；生产效率提高8.5%，这还不算使用高质量的筒纱后，后道工序所带来的经济利益。

During this period, the West Germans made sacrifices in trying to help rebuild the rickety economy in the east. Unemployment in the west rose from 5.7% in 1991 to 8.4% in 2003, with the number of enterprises declaring bankruptcy jumping from 8443 to 29,700 in the same period. The average annual burden placed on each wage-earning citizen of the west to help rebuild the east almost doubled from 3,993 Euros in 1991 to 6,796 Euros in 2003. This created a great burden on West German finance. Many West Germans, from all sectors, feel that reunification has become a bottomless pit, and say that the cost has been huge and there is no estimate of how much higher it will go.

在此期间为求重建摇摇欲坠的德东经济而付出天价钜资的德西财政亦大举失血，失业率从1991年的5.7%上升至2003年的8.4%，而宣告破产的企业总数则从1991年的8443家迅速攀升至2003年的29700家，德西人民每人每年平均为因应德东重建计划而负担的金额，从1991年的3933欧元快速上升到2003年到6796欧元，足足上涨近一倍，从而造成了德国财政极为沉重的负担，此种代价几令德国各界人士大感吃不消，致而喟叹：「两德再统一的代价太过钜大，投入的金额根本无从估计起」。

My happiness can be simply timely notice for adding cloths from my family and friends when it gets cold; my happiness can be also considerate thoughts from my family and constant concerns and care from my friends when I am sick; my happiness can be from window with light lit among many when I am away from home; my happiness can be sincere congratulations and praises from the heart of relatives and friends with their encouragement for making more progress; my happiness can be considerate caress and condolence from relatives and friends when I feel disappointed, as well as confidence and courage for overcoming more difficulties…It can be a cup of coffee when I get sleepy, can be a cup of hot tea in cold wind, can be an umbrella in storm, a long letter, a telephone call, a message, or a hug, a smile… such hearty moments paint endless colors to my picture of happiness.

我的幸福只是天凉时亲人和朋友第一时间送上的及时添衣的叮咛；是生病时家人无微不至的悉心照料与呵护和朋友的时刻担心与关切；是离家时远方的万家灯火中永远为我亮着灯的那扇窗的召唤与牵挂；是成功时亲人和朋友发自肺腑的祝贺与称赞，以及更上一层楼的鼓励；是失落时亲人和朋友善解人意的安抚与宽慰，还有战胜困难的信心与勇气……困倦时的一杯咖啡，寒风里的一杯热茶，暴雨中的一把雨伞，一封长信，一个电话，一条短信，或一个拥抱，一个微笑……这些温馨的点滴为我的幸福画卷涂抹上了无尽的缤纷色彩。

Accordingly, this paper evaluates intellectual capital from two periods. The first period is to evaluate value creation potential of intellectual capital; the aim is to see the dynamic change of intellectual capital quantity. The paper sums up static state quantity, combination efficiency and structural extent these three factors which influent on intellectual capital creation potential. Paper uses FA in the evaluation; the second period is to evaluate intellectual capital value using ability. The aim is to expose the using efficiency of intellectual capital. The research of this period is studied from internal enterprises and external ones. Internal factors come from enterprises bestir intellectual capital, external factors come from competition extent. On the base of theory analysis, the relationships which intellectual capital bestirs mode and competition extent do to intellectual capital value contribution come out. This period uses AHP to evaluate intellectual capital.

与之相对应，本文从两个阶段对智力资本进行评估：第一阶段是智力资本价值创造潜力的评估，目的是衡量智力资本存量的动态变化，本文从智力资本存量积累的特点入手提炼出静态存量、投资效率、组合效率和结构化程度四个影响智力资本价值创造潜力的决定因素，并将因子分析法引入了具体的评估过程；第二阶段是智力资本价值提取能力的评估，以揭示企业对智力资本的使用效率，本文的研究从企业内部和外部两个方面展开，内部因素归结为企业对智力资本的激励，外部因素则归结为竞争强度，在理论分析的基础上，得到了智力资本激励方式和竞争强度对智力资本价值贡献的作用关系，运用层次分析法对之进行评估。

