查询词典 from side to side

In the invention, according to the channel selected by user, the client side determines the media server corresponding to the channel and the father node of the client side in the P2P system; according to the correlative information of the father node, the client side determines the initial fragment group ID of current process, and sends a request message for requesting the data of the channel to the media server; said request message contains said initial fragment group ID; said client side receives the channel data sent from the media server based on the initial fragment group ID, and receives the channel data sent from each father node.

本发明涉及互联网技术领域，尤其涉及一种网络通信数据处理方法、网络通信系统及客户端，用以减少选定频道的播放延迟。在本发明中，客户端根据用户选定的频道确定对应的媒体服务器及该客户端在点对点系统中的父节点；该客户端根据父节点的相关信息确定本次数据处理的起始分片组标识，并向该媒体服务器发送请求该频道数据的消息，该消息中携带该起始分片组标识；该客户端接收该媒体服务器根据该起始分片组标识发送的该频道的数据，且接收各父节点发送的该频道的数据。

The skin on one side of the drum is thick made from goatskin; while on the other is thinner made from sheepskin. The thick skin side is hit with a tokmak and the thin skin side with a light wooden stick, to produce both a deep bass sound and a thin treble sound.

双面鼓的一面较厚，以山羊皮制成；一面较薄，以绵羊皮制成；厚的一面以木槌打击，薄的一面用轻细的木条打击，形成低音及高音的不同节奏效果。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金(来源：A4eBC论文网www.abclunwen.com)的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

A machine component comprising: an elongated base plate with side edges, a linear actuator assembly having two parts which can move away from and toward each other, first mounting means on said base plate, said mounting means supporting one part of said assembly, a slide plate rectangular in cross-section and having parallel straight side edges, two elongated guide members each having a rectangular slot adapted to slidingly receive the edge of the slide plate, each elongated guide member including a lowerpart and an upper part and means for securing them together, the lower part having means for attachment to the base plate, said rectangular slot having (1) a first side wall adjacent to and parallel with the base plate, said first side wall being definedby a surface of said lower part,(2) a second side wall defined by a surface of said upper part, and (3) a bottom wall defined by a surface of one of said upper and lower parts, the upper and lower parts having oblique mating surfaces such thatlongitudinal meovement of one part with respect to the other causes the parts to separate from or approach each other in a manner to change the width of said slot, and second mounting means establishing a connection between the slide plate and the other part of said assembly.

有一长条形底座与身边的边缘，一个线性驱动器装配有两个部分，可以离开，彼此之间，首批意味着在说底座、说安装方式支持之一说总成，一个矩形截面板、平行直边棱、两种细长的引导会员都有一个矩形槽适应slidingly收到边缘的细长板，每一个lowerpart引导会员包括一个上方和手段，确保他们在一起，下方附件的方式，在底座，说矩形槽有(1)第一次侧墙毗邻，平行底座，一边说：definedby墙表面说下方，(2)第二次侧墙表面的定义，并说上方(3)底壁由一个表面的上部和下部零件，说上部和下部阀部件表面的thatlongitudinal拥有斜meovement这样的一部分的原因部分可以分离或接近对方的方式来改变宽度的槽，第二次安装方式，建立连接板之间，另一部分说总成。

Lin Zhicheng factories where workers make trouble from the side to show the big-wave era of big wave clouds.

林志成所在的工厂的工人闹事，从侧面展现了大波大浪的时代风云。

Simulation results indicate that for the Taipei Harbor five wave periods 9.8sec, 5.4sec, 4.1sec, 3.6sec, and 3.2sec incident in WNW direction having resonant impact. Whereas in N and NNE directions there exist no resonance phenomena due to sheltering effects from the north-side breakwater.

在港区码头的共振特性上，结果显示在WNW方向入射的波浪有5个周期T=9.8sec、5.4sec、4.1sec、3.6sec、3.2sec对港区码头的共振影响较为显著，在N向与NNE向则因为有北堤防的遮蔽，因此对於港区码头并没有共振发生。

And wherever Germans from the other side have died trying to escape Ulbricht's prison camp, West Berliners mark the spot with crosses that seldom lack for flowers.

不管那些从墙那边来，企图从乌布利希的劳改营中逃脱的人死于何地，西柏林人都用十字架和鲜有间断的鲜花将该地铭记。

And wherever Germans from the other side have died trying to escape Ulbricht's prison camp, West Berliners mark the spot with crosses that seldom lack for flowers.

不管那些从墙那边来，企图逃脱乌布利希的劳改营的人死于何地，西柏林人都用十字架和鲜有间断的鲜花将该地铭记。

Relating to, living on, or coming from the southern side of the Alps .

在山脉这一边的，尤指阿尔卑斯山脉

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。