查询词典 from out to out

Sits in the seashore, looks out into the distance, the blue color sea, is tranquil from time to time affably, from time to time surging forward; The deep blue sky, is clear and bright from time to time like the mirror, from time to time the pink clouds fly the volume, the beautiful scene is it may be said that eyes cannot take it all.

坐在海边，极目远眺，蓝色的大海，时而平静舒缓，时而汹涌澎湃；蔚蓝的天空，时而清朗如镜，时而彩云飞卷，可谓美景目不暇接。

For chromatic editing such as fade-in/fade-out and dissolve, the image edge will change from clear to vague and to clear again during the editing process So we use average edge density to detect fade-in/fade-out and dissolve Experiments indicate that this method can detect fade-in/fade-out and dissolve.

并针对两类编辑模型，提出了可以较好地描述各自独特规律的几个参量。根据淡入／淡出和慢转换过程中边缘由清晰到模糊再逐渐到清晰的特点，提出了用平均边缘强度AED进行淡入／淡出和慢转换的检测。

As Bangkok boils over into a full-fledged gang war, Tanthai crosses gun barrels with a rival from out of his past and risks everything to answer a conscience he thought he'd long ago erased.

在曼谷对一个大规模枪战而愤怒的时候，Tanthai crosses gun barrels with a rival from out of 他的过去的对手，为了回报他过去所失去的良心而甘心犯陷。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

This paper takes the classifier "Chuan" as a case study to explore the issue of classifier teaching from the angles of Chinese characters, language , cognition and culture, and proposes that TCFL teachers should follow human's cognitive mechanism advancing from easy to difficult and from concrete to abstract to carry out a phased teaching of Chinese classifiers stressing varyingly on their grammar, semantic and pragmatic features by adopting comprehensive teaching methods.

文章以量词"串"为例，从文字、语言、认知和文化等角度对量词教学展开探索，认为教师应遵循人类从易到难，从具象到抽象的认知规律，综合运用多种教学方法对量词的语法、语义和语用开展有所侧重的阶段性教学。

For reconstruction from contours, this dissertation uses Active Contour Model to check the boundary contours. The algorithm can generate single, continuous and close contours quickly. For reconstruction from voxel, this dissertation presents an algorithm to trace the boundary contours from segmented regions based on Active Contour Model. The algorithm can trace the contours of inter and outer connected multi-regions correctly and accurately, and can prevent tracing from jumping out to the neighbor region, also can define the contour precision and contour key points actively as snake is growing up.

对于基于轮廓线的表面重建，利用主动轮廓模型（Active Model，又称Snake Model）来完成断层图象上目标轮廓的提取，可以获得单象素连通的封闭的目标边界轮廓；针对基于体素的表面重建中实施了分割后的体数据，提出了一种基于主动轮廓模型完成二值图象中轮廓跟踪记录的方法，可以对同属于重建目标的内外邻接多区域进行正确和准确的边界轮廓跟踪，使得在跟踪当前轮廓时不会跨越到相邻轮廓，且主动轮廓的精度可以根据参数交互决定，尤其是能够在主动轮廓成长的同时主动定义轮廓关键点。

Witnessing his fourth loss of the whole year and the first loss after 24 consecutive final wins, I tried to accept the cruelty with calmness. Witnessing him from being strong to weak to helpless, I felt a knife cutting my heart. Witnessing his super strong mental spirit and fortitude, I was touched into deep pain. Witnessing and hearing with my own ears the proud and champion words coming out of this indomitable man, Roger Federer doesn't pull out, I was speechless in describing this incredible man in front of me. Standing in front of him, telling him I'm so proud of him, and ending up everything with a most sincere and warm hands-shaking, even if it was not the expected and good result in the end, who can say it was not a perfect ending for me, just in a different way?

亲眼目睹他今年的第四场失利，二十四场决赛连胜后的第一场失败，我试着平静接受；亲眼目睹他由强大到力不从心到无奈的无助，我心如刀割；亲眼目睹他那非凡的超越常人的精神气和刚强的意志，我感动到心痛；亲眼看着亲耳听到这个顶天立地的男人吐出铿锵有力的字句Roger Federer doesn't pull out，我已经无法用言语来形容眼前这个不可思议的男人；在他面前，亲自告诉他我为他感到无比骄傲，最后以一个真诚而温暖的握手结束这一切，即使结局并不是我所期待的，但谁又能说这不是另一种完美呢？

The article analyzed the whole work from the viewpoint of pitch structure, and point out the basic pitch structure was a nucleus serial, and the basic method to form the work was partitions of the nucleus serial. It showed the work logic relationship from kernel to extension, from part to whole, and from harmony to the integral structure.

文章从音高结构的角度来审视和分析全曲，指出了构成作品的基本音高组织是&核心序列&；构成作品的基本方式是&核心序列&的&分割&，从而揭示了这首作品从内核到外延，从局部到整体，从和声到整体结构的逻辑关系。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

Optical illusions you see from and by focusing on the beautiful censor Lir and spread out to all types of characters, the secrets of the existense of Proxy is getting clear, apart from imagination, reality is being figured out.

不断登场的异型怪人」「机械」「动作」这些视觉上的蒙蔽，还有以美丽的监查官Lir为中心扩展的各种人物的模样，一边弄清Proxy存在的秘密，一边除去想象，渐渐展现真实。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。