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To keep away from digital distortion caused by analog conversion,"Boutique Recording" applies APOGEE Analog to Digital Converter System in pre-recording, adopts Hi-End Prism Sound Digital to Analog Converter System during post mix and master disposal processes. In a word,"Boutique Recording" minimizes the distortion rate, and maintains the unique spirit of analog music.

为避免后期缩混时过多数字设备所造成的数码味，录音师坚持在前期录音与母带处理过程中使用传奇的模拟设备，在现场录音的同时进行立体声混音工作，为了避免模数转换时所造成的数字失真，达人艺典在前期录音中采用APOGEE模数转换系统，后期缩混及母带制作采用顶级HI-END厂牌Prism Sound数模转换系统，将失真率减到最低，保持独有的模拟音乐味道。

It basically operates the main point as follows: The left hand holds the ticket, the palm is downward, the thumb is pinned in the middle of the left end of the front of the bank note, the forefinger and middle finger are on the back of the bank note, pinch the bank note together with thumb; Left hand the third finger naturally curly, pinch, get up bank note little finger stretch to bank note front push down bank note below the Left deviation; The middle finger of left hand is exerted oneself slightly, the bank note of tight card together with the third finger, little finger; The left hand forefinger is stretched, the thumb is moved upwards, pin the side of the bank note, keep the bank note into the tile shape; Left hand wipe from tabletop bank note, bank note turn, thumb strength wiped from tabletop to borrow prop up bank note covering of a fan and oblique to oneself of WeiKai Cheng; Three fingers of right hand dip in water, rotate and move the lower right corner of the bank note downwards sharp with the thumb, the forefinger cooperates with the thumb to rotate and move on the back of the bank note; Play in one's arms, count while ordering with right hand the third finger bank note got up to rotate; Pay attention to the posture at the some paper money, the health is straight and upright, the eyes It must keep eyeball and bank note from,put dual tactics elbow at tabletop.

其基本操作要领如下：左手持票，手心向下，拇指按住钞票正面的左端中央，食指和中指在钞票背面，与拇指一起捏住钞票；左手无名指自然卷曲，捏起钞票后小拇指伸向钞票正面压住钞票左下方；左手中指稍用力，与无名指、小拇指一起紧卡钞票；左手食指伸直，拇指向上移动，按住钞票的侧面，将钞票压成瓦形；左手将钞票从桌面上擦过，钞票翻转，拇指借从桌面上擦过的力量将钞票撑成微开的扇面并斜对自己面前；右手三个指头沾水，用拇指尖向下捻动钞票右下角，食指在钞票背面配合拇指捻动；用右手无名指将捻起的钞票往怀里弹，边点边记数；点钞时注意姿式，身体挺直，眼睛和钞票保持一定距离，两手肘部放在桌面上。

The Marangoni effect is used to adjust the surface tension of the DNA fluid in order to drive it moving from the warmer end to the cooler end.

该控制方案利用Marangoni效应来调节DNA注射液的表面张力，以产生一个驱动力，使其从热的一端向冷的另一端流动。

From the low-end manufacturing, rose to high-end manufacturing, the key is to raise the value-added industries.

要从低端的制造业，上升到高端的制造业，关键要提高产业的附加值。

In nine recruiters, the higher end-expiratory pressure strategy resulted in significant alveolar recruitment (587 ± 158 ml), improvement in arterial oxygen partial pressure/inspired oxygen fraction ratio (from 150 ± 36 to 396 ± 138), and reduction in static lung elastance (from 23 ± 3 to 20 ± 2 cm H2O/L).

结果显示，两组患者的临床转归相似。19例患者均使用了低PEEP (9 ± 2 cm H2O)和高PEEP(16 ± 1 cm H2O)通气。9例使用了高PEEP受试者肺泡复张显著(587 ± 158 ml)，动脉血氧分压/氧合指数改善(from 150 ± 36 to 396 ± 138)，静息肺弹性下降(from 23 ± 3 to 20 ± 2 cm H2O/L)。

Whereas,beside the entrance door the oleander quietly continue its circles,while one fall after another open,and one wither till another born.Enjoying in such a pleasantly spring breeze,the rainstorm in midsummer as well as the chilly in late autumn,from which I could not distinguish them from its special flourishing or declining times.From spring to autumn,from primroses to flower of fragrant plantain lily and chrysanthemum,all have their honors of keep it company until the end.

