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Time to start working from the text, making from this trash and gimmickry of sex my aesthetic: a hip first, a breast, a slow shadow strip out of clothes that bushelled me asleep.

该开始了——我由文字着手，以这堆垃圾和情色的绝招制造我的美学：先露一瓣臀，再袒半边胸，然后慢慢出落幽然褪去裹着我入眠的衣物。

In "Father and Son", a memoir about loss of faith published anonymously in 1907, Edmund Gosse describes how it drove his father, himself an eminent zoologist, to take him to live on top of a cliff, cutting him off from the world in an attempt to protect him from this heretical notion. The plan didn't work.

在1907年匿名出版、关于信仰迷失的回忆录《父与子》一书中，作者埃德蒙多·戈瑟讲述了他的父亲是如何在此书的驱动下，为了使他免受这一异教观念的影响，领着他住到悬崖之巅，让他过上与世隔绝的生活的。

In "Father and Son", a memoir about loss of faith published anonymously in 1907, Edmund Gosse describes how it drove his father, himself an eminent zoologist, to take him to live on top of a cliff, cutting him off from the world in an attempt to protect him from this heretical notion.

在一本于1907年匿名出版、有关丧失宗教信仰的回忆录—《父与子》中，艾德蒙·高斯（音译， Edmund Gosse ）描述了，它是如何迫使身为著名动物学家的父亲把他带到一个悬崖顶生活，将他和外部世界隔离，试图保护他不受这个异教观念的危害。

By comparing the results from this method with those from Hahn's, it is shown that the former is better than the latter.

通过用本文的方法所得的结果与Hahn方法的结果相比较，说明用本文提出的方法能获得更好的结果。

By comparing the results from this method with those from Hahn's, it is shown that the former is better than the latt

通过用本文的方法所得的结果与Hahn方法的结果相比较，说明用本文提出的方法能获得更好的结果。

By comparing the results from this method w it h those from Hahn's, it is shown that the former is better than the latter.

通过用本文的方法所得的结果与Hahn方法的结果相比较，说明用本文提出的方法能获得更好的结果。

Starting from this lesson on, we will use more Chinese in the lesson, so in today's lesson we will explain some of the terms and phrases that we will start using from hereon.

从这次的教训，我们会更多地使用中文的教训，所以在今天的教训，我们会解释一些术语和短语，我们将开始使用来自此。

From one feast day to the next we ought to fix our purpose as though we were then to pass from this world and come to the eternal holyday.

从这个瞻礼到那个瞻礼，当想这时我们将离开世界，要去过永远的瞻礼的时候了。

More recently we've worked with professional Chinese opera artists in productions like Yue opera Hedda Gabler and Beijing opera Miss Julie , and are writing Yue opera Lady from the Sea , commissioned by Norway's Ibsen Theatre and Hangzhou Yue Opera Company. There seems to be another benefit resulting from this type of intercultural hybridism: to enrich the repertoire of traditional Chinese opera with more socially relevant stories, and with more psychologically complex characters.

近年来我们跟国内戏曲艺术家们搞的越剧《心比天高》、京剧《朱丽小姐》和正在为挪威易卜生剧院和杭州越剧院写的越剧《海上夫人》则让我们发现了这种嫁接的另一层意义：用更具现实社会意义的故事和更富有心理层次的新型角色来拓宽传统戏曲的视界。

Thus, if I take away from the representation of a body that which the understanding thinks in regard to it, substance, force, divisibility, etc., and likewise what belongs to sensation, impenetrability, hardness, color, etc., something still remains over from this empirical intuition, namely, extension and figure.

因此如果我从物体的表达中抽离所有属于我们理解的东西，并且抽离所有感觉的东西，仍然会有东西从这种经验的直觉中保存下来，那就是空间和形状。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。