In my silver high-heel shoes,I go to take part in a belated dinner,I go through a tall wood in a rush,On the trees there are fantastic tropical fruits and clocks streamed with egg white,The sweet fragrance of those fruits seduces me,I pick off a beautiful dragon fruit,But see many white worms lying in it when cutting it,I scream and throw it on the ground,Those worms creep to me and begin to grow,I creep onto the tree,They also creep towards the tree wiggling their bodies,I remove my cumbrous high-heel shoes and voile skirt creeping towards a high place,like an agile cheetah,But strangely my small bag oppressively cumbers me,It turns out that the bag is full of pumpkins, monkey dolls with large mouths, crystal bottles and silver coins,I give all of these a vicious discard towards the ground from the tree,But those worms open their big mouths and swallow all of them greedily,Becoming more obese and uglier,I desperately creep upwards,Suddenly the moon is not so far from me,I jump on it with ease,Suddenly finding that the moon is a porous spongy body with the fragrance of the oven-fresh French stick bread,It takes me to flow away from that tree full of worms,I want to light a cigarette but ignite the sponge on the moon,So I descend from the height,Falling down to a huge birds' nest,In an instant my whole body is wrapped by a slick and white egg shell,I find myself becoming a new embryo,Crouching in the warm and ropy liquid,The world presents a color of delicate light yellow,In a vacuum-like silence,I hear my contented voice,"What a perfect world"

我穿着银色的高跟鞋，去参加一场迟到的晚餐，我匆忙地穿过一片高大的树林，树上挂满了奇妙的热带水果和流淌着蛋清的时钟，那些水果甜美的芳香诱惑了我，我摘下一颗漂亮的火龙果，切开来却看见里面躺满了白色的蠕虫，我尖叫着将它们丢在地上，那些蠕虫向我爬来并且开始生长，我爬到树上，蠕虫们也扭动身体朝树上爬来，我脱下了牵绊着我的高跟鞋和纱裙，象只敏捷的猎豹朝高处爬去，只是我的小包奇怪而沉重地拖累了我，原来包里装满了南瓜、大嘴猴玩偶、水晶杯子和银币，我将所有这些朝树下狠狠丢去，那些蠕虫却张开大嘴贪婪地将所有这些吞食下去，并因此变得更加肥大和丑陋，我拼命努力地向上爬，突然月亮就在我不远处了，我轻而易举地跳了上去，恍然发现月亮竟是一个带着刚出炉法棍香味的多孔海绵体，它带我慢慢飘离了蠕虫的树林，我想要点燃一支香烟却不小心引燃了月亮上的海棉，于是我从高处坠落啊坠落，落入一个巨大的鸟巢，顷刻间全身被光滑洁白的蛋壳所包住，我发现自己成为了一个暂新的胚胎，蜷缩在温暖粘稠的液体中，世界呈现出微妙的淡黄色，在真空般的静寂中，我听见自己满足的声音：&多完美的世界啊！&

Continuously innovating and developing, Haier culture is instructed by concept innovation, directed by strategic innovation, guaranteed by organizational innovation, illuminated by technical innovation, and motivated by marketing innovation, accompanying Haier being from none to existed, from small to large, from weak to strong,and debouching from China to the world.

海尔文化以观念创新为先导、以战略创新为方向、以组织创新为保障、以技术创新为手段、以市场创新为目标，伴随着海尔从无到有、从小到大、从大到强、从中国走向世界，海尔文化本身也在不断创新、发展。

This chapter starts with the determination of primary sense of under. Then it focuses on how its spatial senses are extended from the central image schema to its transformations by metonymy. Next, this part also focuses on how its metaphorical senses are extended in terms of the central image schema and transformations by metaphor. In these analyses, this thesis summarizes four kinds of relations: the relation of UP-DOWN, the relation of HIGH-LOW, COVERING relation or the relation of IN-OUT and the relation of SOURCE-PATH-GOAL. Lots of metaphorical senses of under are derived from these basic spatial relations. In this thesis, the relations between the senses derived from central image schema and those derived from its transformations are explored at length. The relations between the spatial senses derived from central image schema and transformations and the metaphorical senses derived from them are also explored at length. The above analyses demonstrate that the sense extension of the spatial preposition is motivated by image schema, which also provides the root for metonymic and metaphorical extension. The semantic network of under is diagramed finally.

论文首先确定了under的首要意义；然后集中探讨了它的空间意义如何从中心意象图式，通过转喻形成许多变体，从而得以延伸；接着分析了它的隐喻意义如何从中心意象图式及其变体通过隐喻而得以延伸，在此分析中，本论文总结了四种关系：上—下关系﹑高—低关系﹑覆盖关系或里—外关系和起点—路径—目标关系，under的很多隐喻意义源于这些基本的空间关系；本论文还对源于中心意象图式的空间意义与源于其变体的空间意义的关系进行了详细的剖析；对源于中心意象图式与其变体的空间意义及其延伸的隐喻意义之间的关系，也同样进行了详细的剖析；通过分析论证了，意象图式是空间介词义项扩展的源泉，同时也为转喻和隐喻提供了基础；最后得出under的语义网络。

The changes from confronting to parrying, from legality to rationalization, from space to time, from controlling to unchaining of their relationship are seen as the part of demonstration.

本文还深入讨论了摊贩和城管关系的动态变化，从对抗到回避、从合法到合理、从空间到时间、从严打到解禁——一种对城市空间使用和占有的博弈。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。