然而，在一墙之隔的大门内，夹竹桃却在那里悄悄地一声不响，一朵花败了，又开出一朵，一嘟噜花黄了，又长出一嘟噜；在和煦的春风里，在盛夏的暴雨里，在深秋的清冷里，看不出什么特别茂盛的时候，也看不出什么特别衰败的时候，无日不迎风弄姿，从春天一直到秋天，从迎春花一直到玉簪花和菊花，无不奉陪。

Do something to prevent the annoyance that comes from having to force a scraggly shoelace end through a teeny eyelet: Just dip the end into melted candle wax and the lace will hold until you can buy a new one.

你必须做些什么来避免将散乱的鞋带穿过小孔的烦恼：把鞋带头浸入融化了的蜡烛油中，这样，鞋带就会箍在一起，直到你买了新的鞋带为止。

Death is never a horrible thing,just how you will die matters,everyone in the end will be dust,noblers,niderings,no matter how you are bound to end up in dust," for out of it wast thou taken,for dust thou art,and unto dust shalt thou return" But to die without one's duty fufilled is also one of the biggest shame of man-kind.you must have noticed the background music of this passage-----the theme music of the film Letters from Iwo Jima,a film makes every Chinese feel complicated.whether this film beautifies Japanese Imperial Army or not is not what I want to discuss here.

死亡从来都不是一件可怕的事情，我们只需要在乎怎样死去，每一个人都会在尘土中了结他的一生。&因为你从尘土中来，你既然是尘土，就要回到土中去&《创世纪》。但是抛弃责任而死去，也是人生的一大耻辱。大家一定注意到了这篇文章的背景音乐---电影《硫磺岛家书》的主题曲。这是一个让每一个中国人感到心情复杂的作品。关于这部电影是否美化了二战中的日本军队，我在这里不想作任何评论。

This makes them nicer to hold and easier to flip when you change from the fork end to the spoon end.

这使得她们要好举行，容易倒装当你从叉子结束勺结束。

Io io was the daughter of a rivergod.she was loved,run after and won by zeus.hera became so greeneyed that she flew down from olympus one day to pay her rival back .zeus,however,had foreseen her arrival and changed io into abeautiful white little cow.seeing through the trick,hera asked for the cow as a present and zeus had to give in to her wish .then she left the cow to the care of a hundredeyed monster,argus.argus'' eyes were ever open and no escape was possible.unable to bear to see her so unhappy,zeus sent hermes down todestroy the monster.dressed up as a shepherd,hermes lulled argus to sleep with his sweet songs and long stories,then killed him and set io free.but hera''s anger was not to be calmed downyet.she sent a gadfly to attack the cow and drive her from land to land.in her misery the cow passed over the strait which divides europe and asia.in this way the strip of water got itsname bosporus ,the way of the cow.she wandered over thesea,which by chance got from her its name the ionian sea .in the end she arrived in egypt where she was turned back into hernatural form .she settled down and gave birth to a son,some of her children remained in egypt and ruled as kings for a longtime.

伊俄伊俄是河神的女儿，宙斯爱她、追求她、并得到了她。赫拉对此嫉妒不已。一天她飞下奥林波斯山向情敌施加报复。然而宙斯早已预见到她的光临，就将伊俄变成了一头美丽的小白牛犊，赫拉看穿了其中的诡计，非要一头牛犊作为礼物。宙斯无奈，只得让她如愿以偿。赫拉便将牛犊托付给百眼魔鬼阿刚斯看管。阿刚斯的眼睛永远睁着，要想逃脱是不可能的。看到伊俄如此忧郁，宙斯简直无法忍受，便令赫耳墨斯将魔鬼铲除。赫耳墨斯乔装成牧羊人给阿刚斯唱悦耳动听的歌，讲冗长乏味的故事以哄他入睡。之后便寻机杀死魔鬼，释放了伊俄。但赫拉的狂怒并未消除。她派了一只牛虻去攻击牛犊，使她颠沛流离。在十分悲痛之中，牛犊穿越了分隔欧亚大陆的海峡。从此这片狭长的水域被称作博斯普鲁斯海峡，意为牛犊之路。她接着漫游过海，这片大海也就在偶然中有了名称——伊奥尼亚海，最后她到了埃及，并恢复了她本来的体态和容貌。她在那里落户并生了个儿子。她的一些子孙就呆在了埃及，当了很长时间的国王。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。